FOMRHI Nov 1975 # 1
C-1:
On early 16th century lute barring and bridge placement.
[Announcement]
author: Segerman Abbott
C-2:
The problem of double bridges on 15th century illustrations of rebecs.
author: Rooley
C-3:
Gut strings.
author: Segerman Abbott
C-4:
An inductive thickness gauge.
author: Edmunds
FOMRHI Jan 1976 # 2
C-5:
Geometric description and analysis of instrument shapes.
author: Abbott Segerman
C-6:
Some thoughts on a file of musical instruments.
author: Abbott Segerman
C-7:
Sources of information on authentic lutes.
author: Abbott Segerman
C-8a:
Pictures etc in the Ashmolean Museum.
author: Downing
C-8:
Some manuscripts in the British Library with musical instruments and a few other sources.
author: Montagu
C-9:
Comments on the catalogue of the V&A Museum.
author: Montagu
FOMRHI Apr 1976 # 3
C-10:
Attitude to musical instrument conservation and restoration.
author: O'Brien
C-11:
Proposal for a computer-based index of data concerning historical documents.
author: Theakston
C-12:
Musical instruments in Jean de Gerson's Tractatus de Canticis.
author: Page
C-13:
Musical instruments in medieval Latin biblical glosses.
author: Page
C-14:
References to string materials in some medieval texts.
author: Page
C-15:
Historical background to the strings used by catgut scrapers.
author: Segerman Abbott
C-16:
On the Palmer orpharion.
author: Segerman Abbott
C-17:
Regarding lute pegs and bridges.
author: Curry
C-18:
Blades, Montagu: Early percussion instruments from the middle ages to the baroque.
[Review]
reviewer: Bowles
C-19:
Montagu: Making early percussion instruments.
[Review]
reviewer: Bowles
C-20:
Marcuse: A survey of musical instruments.
[Review]
reviewer: Montagu
FOMRHI Jul 1976 # 4
C-21:
The construction of a monochord.
author: Montagu
C-22:
The polishing of metal surfaces.
author: Betts
C-23:
Some notes on the use of benzotriazole as a preservative for copper and alloys of high copper content.
author: Betts
C-24:
A substitute for ivory.
author: Taggart
C-25:
A 16th century French description of gut strings in Turkey.
author: Wright
C-26:
The Early Musical Instrument Makers Association Limited.
author: Morley
C-27:
A letter to Editors of periodicals with interests in historical instruments.
author: Abbott Segerman Montagu
C-28:
A note on the preparation and distribution of instrument designs.
author: Abbott Segerman
C-29:
Design information for lute makers.
author: Segerman Abbott
C-30:
On single, octave or unison courses in early stringed instruments.
author: Segerman Abbott
FOMRHI Oct 1976 # 5
C-31:
A reconstruction of the Bosch hurdy-gurdy.
author: Tolley
C-32:
Burning as an alternative to boring.
author: Hailperin
C-33:
Colouring of instruments.
author: Lawrence
C-34:
On bending woods.
author: Hachez
C-35:
An ivory substitute.
author: Hachez
C-36a:
Comments on C-41.
author: Segerman
C-36:
Lessons about the naming of instruments offered by the early guitar and violin.
author: Segerman Abbott
C-37:
Praetorius and the viola bastarda.
author: Abbott Segerman
C-38:
Praetorius and English pitch standards in the 17th century.
author: Segerman Abbott
C-39:
On the string length of the 16th century vihuela da mano.
author: Segerman Abbott
C-40:
Why are lute pegboxes bent back.
author: Segerman Abbott
C-41:
Lute pegboxes and necks.
author: Samson
C-42:
Museums, commercialism and instrument drawings.
author: Segerman Abbott
C-43a:
Comments on C-29.
author: Segerman Abbott
C-43:
Notes on the Horniman Museum Handbook.
author: Montagu
C-44:
Montagu: The world of medieval and renaissance musical instruments.
[Review]
reviewer: Segerman
C-44:
Munrow: Instruments of the middle ages and renaissance.
[Review]
reviewer: Segerman
Italian harpsichords, Wraight.
[Plans]
FOMRHI Jan 1977 # 6
C-39a:
Some notes on C-39.
author: Gill
C-44a:
Munrow: Instruments of the middle ages and renaissance (part 1).
[Review]
reviewer: Segerman
C-45:
Renaissance transposing keyboard instruments.
author: Meeùs
C-46:
Recommendations for drawings of keyboard instruments.
author: Barnes
C-47:
Lute pegboxes in pictures 1600-1800.
author: Samson
C-48:
The twelve-course lute.
author: Samson
C-49:
Classic guitar shape.
author: Ecker
C-50:
Jerome of Moravia and bridge curvature in the medieval fiddle.
author: Segerman Abbott
C-51:
Some speculations on medieval fiddle technique.
author: Segerman Abbott
C-52:
What is a musical instrument.
author: Marvin
C-53:
The words authentic and original.
author: Segerman
C-54:
Felling your own timber.
author: Rawson
List Metropolitan Museum of Art, New York.
[Plans]
FoMRHI rules.
[Announcement]
FOMRHI Apr 1977 # 7
C-40a:
In defence of C-40.
author: Segerman
C-44b:
Munrow: Instruments of the middle ages and renaissance (part 2).
[Review]
reviewer: Segerman
C-55:
Reports on FoMRHI seminars Syrus.
author: Montagu
C-56:
FoMRHI book news.
author: Montagu
C-57:
Renaissance transposing keyboard instruments II.
author: Meeùs
C-58:
Jerome of Moravia.
author: Baines
C-59:
The names, string lengths and pitch standards of extended-neck lutes in the 17th century.
author: Abbott Segerman
C-60a:
Some comments on C-60.
author: Montagu
C-60:
Instrument research through artist's depiction.
author: Ecker
C-61:
Detection of reinforcing bars in instruments.
author: Wood
C-62:
Bending irons.
authors: Garrod, Abbott, Young
C-63:
On measures of instruments in museums.
authors: Segerman, Abbott
C-64:
Freighting instruments from the U.K.
author: Wood
FOMRHI Jul 1977 # 8
C-10a:
Comment on C-10: attitudes to musical instrument conservation and restoration by O'Brien.
author: Barnes
C-39b:
Comments on comments (C-39a) on C-39.
author: Segerman Abbott
C-44c:
Montagu: The world of medieval and renaissance musical instruments (part 1).
[Review]
reviewer: Segerman
C-58a:
On prematurity of communication.
author: Segerman Abbott
C-65:
On the sizes of renaissance and baroque viols and violins.
author: Segerman
C-66:
The range of pitch with gut strings of a given length.
author: Samson
C-67:
Principal instruments of 14th century Italy and their structural features.
author: Mayor Brown
C-68:
Comments on technical drawings and photographs of musical instruments.
author: Lee
C-69:
On the dangers of becoming an established scholar.
author: Segerman
C-70:
Profile turning of reamer blanks for use in woodwind.
author: Cameron
C-71:
Humidity cycling for stabilisation of gut and wood.
author: Abbott Segerman Rolfe
C-72:
Tullberg: The manufacture of musical instruments.
[Review]
reviewer: Montagu
C-73:
Diagram_group: Musical instruments of the world.
[Review]
reviewer: Montagu
C-74:
Medieval carvings of musical instruments in St Mary's Church Shrewsbury.
author: Wright
List V&A Museum, London.
[Plans]
FOMRHI Oct 1977 # 9
C-44d:
Montagu: The world of medieval and renaissance musical instruments.
[Review]
reviewer: Segerman (part 2)
C-75:
Notes on the barring of an Arabian lute.
author: Downing
C-76:
Notes on the preservation and repair of the shakuhachi.
author: Mayers
C-77:
Restoration of cupped Flemish wrestplanks.
author: Lee
C-78:
Profiling and tuning of viol front plates.
author: Strahle
C-79:
Another note concerning Praetorius's pitch standards.
author: Segerman
C-80:
Some reflections on the acoustics of the cornett.
author: Leguy
C-81:
The string formula.
author: van Pelt
C-82:
Comment on C-81.
author: Segerman Abbott
C-83:
Wrought iron music wire.
author: Karp
C-84:
Accuracy of measurement of woodwinds and the exact copy.
author: Karp
C-85:
More comments on measured drawings of keyboard instruments.
author: Debenham
C-86:
On measurement.
author: Robinson
C-87:
On C-67.
author: Hailperin
C-88:
A reasoned and practical approach to mean-tone fretting.
author: Segerman Abbott
C-89:
On medieval and early renaissance tunings and fretting patterns.
author: Segerman
C-90:
Katalog der Streichinstrumente Berlin.
[Review]
reviewer: Montagu
C-91:
van der Meer, Thibault: Preservation and restoration of musical instruments.
[Review]
reviewer: Montagu
C-92:
Jenkins: International dictionary of musical instruments.
[Review]
reviewer: Montagu
FOMRHI Jan 1978 # 10
C-100:
Early musical instruments for school construction.
author: Tolley Roscow Allison
C-101:
On C-76 and woodwind crack repair.
author: Karp
C-102:
Overspun strings.
author: Karp
C-103:
The interaction between gut string technology and instrument ranges and sizes up to the 18th century.
author: Segerman
C-104:
A description of the early Irish harp.
author: Hobrough
C-105:
About old music wire.
author: Gug
C-106:
Karp: Basic keyboard tuning techniques.
[Review]
reviewer: Montagu
C-107:
Varquin: hurdy-gurdy drawing.
[Review]
reviewer: Tolley
C-108:
Scheurwater, van Acht: Old harpsichords, their construction and restoration.
[Review]
reviewer: Barnes
C-109:
Stradner: Die musikinstrumente im Seiermarkischen Landeszeughaus in Graz.
[Review]
reviewer: Montagu
C-110a:
Kjeldsberg: Klemt og Klang; Ringve Museum.
[Review]
reviewer: Montagu
C-110:
Kjeldsberg: Musikinstrumenter ved Ringve Museum.
[Review]
reviewer: Montagu
C-111:
Stockmann: Studia Instrumentorum Musicae Popularis, Musikhistoriska museets skrifter.
[Review]
reviewer: Montagu
C-44e:
Montagu: The world of medieval and renaissance musical instruments.
[Review]
reviewer: Segerman (part 3)
C-93:
Report on the 16th century seminar.
author: Montagu Segerman
C-94:
Some thoughts on gut string history before 1600.
author: Segerman
C-95:
A correction to C-50 on Jerome of Moravia's second fiddle tuning.
author: Segerman
C-96:
A hypothesis on the symphony.
author: Montagu
C-97:
Cetra et cetera.
author: Allworth
C-98:
Lead in harpsichord keyboards.
author: Rawson
C-99:
Seasoning your own timber.
author: Rawson
FOMRHI Apr 1978 # 11
C-112:
The compass of the Royal College of Music clavicytherium.
author: Debenham
C-113:
Reproductions.
author: Garrod
C-114:
On the construction of Ruckers harpsichords.
author: Gug
C-115:
More about drawings of keyboard instruments.
author: Barnes
C-116:
The circulation of restoration reports: restoration of square piano c.1820 by Gaiser.
author: Barnes
C-117:
Documentation of a Fort'e Piano mechanism once existing in the Giusti harpsichord.
author: Sutherland
C-118:
A Ganassi flauto.
author: Marvin
C-119:
Three full-sized line drawings of historical wind instruments.
author: Cousen
C-120:
Reed-gouging tool.
author: Holmes
C-121:
Woodwind measurements.
author: Whinray
C-122:
A shaper for recorder block blanks.
author: Whinray
C-123:
Information on regals and foreign language dictionaries.
author: Young
C-124:
An analysis of the fretting of the Canpi cittern at the Royal College of Music in London.
author: Segerman
C-125:
On C-97: Cetra fret blocks.
author: Segerman
C-126:
Twist your strings to improve tone and fretting accuracy.
author: Segerman Abbott
C-127:
More comments on C-39, 39a and 39b.
author: Gill
C-128:
The Maler and Frei lutes - some observations.
author: Downing
C-129:
String tension on Mersenne's lute.
author: Segerman
C-130:
Clean edges on gold leaf.
author: Douglas
C-131:
Some historical notes on acid staining.
author: Owen
C-132:
Two simple varnishes.
author: Rubin
C-133:
A gauge for measuring front-plate thickness profiles of viols.
author: Strahle
C-134:
On wire-comms and wire-comm comments.
author: Karp
List Brussels Museum.
[Plans]
List Société des Amis du Musée Instrumental, Paris.
[Plans]
FOMRHI Jul 1978 # 12
C-135:
A proposed device for more accurate acoustical duplication of stringed instruments.
author: Segerman
C-136:
Speculations on the renaissance viol, the ubiquity of soundholes bracketed by bars, and the history of soundposts.
author: Segerman
C-137:
Strings, twisted and Mersenne.
author: Karp
C-138:
Catline strings.
author: Abbott Segerman
C-139:
Metal-covered threads before 1600.
author: Montagu
C-140:
Making lute pegs.
author: Miller
C-141:
A cut lute recorded.
author: Samson
C-142:
Bologna lutes - comments on C-128.
author: Samson
C-143:
The Baffo virginal.
author: Shann
C-144:
Basic clavichord design.
author: Rawson
C-145:
Method of woodwind frequency measurement data treatment.
author: Raudonikas
C-146:
Nuts, bolts and plugs.
author: Marvin
C-147:
Comments on a visit to the State Institute of Theatre, Music and Cinematographie (Leningrad).
author: Moore
C-148:
FoMRHI book news.
author: Montagu
C-149:
Birsak: Die Holzblas Instrumente im Salzburger Museum Carolino Augusteum.
[Review]
reviewer: Montagu
C-149:
Kaba: Die Römische Orgel von Aquincum.
[Review]
reviewer: Montagu
C-149:
Leppert: Arcadia at Versailles.
[Review]
reviewer: Montagu
C-149:
Remnant: Musical instruments of the West.
[Review]
reviewer: Montagu
C-149:
Salzburger Museum Carolino Augusteum: Jahresschrift 22 1976.
[Review]
reviewer: Montagu
C-149:
Szende: Intervallic hearing, its nature and pedagogy.
[Review]
reviewer: Montagu
FOMRHI Oct 1978 # 13
C-150:
Hutchins: The physics of music.
[Review]
reviewer: Montagu
C-151:
Tolley: Making musical instruments.
[Review]
reviewer: Montagu
C-152:
18th century musical instruments in the National Museum Dublin, with notes on a English guitar 1764 by Gibson.
author: Doyle
C-153:
Longnecks.
author: Kimbel Lupus
C-154:
Mace's theorbo from Musick's Monument, 1676.
author: Miller
C-155:
A red herring on Praetorius's foot.
author: Segerman Young
C-156:
Two-headed lute news.
author: Vang Segerman
C-157:
Musical sculptures in medieval Burgundy.
author: Henning
C-158:
On the sizes of surviving English viols.
author: Segerman
C-159:
The Giusti harpsichord in the Stearns collection.
author: Barnes
C-160:
More about instrument drawings.
author: Barnes Mactaggart
C-161:
Computing cents with a pocket calculator.
author: Meeùs
C-162:
A string calculator.
author: Abbott Segerman
C-163:
Overspun string calculations.
author: Segerman Abbott
C-164:
On twisted metal strings and Mersenne's data.
author: Segerman Abbott
C-165:
On C-86.
author: Robinson
C-166:
Safety with woodworking machines.
author: Rawson
C-167:
Vellum and parchment roses.
author: Rawson
C-168:
Planes for shaping arched bellies of stringed instruments.
author: Young
C-169:
Comments on humidity cycling.
author: Wraight
C-170:
Blown resonance of baroque transverse flute: I pitch axis and wind bands.
author: Raudonikas
FOMRHI Jan 1979 # 14
C-171:
Jansen: The bassoon, part I.
[Review]
reviewer: Montagu
C-172:
Divisions: volume 1, no. 1.
[Review]
reviewer: Montagu
C-173:
A possible soundboard finish for lutes and guitars.
author: Harwood
C-174:
On the time of invention of overspun strings.
author: Abbott Segerman
C-175:
The identity of 18th century 6-course lutes.
author: Hodgson
C-176:
Early 16th century lute constructions.
author: Hodgson
C-177:
A table to convert plain gut string sizes to equivalent overwound string specifications.
author: Hodgson
C-178:
Mensur? Ugh.
author: Segerman
C-179:
Fret distances from the nut for every interval above the open string.
author: Abbott Segerman Spencer
C-180:
Making reamers on a shoestring.
author: Marvin
C-181:
Blown resonance of baroque transverse flute: II characteristic frequency.
author: Raudonikas
C-182:
Planning a workshop.
author: Rawson
C-183:
On Mersenne's twisted data and metal strings.
author: Karp
C-184:
Notes on European harps.
author: Hobrough
C-185:
Peg taper finisher and cutter.
author: Mather
C-186:
The viola pomposa.
author: Smith
C-187:
More on the sizes of English (and other) viols.
author: Segerman Abbott
FOMRHI Apr 1979 # 15
C-188a:
Ford: Making musical instruments.
[Review]
reviewer: Montagu
C-188b:
Ford: Making musical instruments.
[Review]
reviewer: Segerman
C-188c:
Ford: Making musical instruments.
[Review]
reviewer: Barnes
C-189:
MacLeod-Coupe: Lute construction.
[Review]
reviewer: Hodgson
C-190:
Jansen: The bassoon, part I (plates).
[Review]
reviewer: Montagu
C-191:
Boyle: Intervals, scales and temperaments.
[Review]
reviewer: Montagu
C-192:
Cornett and Sackbut, journal.
[Review]
reviewer: Montagu
C-193:
Heyde: Musikinstrumenten Museum Leipzig band 1 Flöten.
[Review]
reviewer: Montagu
C-194:
The development of the calachon.
author: Hodgson
C-195:
Soundhole migration in the development of the lute.
author: Downing
C-196:
Early 16th century lute construction.
author: Downing
C-197:
Woodwind making techniques.
author: Cameron
C-198:
Soundboard finishes.
author: Shann
C-199:
Mersenne untwisted.
author: Segerman
C-200:
A method for making traditional tuning pins.
author: Barnes
C-201:
Artificial ivory made from milk.
author: Pereira
C-202:
Inventory of the workshop of Kejcher, Krakow (1548-1599).
author: Ducept
C-203:
The Memling Angel Musicians Psaltery.
author: Kottick
C-204:
Making a fraize.
author: McCrone
C-205:
A gouge for measuring thickness of musical instrument soundboards.
author: Tourin
C-206:
On Chladni-plate tuning of baroque viol soundboards.
author: Segerman
C-207:
Further to C-145 and C-80.
author: Leguy
FOMRHI Jul 1979 # 16
C-208:
Tolley: Making musical instruments.
[Review]
reviewer: Baines
C-209:
Hope: Baroque guitar (record).
[Review]
reviewer: Montagu
C-210:
Jansen: The bassoon, part II.
[Review]
reviewer: Montagu
C-211:
Musical instrument conservation and technology journal.
[Review]
reviewer: Montagu
C-212:
Divisions, volume 1, no. 2.
[Review]
reviewer: Montagu
C-213:
Ross: Musical instruments at the University of Iowa.
[Review]
reviewer: Montagu
C-214:
Diderot, viols and false tables.
author: Miller
C-215:
On baroque lute strings and tunings.
author: Segerman
C-216:
Acoustics, appearance and authenticity - are our priorities right.
author: Samson
C-217:
The 3 R's: responses, rejoinders and reminders to C-216.
author: Hodgson
C-218:
Further to C-216.
author: Segerman
C-219:
Early 16th century lute reconstructions.
author: Hodgson
C-220:
Tonal balance and bar depths.
author: Samson
C-221:
An acoustical problem.
author: Montagu
C-222:
On accuracy of measurements.
author: Pereira
C-223:
On seasoning timber.
author: Gould
C-224:
A note on electronic tuning aids.
author: Gould
C-225:
The cataloguing of instruments and associated references.
author: Holmes
C-226:
A serviceable early baroque flauto.
author: Marvin
C-227:
Making double reeds for renaissance wind instruments.
author: Meyer Kottick
FOMRHI Oct 1979 # 17
C-228:
Note on titebond.
author: Butler
C-229:
Blown resonance of baroque transverse flute: III influence of cork position alteration.
author: Raudonikas
C-230:
Small planes.
author: Williams
C-231:
Standards for instrument plans.
author: Williams
C-232:
On the information in instrument drawings.
author: Segerman
C-233:
A jig for preparing and glueing lute neck joints.
author: Ellis
C-234:
Parchment roses.
author: Theakston
C-235:
Parchment roses.
author: Kemner
C-236:
The collection of Ukranian folk instruments at Kiev.
author: Zajaruzny
C-237:
Dental acrylic.
author: Mercer
C-238:
Jewelery in wood etc.
author: Samson
C-239:
Comment on C-227.
author: Gould
C-240:
Some original receipts, appertaining to the varnishes of lutes in Italy.
author: Forrester
C-241:
Crumhorns - a letter from Hanchet to Montagu.
C-242:
Crafts Council Conservation Sourcebook.
[Review]
reviewer: Montagu
C-243:
Muskett: Method for the vielle or hurdy-gurdy.
[Review]
reviewer: Tolley
C-244:
Toll: Bar Consort Earl Music (record).
[Review]
reviewer: Montagu
C-245:
Jansen: The bassoon, part II (plates) & III.
[Review]
reviewer: Montagu
FOMRHI Jan 1980 # 18
C-246:
List of plans.
author: Paris Conservatoire
C-247:
Adhesive bonding in musical instrument construction.
author: Brown
C-248:
Response to Butler's C-228: more on titebond.
author: Cumpanio
C-249:
Adhesive for the cornetto maker.
author: Drake
C-250:
String keyboard instruments.
author: Rawson
C-251:
Some thoughts on manufacture and production.
author: Montagu
C-252:
More on computer catalogues.
author: Holmes
C-253:
Theory of viol design - I.
author: Segerman
C-254:
Making woodwind keys.
author: Bigio
C-255:
This quarter's good cause: the FoMRHI book list.
author: Hobrough
C-256:
Files and benches.
author: Hobrough
C-257:
Old keyboard tablature used in making organ pipes.
author: Pereira
C-258:
Untitled.
author: Spalding
C-259:
Notes on the drawings and photographs of the liuto attiorbato by Choc in the V&A museum.
author: Lourie
C-260:
Position of bridge and bars regarding tone production.
author: Mather
C-261:
Jansen: The bassoon, part IV.
[Review]
reviewer: Montagu
C-262:
Zeugnisse alter Musik XI, 1980.
[Review]
reviewer: Montagu
C-263:
Divisions, volume 1, no. 3.
[Review]
reviewer: Montagu
C-264:
Fuller: Mechanical musical instruments as a source for the study of notes inégales.
[Review]
reviewer: Montagu
C-265:
Tiella: Indirizzi di ricerca su strumenti pre-rinascimentali.
[Review]
reviewer: Montagu
C-266:
Brauchli: The renaissance clavichord I & II (records).
[Review]
reviewer: Montagu
List Société des Amis du Musée Instrumental, Paris.
[Plans]
FOMRHI Apr 1980 # 19
C-267:
Lute body manufacture - the authentic way.
author: Downing
C-268:
Is restoration doomed.
author: Rawson
C-269:
Viol dimensions.
author: Tourin
C-270:
An Irish hurdy-gurdy in the National Museum Dublin.
author: Doyle
C-271:
An early gemshorn.
author: Muskett
C-272:
Styll shalmes.
author: Buckland
C-273:
More on drawings of keyboard instruments.
author: Pereira
C-274:
Mandora and calachon.
author: Gill
C-275:
The hurdy-gurdy.
author: Palmer
C-276:
Palmer: The hurdy-gurdy.
[Review]
reviewer: Montagu
C-277:
Dürichen: Corrette's Method for learning to play the vielle-a-roue.
[Review]
reviewer: Muskett
C-278:
Leguy: Précis de fracture d'anches renaissance.
[Review]
reviewer: Wood
C-279:
Tibia 1/80 journal.
[Review]
reviewer: Montagu
C-280:
Haine: Adolphe Sax.
[Review]
reviewer: Montagu
C-281:
Jansen: The bassoon, part V.
[Review]
reviewer: Montagu
C-282:
Moonen: Drawings of four woodwind instruments in the Brussels Museum.
[Review]
reviewer: McCrone
C-283:
Ellis: Hanes y delyn yng Nghymru.
[Review]
reviewer: Montagu
C-283:
Ellis: The story of the harp in Wales.
[Review]
reviewer: Montagu
C-284:
Rans, Misschaert: Die nachtegael int wilde (record).
[Review]
reviewer: Montagu
C-285:
Rans, Misschaert: Die nachtegael int wilde (record).
[Review]
reviewer: Yakeley
List Royal College of Music, London.
[Plans]
FOMRHI Jul 1980 # 20
C-286:
On the distinction between the hurdy-gurdy and the vielle-a-roue.
author: Montagu
C-287:
Further to C-275.
author: Longstaff
C-288:
Further to C-276.
author: Palmer
C-289:
A note on the belly construction of early English viols.
author: Segerman
C-290:
Making solid bentsides for harpsichords.
author: Rose
C-291:
Painting keyboard instruments.
author: Rawson
C-292:
Making arcades for keyboard instruments.
author: Rawson
C-293:
Arcade cutting.
author: Glover
C-294:
A jig for use in arching and thicknessing viol front plates.
author: Strahle
C-295:
Further to C-295.
author: Gill
C-296:
Introduction to the small organ.
author: Gwynn
C-297:
Tyler: The early guitar.
[Review]
reviewer: Hope
C-298:
Jansen: The bassoon, part VI.
[Review]
reviewer: Montagu
C-299:
Hope: Italian baroque guitar (record).
[Review]
reviewer: Montagu
List V&A Museum, London.
[Plans]
FOMRHI Oct 1980 # 21
C-300:
Lute soundboards - how were they fitted.
author: Samson
C-301:
Classification system of the pitches with various absolute height.
author: Raudonikas
C-302:
A simple, safe method for making pine resin varnish.
author: Duncalf Segerman
C-303:
Building lute backs with a flattened section.
author: Lourie
C-304:
The forked shawm.
author: Montagu
C-305:
Electronic aids and their use in early music.
author: Isbell
C-306:
Laminated soundboards for harpsichords.
author: Way
C-307:
Painting harpsichords.
author: Way
C-308:
Making solid bentsides for harpsichords.
author: Way
C-309:
Thibault, Rokseth: Trois chansonniers Français du XV siècle.
[Review]
reviewer: Fallows
C-310:
Jansen: The bassoon, part VII.
[Review]
reviewer: Montagu
C-311:
Haine, de Keyser: Catalogue des instruments Sax au Musée Instrumental de Bruxelles.
[Review]
reviewer: Montagu
C-312:
Burney: An account of the musical performances in Westminster-Abbey.
[Review]
reviewer: Montagu
C-313:
Orcutt: The Stradivari memorial.
[Review]
reviewer: Montagu
C-314:
Dolmetsch: Personal recollections of Arnold Dolmetsch.
[Review]
reviewer: Montagu
C-315:
Nothern Renaissance Instruments, catalogue.
[Review]
reviewer: Montagu
C-316:
The master musicians of Jajouka at the Commonwealth Institute London (concert).
[Review]
reviewer: Montagu
FOMRHI Jan 1981 # 22
C-317:
Early music instruments from shipwrecks, lake dwellings and rivers.
author: Morrison
C-318:
Plane scraping for profit and pleasure.
author: Glover
C-319:
The baroque guitar - one day course - Hope.
author: O'Sea
C-320:
Untitled (photogrammetrics and organology).
author: Tiella
C-321:
Lute construction - further comments.
author: Downing
C-322:
FoMRHI conference on pitch and transposition.
author: Rose
C-323:
The problem of nomenclature.
author: Montagu
C-324:
Why do some lutes have flattened backs.
author: Samson
C-325:
On the number of guts in a gut string.
author: Segerman
C-326:
Parrish: Johannes Tinctoris translated.
[Review]
reviewer: Page
List Brussels Museum.
[Plans]
List Hill collection, Ashmolean Museum, Oxford.
[Plans]
FOMRHI Apr 1981 # 23
C-327:
To study the embouchure hole form.
author: Raudonikas
C-328:
What was the flauto d'echo.
author: Montagu
C-329:
Covered strings for clavichords and square pianos.
author: Barnes
C-330:
How to make a baroque trumpet (I).
author: van der Heide
C-331:
A temporary debarockant.
author: Drake
C-332:
Photogrammetric measurement.
author: Hobrough
C-333:
Devices for measuring the undercutting.
author: Karp
C-334:
Enigmatic bars.
author: Mather
C-335:
String to soundboard proximity.
author: Mather
C-336:
Early double reeds.
author: Haynes
C-337:
English nomenclature of extended lutes.
author: Spencer
C-338:
Criteria for the naming of instruments.
author: Segerman
C-339:
On water-resistant glues.
author: Coutrait
C-340:
On shafts and bearings for hurdy-gurdies.
author: Palmer
C-341:
Lead in keyboards.
author: Hermans
C-342:
Organ pitch.
author: Gwynn
C-343:
A string diameter on Mersenne's bass viol.
author: Namreges
C-344:
Ambiguity in Mersenne's use of Grosseur.
author: Segerman
C-345:
Warning.
author: Gretton
C-346:
Blumenfeld: The Syntagma Musicum Praetorius translated.
[Review]
reviewer: Montagu
C-347:
Carse: Musical wind instruments.
[Review]
reviewer: Bate
C-348:
Henkel: Musikinstrumenten Museum Leipzig band 2 Kielinstrumente.
[Review]
reviewer: Montagu
C-348:
Heyde: Musikinstrumenten Museum Leipzig band 3 Trompeten, Posaunen, Tuben.
[Review]
reviewer: Montagu
C-349:
Speer: Grundrichter Unterricht der musikalische Kunst oder Vierfaches musikalisches Kleeblatt, 1697.
[Review]
reviewer: Montagu
C-350:
Jansen: The bassoon, part VIII & IX.
[Review]
reviewer: Montagu
FOMRHI Jul 1981 # 24
C-351:
On nomenclature - a rejoinder.
author: Montagu
C-352:
The lower bout back fold on English treble viols.
author: Segerman
C-353:
Restoration of a recorder edge.
author: Miller
C-354:
Sinking harpsichord soundboards.
author: Way
C-355:
Fingering on the Gaita galega.
author: Gretton
C-356:
Bending massive bentsides.
author: Kalsbeek
C-357:
The business end (sharp end) of the cornetto.
author: Gretton
C-358:
Valves and mouthpieces for bagpipes.
author: Gretton
C-359:
The inverted mordent in late 16th and 17th century music.
author: Segerman
C-360:
An inventory of the Charles van Raalte Collection in instruments.
author: Downing
C-361:
Jansen: The bassoon, part X.
[Review]
reviewer: Montagu
C-362:
Taylor: The musician's piano atlas.
[Review]
reviewer: Montagu
C-363:
Myers: A check-list of the brass musical instruments in the Edinburgh University collection.
[Review]
reviewer: Montagu
C-364:
Nagy: Michael Haydn, ein Überblick über sein Leben.
[Review]
reviewer: Montagu
C-365:
Stewart: The Shrine to Music Museum, vol 1, keyed brass instruments.
[Review]
reviewer: Montagu
FOMRHI Oct 1981 # 25
C-366:
Restoration reports for two Broadwood pianos.
author: Barnes
C-367:
Browning harpsichord pins.
author: Way
C-368:
The nomenclature of plucked keyboard instruments.
author: Meeùs
C-369:
On renaissance flute design.
author: Underhill
C-370:
Mixed clavichord and spinette (with vibrato).
author: Matern
C-371:
Further to C-342.
author: Raudonikas
C-372:
Peg mill attached to a lathe.
author: Steafel
C-373:
Further to Still Shalmes (C-272).
author: Buckland
C-374:
Further to comments by Rein on C-307.
author: Mactaggart
C-375:
Proposal for a medieval workshop.
author: Hobrough
C-376:
More on organological terminology - response to C-351.
author: Segerman
C-377:
Lute outlines - geometrical description.
author: Samson
C-378:
Report on the restoration of a violin.
author: Watchorn
C-379:
Thickness graduation of the Tourte bow - simple alternative.
author: Segerman
C-380:
Conservation of research information vs a playing collection.
author: Segerman
C-381:
Design of a viol belly.
author: Moonen
C-382:
On Talbot's measurements of viols.
author: Segerman
C-383:
Jansen: The bassoon, part XI.
[Review]
reviewer: Montagu
C-384:
UK Institute for Conservation: Conservation, archaeology & museums.
[Review]
reviewer: Montagu
C-385:
Canadian Conservation Institute: Care of musical instruments in Canadian collections.
[Review]
reviewer: Montagu
C-386:
Musikhistoriska Museet Stockholm: Studia instrumentorum popularis VII.
[Review]
reviewer: Montagu
C-387:
Montagu: Geschichte der Musikinstrumente in Mittelalter und Renaissance.
[Review]
reviewer: Montagu
FOMRHI Jan 1982 # 26
C-388:
Yet more on organological terminology. Montagu.
C-389:
Should museum instruments be used.
author: Montagu
C-390:
Construction of ivory cornetti and tuning cornetti at the sharp end.
author: Gretton
C-391:
Brass.
author: Karp
C-392:
A method of casting harpsichord roses.
author: Paul
C-393:
Keyboard restoration.
author: Barnes
C-394:
About restoration reports for fortepianos.
author: Hermans
C-395:
Construction of viol bellies by bending all staves.
author: Segerman Duncalf
C-396:
Production of plectrum from bird feathers.
author: Lajaruzny
C-397:
Soundhole evolution.
author: Lajaruzny
C-398:
A survey of graces in the renaissance and early baroque.
author: Segerman
C-399:
Mactaggart: Laying & decorating harpsichord papers.
[Review]
reviewer: Montagu
C-400:
Paul: Modern harpsichord makers.
[Review]
reviewer: Montagu
C-401:
Langwill: A check-list of the double-reed musical instruments in the Edinburgh collection.
[Review]
reviewer: Montagu
C-402:
Roche: A dictionary of early music.
[Review]
reviewer: Montagu
FOMRHI Apr 1982 # 27
C-403:
A method for casting harpsichord roses.
author: Paul
C-404:
Woodwind bore measurement and analysis.
author: Lewin
C-405:
Drone system of the Lissieu musette.
author: Greensitt
C-406:
Woodwind bore oil.
author: Karp
C-407:
Orpharion news.
author: Segerman
C-408:
More mid- 16th century information on Spanish gracing.
author: Segerman
C-409:
Renaissance and baroque bows.
author: Segerman
C-410:
Hizler's tenor violin.
author: Segerman
C-411:
On Memling's psaltery. Segerman.
C-412:
Proposed construction of a medieval fiddle.
author: Segerman
C-413:
All-gut bass strings.
author: Segerman
C-414:
All-nylon strung lutes.
author: Irvine
C-415:
More on C-375.
author: van Dijk
C-416:
Schrammek, Herre.
[Review]
List Germanisches Nationalmuseum, Nürnberg.
[Plans]
FOMRHI Jul 1982 # 28
C-417:
Computing lute rib shapes.
author: Peckham
C-418:
Braga cathedral - gospel organ.
author: Pereira
C-419:
Blown resonance of baroque transverse flute: IV the tone and the blowing process.
author: Raudonikas
C-420:
Lute action.
author: Brown
C-421:
A new edition of Langwill's index.
author: Waterhouse
C-422:
Aguado: New guitar method.
[Review]
reviewer: Hope
C-423:
Emery: A check-list of the bowed string musical instruments in the Edinburgh collection.
[Review]
reviewer: Montagu
C-424:
Dreieich Museum: Two catalogues of exhibitions (Flöten; Drehleier & Dudelsack).
[Review]
reviewer: Montagu
C-425:
Coover: Musical instrument collections, Catalogues.
[Review]
reviewer: Montagu
List Musikmuseet, Stockholm.
[Plans]
List Musée Grobet, Labadie.
[Plans]
List Société des Amis du Musée Instrumental, Paris.
[Plans]
FOMRHI Oct 1982 # 29
C-426:
Zen-on: The recorder collection of Frans Brüggen.
[Review]
reviewer: Montagu
C-427:
James: A word of two on the flute (1826).
[Review]
reviewer: Montagu
C-428:
Blades: A check-list of the percussion musical instruments in the Edinburgh collection.
[Review]
reviewer: Montagu
C-428:
Macauly: A check-list of the plucked and hammered string musical instruments in the Edinburgh collection.
[Review]
reviewer: Montagu
C-429:
Kjeldsberg: Musikinstrumenter ved Ringve Museum.
[Review]
reviewer: Montagu
C-430:
Boydell: The crumhorn and other renaissance windcap instruments.
[Review]
reviewer: Moonen
C-431:
Making unsoldered oboe staples.
author: Kirkpatrick
C-432:
Finishing lute soundboards.
author: Brown
C-433:
Two possible sources of instrument-making timber.
author: Mills
C-434:
Perforating soundboard roses with scissors.
author: Williams
C-435:
Report on the Stuttgart harpsichord exhibition August 1982.
author: Champollion
C-436:
Converting cents to Hertz.
author: Bigio
C-437:
Speculations on the rote.
author: Segerman
C-438:
Strings for the violin family.
author: Segerman
FOMRHI Jan 1983 # 30
C-439:
Heinrich Schütz's strings.
author: Karp
C-440:
Ferrous wire of high tensile strength ca. 1600.
author: Segerman
C-441:
Blown resonance of baroque transverse flute: V tolerances of tones.
author: Raudonikas
C-442:
On German, Italian and French pitch standards in the 17th and 18th century.
author: Segerman
C-443:
Converting note names to frequency values.
author: Karp
C-444:
Relative string lengths of the crwth.
author: Montagu
C-445:
Fairly, Flutes, flautists and makers.
[Review]
reviewer: Montagu
C-446:
Royal College of Music Museum Catalogue part I, European wind instruments.
[Review]
reviewer: Montagu
C-447:
Campbell: A check-list of the free reed, miscellaneous and ancillary instruments in the Edinburgh collection.
[Review]
reviewer: Montagu
FOMRHI Apr 1983 # 31
C-448:
The trapozoidal triangle - a practical solution.
author: Glover
C-449:
Spoon-castagnetts of Turkey.
author: Harders
C-450:
Notes on copyright(©).
author: Mactaggart
C-451:
Another recipe for copal varnish.
author: Gretton
C-452:
The story of a harpsichord string.
author: Gug
C-453:
A double recorder.
author: Marvin
C-454:
Workshop gimmicks.
author: Stanners
C-455:
Lettering.
author: Bridges
C-456:
On the size of Italian theorboes and archlutes before 1650.
author: Segerman
C-457:
Tuning instruments having a conical bore.
author: van der Heide
C-458:
Early 18th century bows and screws.
author: Segerman
C-459:
A note on mean temperament.
author: Segerman
C-460:
Wood contraction and instrument bores.
author: Segerman
C-461:
Transferring soundboard designs.
author: Mactaggart
C-462:
Lane: The trombone in the middle ages and the renaissance.
[Review]
reviewer: Montagu
C-463:
Seyfritt: musical instruments in the Dayton C. Miller collection.
[Review]
reviewer: Cousen
FOMRHI Jul 1983 # 32
C-464:
The sizes and pitches of Italian archlutes.
author: Hodgson
C-465:
The mean-tone.
author: Karp
C-466:
Some notes on cittern fingerboards and stringing.
author: Forrester
C-467:
On restoration.
author: Way
C-468:
Lost traditions - or are they.
author: Montagu
C-469:
Portatives with reservoirs.
author: Bridges
C-470:
Moisture blocking of fipple flutes.
author: Willetts
C-471:
Comments on bows and their screws, taps, dies and lathes.
author: Mather
C-472:
Put the gurus out to grass.
author: Crookes
C-473:
Comments on C-448.
author: Montagu
C-474:
Acid staining of hardwoods.
author: Willetts
C-475:
Woodwind bore oil.
author: Willetts
C-476:
How to make your own mouldings in wood.
author: Hendry
C-477:
What is a historical instrument.
author: Segerman
C-478:
Cheape: A check-list of the bagpipes in the Edinburgh collection.
[Review]
reviewer: Montagu
C-479:
Cross: The Shrine to Music Museum, vol 2 instruments of Burma, India, Nepal, Thailand, Tibet.
[Review]
reviewer: Montagu
C-480:
Vorreiter: Die schönsten Musikinstrumente des Altertums.
[Review]
reviewer: Montagu
C-481:
Bingham, Catalogue of old brasswind instruments.
author: Montagu
C-482:
Ueno Gakuen College Tokio: Catalogue of the European musical instruments of the 17th-19th century.
[Review]
reviewer: Montagu
C-483:
Overton: Der Zink, Geschichte, Bauweise and Spieltechnik eines historischen Musikinstruments.
[Review]
reviewer: Gretton
FOMRHI Oct 1983 # 33
C-484:
Notes on a painting by Sabastino Lazzari.
author: Downing
C-485:
The NF treble recorder at the Museum der Stadt Meran.
author: Zaniol
C-486:
Geometrical description and analysis of instrument shapes; considerations on early 16th century lute construction.
author: Steinberg
C-487:
Bone for peg decoration.
author: Jenkins
C-488:
The fingered 16' on the harpsichord.
author: Shann
C-489:
Comments on C-417 and C-420.
author: Samson
C-490:
Mersenne, Praetorius and the English viol pitch standard: problems of the history of early pitches.
author: Meeùs
C-491:
Response to C-490 on English viol pitches.
author: Segerman
C-492:
Untitled (tuning conical bore woodwind instruments).
author: Marvin
C-493:
Fingering the Gaita galega: the horse speaks.
author: Stacey
C-494:
Health-shop historicity.
author: Crookes
C-495:
No posterity for the eunuch flute.
author: Crookes
C-496:
Schrammek, Herre: Museum Musicum Leipzig.
[Review]
reviewer: Henning
C-497:
Waterhouse: The proud bassoon (catalogue).
[Review]
reviewer: Montagu
C-498:
Henkel: Musikinstrumenten Museum Leipzig band 4 Clavichorde.
[Review]
reviewer: Montagu
C-498:
Heyde: Musikinstrumenten Museum Leipzig band 5 Hörner und Zinken.
[Review]
reviewer: Montagu
C-499:
Stradner: Linzer Musikinstrumente der Bruckner-Zeit, Linz.
[Review]
reviewer: Montagu
C-500b:
Untitled (and some more).
author: Kolberg
C-500:
Trouble with C-302 varnish.
author: Segerman
FOMRHI Jan 1984 # 34
C-501:
The UKIC and V&A Christmas symposium.
author: Montagu
C-502:
Some comments on C-477.
author: Gretton
C-503:
Effects applicable to the tuning of instruments with a conical bore (replaces C-457).
author: van der Heide
C-504:
How to make a baroque trumpet (II).
author: van der Heide
C-505:
Comments on C-483: review of Der Zink.
author: Overton
C-506:
18th century success of copal varnish.
author: Segerman
C-507:
Lunatic crumhorn.
author: Crookes
C-508:
Observations prelusive to reconstructing the kithara.
author: Crookes
C-509:
Conjectures about making harpsichord bentsides.
author: Lee
C-510:
The key system of the organistrum.
author: Gibson
C-511:
Dean castle: van Raalte collection organs.
author: Coetze
C-512:
Drilling bristle-holes in wooden jacks.
author: Groom
C-513:
Comments on C-488: the fingered 16'.
author: Meeùs
C-514:
Recorder voicing: answers to questions.
author: Willoughby
C-515:
Henkel: Beiträge zum historischen Cembalobau.
[Review]
reviewer: Wraight
C-516:
Tibia-Calendrium 1984.
[Review]
reviewer: Montagu
C-517:
Barclay: Anatomy of an exhibition: the look of music.
[Review]
reviewer: Montagu
C-518:
Mactaggart: Painting and marbling harpsichord cases.
[Review]
reviewer: Montagu
C-519:
Gernhardt, Henkel, Schrammek: Musikinstrumenten Museum Leipzig band 6 Orgelinstrumente, Harmoniums.
[Review]
reviewer: Montagu
C-520:
van Acht: Volksmuziek en volksmuziekinstrumenten in Europa, Haags Gemeente Museum.
[Review]
reviewer: Montagu
C-521:
Brauchli: Carlos Seixas's nine sonatas for clavichord (record).
[Review]
reviewer: Montagu
FOMRHI Apr 1984 # 35
C-522:
The Icelandic langspil.
author: Crookes
C-523:
Trends towards historical accuracy in popular design.
author: Segerman
C-524:
Was the violin a French invention after all.
author: Segerman
C-525:
Fingerboard length on the baroque violin.
author: Segerman
C-526:
Comments on Bull. Supp. 34: O'Kelly table.
author: O'Kelly
C-527:
Lute string calculation and identification.
author: O'Kelly
C-528:
Further on early manufacture of gut strings.
author: Zaniol
C-529:
Further on C-514.
author: Zaniol
C-530:
Notes on Theobald Böhm's article on the open G-sharp key.
author: Böhm
C-531:
The Mary Rose shawm or dulcina.
author: Lyndon-Jones
C-532:
The fornication of recorder windways.
author: Marvin
C-533:
Miscellaneous comments.
author: Cronin
C-534:
The oldest organ in Christendom.
author: Montagu
C-535:
Using the pitchmeter and digituner.
author: Crowe
C-536:
Some thoughts on the use of renaissance legends.
author: Crookes
C-537:
Flemish transposing harpsichords - some rejoinders answered.
author: Shann
List Royal College of Music, London.
[Plans]
List woodwind, Bate collection, Oxford.
[Plans]
FOMRHI Jul 1984 # 36
C-538:
Italian two-manual harpsichords.
author: Wraight
C-539:
Comments.
author: Way
C-540:
Bending harpsichord bentsides.
author: Shann
C-541:
Further to C-529.
author: Willoughby
C-542:
Making a Roman cornu.
author: Barton
C-543:
Response to C-533.
author: Hailperin
C-544:
Making a bodhrán without steaming.
author: Crookes
C-545:
On making stitched drumheads.
author: Gould
C-546:
Three unrelated rebukes.
author: Crookes
C-547:
Figures relevant to C-546.
author: Segerman
C-548:
Steel music wire.
author: Karp
C-549:
Reply to C-526.
author: Segerman
C-550:
The lengths of bows in the baroque.
author: Segerman
C-551:
Converting note names & cents to frequency values by micro computer.
author: Owen
C-552:
Quarna: vivera di Strumenti.
[Review]
reviewer: Montagu
C-553:
Lund: The sounds of prehistoric Scandinavia (record).
[Review]
reviewer: Montagu
C-554:
Praxis vol.1, Studi e testi sull' interpretazione della musica, 1983.
[Review]
reviewer: Montagu
C-555:
Lindley: Lutes, viols & temperaments.
[Review]
reviewer: Montagu
List woodwind, Bate collection, Oxford.
[Plans]
FOMRHI Oct 1984 # 37
C-556:
Lindley: Lutes, viols & temperaments.
[Review]
reviewer: Hodgson
C-557:
Viol bellies and bridges.
author: Munck
C-558:
Frau Musica detected.
author: Henning
C-559:
Partial response to C-442, C-490 & C-491 (pitch standards).
author: Crighton
C-560:
A tiny harp made from bog oak.
author: Crookes
C-561:
Progress report on the kithara.
author: Crookes
C-562:
More cello spikes and lute strings.
author: Crookes
C-563:
Why gut treble strings are the best.
author: Segerman
C-564:
A thicknessing procedure for baroque and modern bows.
author: Segerman
C-565:
Wood for bows.
author: Jenkins
C-566:
A reply to C-505 (Overton).
author: Gretton
C-567:
Making mild steel (flat-stock) reamers.
author: Willoughby
C-568:
To hell with whither - it's what that counts.
author: Montagu
C-569:
The transition from octave to unison stringing.
author: Shann
C-570:
The colour of the Ruckers' wood-grain paper.
author: Shann
C-571:
Scraping plane for mouldings in wood.
author: Greenberg
C-572:
Bending bentsides using steam or hot-iron.
author: Greenberg
C-573:
Re: C-540.
author: Way
C-574:
Harpsichord bottom screws.
author: Way
C-575:
Tentative observations about barred soundboards.
author: Way
C-576:
Non-ferrous harpsichord wire.
author: Way
C-577:
Installing soundboard wet and dry.
author: Way
List woodwind, Bate collection, Oxford.
[Plans]
FOMRHI Jan 1985 # 38
C-578:
The new Grove dictionary of musical instruments 3 vol. Montagu.
[Review]
C-579:
Bingham: Patents for inventions related to musical instruments, 1694-1866.
[Review]
reviewer: Montagu
C-580:
Bingham: Harmony for the flute.
[Review]
reviewer: Montagu
C-581:
Stacey, Wishart: Bagpipes & hurdy-gurdies.
[Review]
reviewer: Montagu
C-582:
Woodfield: The early history of the viol.
[Review]
reviewer: Montagu
C-583:
Mactaggart: Practical guilding.
[Review]
reviewer: Montagu
C-584:
Taylor: The musician's piano atlas, suppl 1.
[Review]
reviewer: Montagu
C-585:
List of northern French makers.
author: Delassus
C-586:
Re: scraping plane in C-571.
author: Young
C-587:
Materials and tone quality.
author: Cronin
C-588:
A contribution to authenticity in the art of drum making.
author: Gould
C-589:
Did nothing survive from Roman antiquity.
author: Crookes
C-590:
Some Nietzschean aphorisms to stir up trouble.
author: Crookes
C-591:
Some historical data on harpsichords.
author: Shann
C-592:
Bentsides again.
author: Shann
C-593:
The pitch of Ruckers instruments.
author: Shann
C-594:
Possible reconstruction of Stradivarius cellos.
author: Smith
C-595:
Baroque cello spikes.
author: Smith
C-596:
Response to Crighton's C-559.
author: Segerman
C-597:
English viol sizes and pitches.
author: Segerman
C-598:
What Praetorius wrote on English viols.
author: Segerman
C-599:
King Henry VIII's stump.
author: Chiverton
List woodwind, Bate collection, Oxford.
[Plans]
FOMRHI Apr 1985 # 39
C-600:
Fischer: The renaissance sackbut and its use today.
[Review]
reviewer: Montagu
C-601:
Barnes: Making a spinet by traditional methods.
[Review]
reviewer: Montagu
C-602:
Schott: The historical harpsichord, vol.1.
[Review]
reviewer: Montagu
C-603:
Biber: 16 Rosenkrantzsonaten (record).
[Review]
reviewer: Montagu
C-604:
The new Grove dictionary of musical instruments (A). Montagu.
[Review]
C-605:
The new Grove dictionary of musical instruments. Segerman.
[Review]
C-606:
Karp: The pitches of 18th century strung keyboard.
[Review]
reviewer: Segerman
C-607:
Praetorius, Segerman and the English viols.
author: Meeùs
C-608:
An unpublished letter by Michael Praetorius.
author: Meeùs
C-609:
More on Denis Gaultier, Sohne, Zarlino et al.
author: Lindley
C-610:
The vihuela.
author: McCormack
C-611:
What was the viole d'aline.
author: Crookes
C-612:
What was the Bohemian wing.
author: Crookes
C-613:
Response to Crookes's C-589 and C-590.
author: Segerman
C-614:
Grove on the chekker.
author: Shann
C-615:
Provisional check-list of surviving clavicytheria.
author: Bavington
C-616:
Oil and varnish.
author: Mactaggart
C-617:
Pale drying oil.
author: Wadsworth
C-618:
Start lean, finish fat.
author: Forrester
C-619:
Method for drilling the hinge pin hole in the foot of a traverso.
author: van Leeuwen
C-620:
Untitled.
author: Kolberg
List Société des Amis du Musée Instrumental, Paris.
[Plans]
FOMRHI Jul 1985 # 40
C-621:
The new Grove dictionary of musical instruments (A).
[Review]
reviewer: Segerman
C-622:
Barnes: Making a spinet by traditional methods.
[Review]
reviewer: Shann
C-623:
Ruckers transposing double harpsichords.
author: Shortridge
C-624:
Authentic and all that jazz.
author: Way
C-625:
Axioms for archaeology.
author: Way
C-626:
Uniformity in old wire.
author: Way
C-627:
Keyboard pitch in the 18th century.
author: Karp
C-628:
The case of the unknown scholar and the missing lute.
author: Hodgson
C-629:
Response to C-610 on vihuelas.
author: Segerman
C-630:
Pitch notation: a plea to end confusion.
author: Myers
C-631:
Comments on C-610 (vihuelas).
author: Gill
C-632:
A closer look at pitch ranges of gut strings.
author: Segerman
C-633:
Praetorius, Meeùs and the English viols.
author: Segerman
C-634:
The Bohemian wing.
author: Matou(vsek
C-635:
Reconstruction of the harpate wing.
author: Crookes
C-636:
Some instruments of skomorokhi from the 1630s.
author: Crookes
C-637:
Further to C-613.
author: Crookes
C-638:
The new Grove eunuch-flute article.
author: Crookes
C-639:
Some measurements techniques for recorders.
author: Stroom
C-640:
Two links with antiquity: Kundera's zert and the zhaleyka.
author: Crookes
C-641:
The microwave way: drying boxwood fast and easy.
author: Bouterse
C-642:
Report about our researches in historical brass metal.
author: Thein
Bressan recorder from Bate collection, Oxford.
[Plans]
List Metropolitan Museum of Art, New York.
[Plans]
Terton recorder from Haags Gemeente Museum.
[Plans]
author: Stroom
FOMRHI Oct 1985 # 41
C-643:
Nema, Early music in education.
[Review]
reviewer: Montagu
C-644:
Good: The Eddy collection of musical instruments; a check-list.
[Review]
reviewer: Montagu
C-645:
Kunitachi College, Tokio: Catalogue 3, Bowed stringed-instruments.
[Review]
reviewer: Montagu
C-645:
Kunitachi College, Tokio: Catalogue 4, Plucked stringed-instruments.
[Review]
reviewer: Montagu
C-645:
Kunitachi College, Tokio: Catalogue 5, Harp; Lyre.
[Review]
reviewer: Montagu
C-646:
The new Grove dictionary of musical instruments. Montagu (B).
[Review]
C-647:
The new Grove dictionary of musical instruments. Segerman (Ba).
[Review]
C-648:
Reamer-saving counterbores.
author: Marvin
C-649:
A flexible recorder.
author: Marvin
C-650:
Apologies to Sverre.
author: Marvin
C-651:
A Bassano flauto.
author: Marvin
C-652:
Tuning recorders.
author: Marvin
C-653:
Tuning the traverso.
author: Bouterse
C-654:
Recorder voicing structures.
author: Woods
C-655:
FoMRHI communication.
author: Karp
C-656:
A Greenlandic drum.
author: Crookes
C-657:
Some developments in Spanish musical life.
author: Harris
C-658:
A flying visit to Italy.
author: Montagu
C-659:
Speculation on Memling's tromba marina.
author: Davies
C-660:
Comments on C-629 on vihuelas.
author: Gill
C-661:
Discussion of points on violas and vihuelas in C-660.
author: Segerman
C-662:
On cammer-ton and on the sizes of lutes.
author: Hodgson
C-663:
The stringing of a baroque guitar.
author: Hodgson
C-665:
Ruckers doubles - a survey of the theories.
author: Shann
C-665:
Some ways with means.
author: Segerman
C-666:
Swedish gauge system.
author: Gug
FOMRHI Jan 1986 # 42
C-667:
Fluke: Victorian reed organs and harmoniums.
[Review]
reviewer: Montagu
C-668:
Journal of the Australian Association of musical instrument makers, Aug '85.
[Review]
reviewer: Montagu
C-669:
Myers: The Glen account book 1838-1853.
[Review]
reviewer: Montagu
C-670:
Simon: Händel: a celebration of his life and times.
[Review]
reviewer: Wollenberg
C-671:
The new Grove dictionary of musical instruments. Montagu (C).
[Review]
C-672:
The new Grove dictionary of musical instruments. Segerman (Bb-Bz).
[Review]
C-673:
A return visit to Venice.
author: Montagu
C-674:
A reamer made of aluminium.
author: Janke
C-675:
Another reamer-saving counterbore.
author: Swayne
C-676:
Workshop ideas for woodwinds.
author: Swayne
C-677:
Further to Cary's C-655.
author: Montagu
C-678:
The FoMRHI network.
author: Karp
C-679:
Comments on C-666 on the Swedish gauge system.
author: Karp
C-680:
Ruckers doubles: the sixth hypothesis.
author: Meeùs
C-681:
Early pianos at Ipswich.
author: Barnes
C-682:
Bending in San Franscisco.
author: Greenberg
C-683:
18th century German and French pitches.
author: Segerman
C-684:
An exceptional G-sharp in Milan.
author: Lindley
C-685:
Early instrument news from Yugoslavia.
author: Vojnic
C-686:
A letter to J. Montagu.
author: Bashford
C-687:
Angled bridges and J bars on lutes.
author: Segerman
FOMRHI Apr 1986 # 43
C-688:
Bassart: The sound of the fortepiano: a discography of music on early pianos.
[Review]
reviewer: Montagu
C-689:
Hamber, Stanners: Musical instruments through the ages.
[Review]
reviewer: Montagu
C-690:
Haynes: Music for oboe, 1650-1800: a bibliography.
[Review]
reviewer: Montagu
C-691:
Vierundzwandzigsteljahrschrift der internationalen Maultrommel-virtuosengenossenschaft 2, 1985.
[Review]
reviewer: Montagu
C-692:
Mozart: A treatise on the fundamental principles of violin playing, (Knocker).
[Review]
reviewer: Montagu
C-693:
Un musée aujourd'hui - des facteurs d'instruments de musique.
[Review]
reviewer: Montagu
C-694:
Pasquali: The art of fingering the harpsichord; illustrated with examples, etc 1757.
[Review]
reviewer: Montagu
C-695:
Jones: Musical and poetical relicks of the Welsh bards, preserved by tradition, etc 1784.
[Review]
reviewer: Montagu
C-696:
Kjeldsberg: Piano i Norge.
[Review]
reviewer: Aanstad
C-697:
The new Grove dictionary of musical instruments. Montagu (D-E).
[Review]
C-698:
The new Grove dictionary of musical instruments. Segerman (Ca-Ci).
[Review]
C-699:
Are computers anything for us.
author: Karp
C-700:
Untitled (on computers).
author: Lyndon-Jones
C-701:
On computers, typewriters, etc.
author: Champollion
C-702:
Untitled (non-keyboard baroque temperament).
author: Haynes
C-703:
A matter of temperament.
author: Hodgson
C-704:
The proportional compass.
author: Gug
C-705:
A simple and cheap hygrometer.
author: Bergstrøm
C-706:
Digital and other calipers.
author: van Leeuwen
C-707:
Modification and sharpening of twist drills.
author: van Leeuwen
C-708:
Dehumidifiers.
author: Hope
C-709:
Chitarra battente.
author: Hope
C-710:
Vihuela.
author: Hope
C-711:
An experimental method.
author: Odell
C-712:
On extended lutes.
author: Segerman
C-713:
Napolitan mandolins, wire strengths and violin stringing.
author: Segerman
C-714:
Round bridges: the geometry of clearance angles.
author: Segerman
C-715:
Flat bridges I: focus on the lira da braccio.
author: Segerman
C-716:
Lyra and other viols that played from tablature.
author: Segerman
C-717:
Untitled (keyboard instrument classification).
author: Pereira
C-718:
Double, double, toil and trouble.
author: Shann
C-719:
Enquiries.
author: Champollion
C-720:
Little French harpsichord plan, as asked for by Geza Vojnic.
author: Champollion
C-721:
Biblical instruments - further to C-672.
author: Montagu
C-722:
On the skill of the Nürnberg brass instrument makers.
author: Montagu
C-723:
Untitled (the pitches of flutes).
author: Cameron
C-724:
Building and playing a Narh.
author: Madgwick
C-725:
A peculiar Fornari oboe.
author: Bernardini
C-726:
Changes at Prague.
author: Lyndon-Jones
Bass recorder, Bergstrøm.
[Plans]
Eerens traverso, van Leeuwen.
[Plans]
List Edinburgh University collection.
[Plans]
List Société des Amis du Musée Instrumental, Paris.
[Plans]
FOMRHI Jul 1986 # 44
C-727:
The new Grove dictionary of musical instruments. Montagu (F).
[Review]
C-728:
Neuhaus: The baroque flute fingering book.
[Review]
reviewer: Montagu
C-729:
The new Grove dictionary of musical instruments. Segerman (Cj-Cz).
[Review]
C-730:
Coates: Geometry proportion and the art of lutherie.
[Review]
reviewer: Samson
C-731:
Selection of wood according to a German document.
author: Gug
C-732:
Converting Hertz to cents and vice versa.
author: Montagu
C-733:
What should measuring tools be made of.
author: Montagu
C-734:
Helpful recordings.
author: White
C-735:
Happy tranposition?!.
author: Meeùs
C-736:
More on the proportional compass.
author: Shann
C-737:
Von Radolt's instructions to lute players (Vienna 1701).
author: Samson Hodgson
C-738:
On extended peghead lutes.
author: Hodgson
C-739:
Violas, vihuelas and iconography.
author: Forrester
C-740:
Citterns and chitarra battente.
author: Forrester
C-741:
Chitarra battente, further comments.
author: Gill
C-742:
Response to C-739 and C-740.
author: Segerman
C-743:
More on early gut string diameter.
author: Segerman
C-744:
Moiré contours.
author: McLennan
FOMRHI Oct 1986 # 45
C-745:
Haine, Meeùs: Dictionaire des facteurs d'instruments de musique en Wallonie et à Bruxelles etc.
[Review]
reviewer: Montagu
C-746:
Mactaggart: Musical instruments in the 1851 exhibition.
[Review]
reviewer: Montagu
C-747:
Weston: Samuel Hughes ophicleidist.
[Review]
reviewer: Montagu
C-748:
Chanter, the journal of the Bagpipe Society, vol.1, part 1, '86.
[Review]
reviewer: Montagu
C-749:
The new Grove dictionary of musical instruments. Montagu (G).
[Review]
C-750:
The new Grove dictionary of musical instruments. Segerman (D).
[Review]
C-751:
More on Longman, Lukey & Broderip.
author: Montagu
C-752:
Made for music - the Galpin Society's 40th anniversary.
author: Montagu
C-753:
Mersenne, Mace and speed of playing.
author: Segerman
C-754:
A bibliography of 18th century sources relating to crafts, manufacturing and technology.
author: McGeary
C-755:
What has gone wrong with the early music movement.
author: Samson
C-756:
What is a simple lute.
author: Samson
C-757:
A reply to C-742.
author: Forrester
C-758:
A follow-on to C-739.
author: Gill
C-759:
Untitled (comments on the chitarra battente).
author: Hope
C-760:
Untitled (craftsmanship of Nürnberg horns).
author: Barclay
C-761:
Bore gauging - some ideas and suggestions.
author: Williams
C-762:
Woodwind bore measuring tools.
author: Karp
C-763:
Untitled (on measuring tools and modems).
author: Stroom
C-764:
A preliminary check-list of iconography for oboe-type instruments, reeds and players, 1630-1830.
author: Haynes
C-765:
Happy, happy transposition.
author: Shann
C-766:
The way from Thoiry to Nürnberg.
author: Gug
List Royal College of Music, London.
[Plans]
List woodwind, Bate collection, Oxford.
[Plans]
FOMRHI Jan 1987 # 46
C-767:
Bang Mather, Lasocki: The art of preluding, 1700-1830 for flutists, oboists, clarinettists and other performers.
[Review]
reviewer: Montagu
C-768:
The new Grove dictionary of musical instruments. Montagu (H).
[Review]
C-769:
The historic clarinet exhibition at Edinburgh, August 1986.
[Review]
reviewer: Montagu
C-770:
The new Grove dictionary of musical instruments. Segerman (E-F).
[Review]
C-771:
Re: Grove review: double bass.
author: Slatford
C-772:
A table for violin family string diameters and tensions.
author: Segerman
C-773:
Response to an attack on modern catlines.
author: Segerman
C-774:
A 1656 Tabley manuscript: on viol players, cittern and gittern.
author: Segerman
C-775:
The wood under the varnish.
author: Segerman
C-776:
Nut groove diameters on a Sellas extended-neck lute.
author: Segerman
C-777:
Unhappy.
author: Meeùs
C-778:
The origin of the chromatic keyboard layout.
author: Meeùs
C-779:
Addresses.
author: Karp
C-780:
Artificial ivory rings for woodwind instruments.
author: Desforges
List Edinburgh University collection.
[Plans]
List cembalo, Ruckers genootschap, Antwerpen.
[Plans]
FOMRHI Apr 1987 # 47
C-782:
Vierundzwandzigsteljahrschrift der internationalen Maultrommel-virtuosengenossenschaft 3, 1987.
[Review]
reviewer: Montagu
C-783:
Chanter, the journal of the Bagpipe Society, vol.1, part 2, '86/'87.
[Review]
reviewer: Montagu
C-784:
Ringve Museum: Exhibition catalogue 1987.
[Review]
reviewer: Montagu
C-785:
Philidor: March for two pairs of kettledrums.
[Review]
reviewer: Montagu
C-786:
Page: Voices & instruments of the middle ages - instrumental practice and songs in France 1100-1300.
[Review]
reviewer: Montagu
C-786:
Remnant: English bowed instruments from Anglo-Saxon to Tudor times.
[Review]
reviewer: Montagu
C-787:
Stradner: Playing practice and instrumentation around 1500 as represented by Virdung's Musica Getutscht.
[Review]
reviewer: Chiverton
C-788:
The new Grove dictionary of musical instruments. Segerman (G).
[Review]
C-789:
A catalogue of surviving instruments.
author: Lewin
C-790:
On the Zängelmass.
author: Shann
C-791:
Computer programs for the conversion of cents to Hertz.
author: Goodwin Mills
C-792:
Thoughts on C-755.
author: Willetts
C-793:
On chemical analysis of the wood of historical bowed instruments.
author: Gug
C-794:
Inductive meter to determine wood thickness of unopened musical instruments.
author: Manders
C-795:
The bowed string.
author: Meeùs
C-796:
Vihuela and José Romanillos.
author: Hope
C-797:
The 17th century gittern and bell gittern.
author: Gill
C-798:
Was the English guitar a guitar or a cittern.
author: Walsh
C-799:
A method for the construction of the rib template for a lute.
author: Kershaw
C-800:
A technical database management program for woodwind instrument makers.
author: Powell
C-801:
A reed-scraping tool.
author: Owen
C-802:
The Bassano, HIE(RO).S, !!, Venice discussion.
author: Lyndon-Jones
C-803:
Restoration of an early clarinet.
author: Wells
C-804:
A profile of Mr Ling - English oboe reeds around 1800.
author: Burgess
FOMRHI Jul 1987 # 48
C-805:
Henning: Musica Maximiliana, Ekkehart Stegmiller.
[Review]
reviewer: Montagu
C-806:
Young: 2500 historical woodwind instruments.
[Review]
reviewer: Montagu
C-807:
Remnant: English bowed instruments from Anglo-Saxon to Tudor times.
[Review]
reviewer: Montagu
C-808:
Page: Voices & instruments of the middle ages - instrumental practice and songs in France 1100-1300.
[Review]
reviewer: Montagu
C-809:
Page: Voices & instruments of the middle ages - instrumental practice and songs in France 1100-1300.
[Review]
reviewer: Segerman
C-810:
Praetorius: Syntagma Musicum I & II (tr Crookes).
[Review]
reviewer: Segerman
C-811:
Montagu: Bate collection of historical instruments - supplement to the 1976 catalogue.
[Review]
reviewer: Segerman
C-812:
The new Grove dictionary of musical instruments. Montagu (I).
[Review]
C-813:
What's wrong with early music.
author: Page
C-814:
Recent changes in early music.
author: Segerman
C-815:
Clamps for woodwind parts.
author: Wells
C-816:
The Clinton system clarinet.
author: Shackleton
C-817:
John Hale.
author: Shackleton
C-818:
Update to international check-list of locations and citations of early oboe reeds and accessories.
author: Burgess
C-819:
The musical uses of the word consort.
author: Segerman
C-820:
Discussion of the physics of bowing - response to C-794.
author: Segerman
C-821:
Phosphorous iron music wire.
author: Shann
C-822:
Determining wood thickness in unopened musical instruments.
author: Armitage
C-823:
The English guitar etcetera.
author: Gill
C-824:
Vihuela and José Romanillos.
author: Gill
C-825:
17th century guitar woodwork.
author: Forrester
FOMRHI Oct 1987 # 49
C-826:
Thomas Ling, 1787-1851, reed maker.
author: Byrne
C-827:
Lewis, a flute case maker.
author: Smith
C-828:
More thoughts on woodwind bore measurement.
author: Cronin
C-829:
What do we mean by A=415.
author: Montagu
C-830:
A=415.
author: Meeùs
C-831:
A=415.
author: Barnes
C-832:
Re: comment on what do we mean by A=415.
author: Law
C-833:
What means A=415.
author: Way
C-834:
A=415 and unequal temperaments.
author: Lindley
C-835:
Tuning an unequal temperament using an equal temperament pitchmeter.
author: Chiverton
C-836:
European music wire making places.
author: Gug
C-837:
Wire drawing and working conditions.
author: Gug
C-838:
The case of the mythical kinks.
author: Meeùs
C-839:
Response to Meeùs on the bowed string.
author: Segerman
C-840:
An embryonic bass bar.
author: Segerman
C-841:
The apparent geometry of Jakob Stainer.
author: Smith
Hotteterre traverso, Leningrad, Raudonikas.
[Plans]
Mulhouse traverso, van Leeuwen.
[Plans]
Naust traverso, Leningrad, Raudonikas.
[Plans]
FOMRHI Jan 1988 # 50
C-842:
von Gleich: A check-list of pianos, Haags Gemeente Museum.
[Review]
reviewer: Montagu
C-843:
The harpsichord and fortepiano magazine, October 1987.
[Review]
reviewer: Montagu
C-844:
Sumi Gunji et alii: The collection of musical instruments, Kunitachi College, Tokio.
[Review]
reviewer: Montagu
C-845:
Guide to the collection, Edinburgh university collection of historical musical instruments.
[Review]
reviewer: Montagu
C-846:
Haase, Krickeberg: Tasteninstrumente des Museums, Berlin.
[Review]
reviewer: Montagu
C-847:
Tiella, Negri, Primon: Ricerche su un violino di proprietà del comune di Rovereto.
[Review]
reviewer: Montagu
C-848:
The new Grove dictionary of musical instruments. Montagu (J-K).
[Review]
C-849:
The establishment of conservation standards and accreditation in the UK.
author: Montagu
C-850:
London conference on early keyboard music and instruments.
author: Jones
C-851:
A=415.3 and all that.
author: Mobbs
C-852:
Strong iron wire and long scales in Italian harpsichords.
author: Wraight
C-853:
English pianoforte wire - a controversy during the years 1823-1825.
author: Gug
C-854:
Some strangeness in the proportion.
author: Fleming
C-855:
On the double bass and related instruments before 1700.
author: Segerman
C-856:
Is it a lyra viol or division viol or what.
author: Hütmannsberger
C-857:
Pepys' viol.
author: Forrester
C-858:
The cittern in Italy - notes, observations and speculations.
author: Forrester
C-859:
A bore measurement tool.
author: Cronin
List Edinburgh University collection.
[Plans]
FOMRHI Apr 1988 # 51
C-860:
The new Grove dictionary of musical instruments. Segerman (H-I).
[Review]
C-861:
Comments on C-731.
author: Downing
C-862:
On English and French vocal and viol style.
author: Segerman
C-863:
On accreditation.
author: Leigh
C-864:
Further to C-849.
author: Ransley
C-865:
Comments on woodwind restoration.
author: Ackerman
C-866:
Jobst Meuler or the secret of a Nürnberg wire drawer.
author: Gug
C-867:
On English lute sizes and tunings c.1600.
author: Segerman
FOMRHI Jul 1988 # 52
C-868:
Lumsden: The sound of the sackbut, Edinburgh university collection of historical musical instruments.
[Review]
reviewer: Montagu
C-869:
Harpsichord and fortepiano magazine, 4:5, April 1988.
[Review]
reviewer: Montagu
C-869:
Journal of the Australian Association of musical instrument makers, March '88.
[Review]
reviewer: Montagu
C-870:
Jaccottet: J.S. Bach Kompositionen für Lauteninstrumente (record).
[Review]
reviewer: Montagu
C-870:
Widensky: Das Claviorganum (record).
[Review]
reviewer: Montagu
C-871:
Convegno di Studi Organaria veneta: patrimonio e salvaguardia.
author: Montagu
C-872:
The new Grove dictionary of musical instruments. Segerman (J-K).
[Review]
C-873:
A reminder on the principles of scholarly choice.
author: Segerman
C-874:
An international database on conservation techniques.
author: Winsor
C-875:
UK conservation standards and accreditation.
author: Barnes
C-876:
Registration of old musical instruments conducted by the historical monuments documentation centre, Warszawa.
C-877:
Musical instruments case makers.
author: Mactaggart
C-878:
Ancient clarsach compared with modern clarsach.
author: Hobrough
C-879:
Studies on the physical and technical construction bases of great Italian violin.
author: Suboni
C-880:
Keeping geometrical analysis in proportion.
author: Smith
C-881:
Salted soundboards and sweet sounds.
author: Gug
List Musikinstrumentenmuseum, Berlin.
[Plans]
FOMRHI Oct 1988 # 53
C-882:
Renaissance flute circle newsletter, vol. 1, no. 1 & 2 (1988).
[Review]
reviewer: Jones
C-883:
Moeck (ed): Fünf Jahrhunderte Deutsche Musikinstrumentenbau.
[Review]
reviewer: Montagu
C-884:
Royal College of Music Museum, Set of 13 postcards.
[Review]
reviewer: Montagu
C-885:
Young: Loan exhibition of historic double reed instruments, 1988.
[Review]
reviewer: Montagu
C-886:
The new Grove dictionary of musical instruments. Segerman (L).
[Review]
C-887:
Drum rythms for dance music in the renaissance and middle ages.
author: Montagu
C-888:
Roman keyed tibiæ.
author: Galpin
C-889:
.. in death I sing.
author: Haynes
C-890:
Generic A=415.
author: Haynes
C-891:
18th century German and French pitches.
author: Haynes
C-892:
Peculiar tibiæ.
author: Montagu
C-893:
Historic and experimental studies on brass used for organ reeds.
author: Gug
List Edinburgh University collection.
[Plans]
FOMRHI Jan 1989 # 54
C-894:
Roberts: Manual or method of instrumentation for playing the Welsh harp.
[Review]
reviewer: Montagu
C-895:
American Musical Instrument Society Journal XIII, 1987, October 1986.
[Review]
reviewer: Montagu
C-895:
Early Music, November 1988, October 1986.
[Review]
reviewer: Montagu
C-895:
Galpin Society Journal XLI, 1988, October 1986.
[Review]
reviewer: Montagu
C-895:
Harpsichord & Fortepiano magazine, October 1986.
[Review]
reviewer: Montagu
C-895:
Larigot, no. 2, May 1988, October 1986.
[Review]
reviewer: Montagu
C-896:
Harrison: Account of the discovery of the scale of musick (1775?) (in above review).
[Review]
reviewer: Jones
C-896:
Lucy: Pitch, (*p and other musical paradoxes: a practical guide to natural microtonality.
[Review]
reviewer: Jones
C-897:
The new Grove dictionary of musical instruments. Montagu (L-M).
[Review]
C-898:
The new Grove dictionary of musical instruments. Segerman (M).
[Review]
C-899:
Accreditation and elitism.
author: Barclay
C-900:
Conservation standards and accreditation.
author: Karp
C-901:
Historical tests on Pleyel's music wire, Paris 1811.
author: Gug
C-902:
Ivory.
author: Powell
C-903:
Urgent communication on ivory.
author: Haynes Powell.
Course on applied conservation technology, Dundee.
[General]
Music and book reviews.
[General]
author: Montagu
New acquisitions to the Fiske Museum, Ca.
[General]
List the Shrine to Music Museum, Vermillion, USA (Italian stringed instruments).
[Plans]
FOMRHI Apr 1989 # 55
C-904:
The new Grove dictionary of musical instruments. Segerman (N-O).
[Review]
C-905:
FoMRHI and conservation and restoration.
author: Chiverton
C-906:
A response to Cary's C-900 on conservation and accreditation.
author: Montagu
C-907:
University of Edinburgh collection; progress report 1988.
author: Meyers
C-908:
Response to C-889.
author: Swayne
C-909:
Plastic, ivory, gold and South Africa.
author: Powell
C-910:
GPS Agencies artificial ivory.
author: Stevens
C-911:
Instrument drawings.
author: Chiverton
C-912:
High tech in instrument making.
author: Bezinger Evald
C-913:
The flutes of Robert and Willem Wijne.
author: Bouterse
C-914:
Observations on the wear of two keyboards separated 200 years.
author: Lee
C-915:
No percussion in more part renaissance dance music.
author: Neumann
C-916:
Rhetoric for the voice and instruments.
author: Segerman
C-917:
The Birmingham wire gauge and its musical sisters.
author: Gug
List Royal College of Music, London.
[Plans]
Instruments by named makers; Jeremy Montagu Collection.
[Survey]
FOMRHI Jul 1989 # 56
C-918:
Larigot no.5, May 1989.
[Review]
reviewer: Montagu
C-919:
Traverso no.2, April 1989.
[Review]
reviewer: Montagu
C-920:
Kunitachi College, Tokio: Catalogue 8, bagpipes.
[Review]
reviewer: Montagu
C-921:
Moyle: the Sound of Oceania, Auckland Institute & Museum, 1989.
[Review]
reviewer: Montagu
C-922:
Tyler, Sparks: The Early Mandolin, 1989.
[Review]
reviewer: Montagu
C-923:
Journal of the Australian Association of musical instrument makers, Oct 1989.
[Review]
reviewer: Montagu
C-924:
The new Grove dictionary of musical instruments.
[Review]
reviewer: Montagu (N)
C-925:
Comments on comments about conservation.
author: Karp
C-926:
The destruction of the tropical rain forests - What can I do.
author: Lambert
C-927:
Bassoon reeds by Triébert and Massabo.
author: White
C-928:
Responses to C-903 on the subject of ivory.
author: Powell
C-929:
Traverso Newsletter.
author: Powell
C-930:
La Gaita Gastoreña.
C-931:
The Morley consort lessons and the English cittern.
author: Forrester
C-932:
Historical wire micrometers and diameter values (1780 - 1850).
author: Gug
C-933:
Fortepiano building in Vienna as reflected in the dispute between Jakob Bleyer & Martin Seufert.
author: Swenson
C-934:
An unknown bentside spinet by Albert Delin.
author: Meeùs
Complete list Bate collection, Oxford.
[Plans]
Musical instruments and publications, Haags Gemeente Museum.
[Plans]
Publications by G. Dullat.
[Survey]
FOMRHI Oct 1989 # 57
C-935:
Bowles: Musical ensembles in festival books, 1500-1800; an iconographical and documentary survey.
[Review]
reviewer: Montagu
C-936:
Brown: The recorder; a basic workshop manual.
[Review]
reviewer: Montagu
C-938:
Kolberg: Ornamental metrics of recorders & traverso.
[Review]
reviewer: Montagu
C-939:
Journal of the Australian Association of musical instrument makers, March '89.
[Review]
reviewer: Montagu
C-939:
Richter: Wood as raw material for making musical instruments.
[Review]
reviewer: Chiverton
C-940:
Update on response to C-903 on the subject of ivory.
author: Powell
C-941:
Don't go overboard about ivory.
author: Montagu
C-942:
The use of drawings of original instruments.
author: Lambert
C-943:
Traverso or traversa.
author: Powell
C-944:
Harpsichord jacks at the Royal Swedish Academy of Science, 1739-1753.
author: Gug
FOMRHI Jan 1990 # 58
C-945:
Smithers: The music and history of the baroque trumpet before 1721.
[Review]
reviewer: Montagu
C-946:
Haine: Musica, musical instruments in Belgian collections.
[Review]
reviewer: Montagu
C-947:
Schultze: Querflöten der Renaissance and des Barock, Band 1: Eine historisierende literarische Anthologie.
[Review]
reviewer: Montagu
C-948:
Van Ree Bernard: The psaltery; an annotated audio-visual review of different types.
[Review]
reviewer: Montagu
C-949:
Gunji, Kunitachi College, Tokio: bowed string instruments.
[Review]
reviewer: Montagu
C-949:
Gunji, Kunitachi College, Tokio: lute.
[Review]
reviewer: Montagu
C-950:
Journal of the Australian Association of musical instrument makers, August '89.
[Review]
reviewer: Montagu
C-950:
Larigot, November 1989.
[Review]
reviewer: Montagu
C-951:
The new Grove dictionary of musical instruments. Segerman (P).
[Review]
C-952:
Boston Museum of Fine Arts - 1989 Report.
author: Quigley
C-953:
FoMRHI members teaching in Prague.
author: Loretto
C-954:
The Prague Bressan bocal.
author: Loretto
C-955:
Intonation tests on a post horn in F with one tone hole.
author: Rycroft
C-956:
More on 19th century bassoon reeds.
author: Lehey
C-957:
Woodwind instrument making: use of gun drills for long hole boring.
author: Goodacre
C-958:
Woodwind instrument making: report on gun drills, live centre, metal turning tools, plastic calipers and 4-jaw self-centering chuck.
author: Goodacre
C-959:
The Pythagorean system of musical tones, part 1.
author: Raudonikas
C-960:
Whistles on harpsichord strings.
author: Bavington
C-961:
Work done on clavichord #6 by Arnold Dolmetsch 1896/7.
author: Barnes
Harpsichords, organs, trumpet, tromba marina (including photographs).
[Plans]
author: Lee
FOMRHI Apr 1990 # 59
C-962:
Scherchen: Handbook of conducting.
[Review]
reviewer: Montagu
C-963:
Ehrlich: The piano: a history.
[Review]
reviewer: Montagu
C-964:
Pinniger: Insect pests in museums.
[Review]
reviewer: Montagu
C-965:
The new Grove dictionary of musical instruments. Segerman (Q-R).
[Review]
C-966:
Aulos, Stanesby junior traverso; Haka treble recorder.
[Review]
reviewer: Montagu
C-967:
The Aulos baroque flute and descant and treble recorders.
author: Jones
C-968:
The early 16th century Italian short octave.
author: Wraight
C-969:
Viennese fortepiano tuning and maintenance manuals: a check-list.
author: McGeary
C-970:
A contact-free woodwind bore measuring tool.
author: Schultze
C-971:
University of Edinburgh collection of historic musical instruments, progress report 1989.
author: Meyers
C-972:
Instrument courses in Prague.
author: Freeman
C-973:
The killing of woodworm, particularly in woodwind instruments.
author: Freemanova
C-974:
Throwing ivory overboard.
author: Powell
C-975:
More on dead elephants.
author: Folkers
C-976:
Geometry, lutherie and the art of historiography, part I.
author: Gug
New acquisitions to the Fiske Museum, Ca.
[General]
FOMRHI Jul 1990 # 60
C-977:
The new Grove dictionary of musical instruments. Segerman (S).
[Review]
C-978:
Larigot no.7, March 1990.
[Review]
reviewer: Montagu
C-979:
Tiella & Primon: Catalogo degli Strumenti dell'Istituto della Pietà Venezia, Venezia 1990.
[Review]
reviewer: Montagu
C-980:
Aulos Haka descant and treble recorders.
[Review]
reviewer: Davis
C-981:
Reviews of musical instruments.
author: Powell
C-982:
Further to C-981 - Are reviews justified.
author: Montagu
C-983:
Style decoration and tone.
author: Segerman
C-984:
Identifying woodworm.
author: Rawson
C-985:
Old wood.
author: Way
C-986:
The archetypal harpsichord.
author: Yokota
C-987:
On three well proportioned alto recorders.
author: Brach
List Bate collection, Oxford, supplement to the 1989 check list, July 1990.
[Plans]
FOMRHI Oct 1990 # 61
C-1000:
Further to C-981 and C-982.
author: Bavington
C-1001:
Further to C-966, C-967, C-981 and C-982: Should FoMRHI continue or not.
author: Henning
C-1002:
Further to C-981: A controversial issue.
author: Powell
C-1003:
Fixing the baroque flute.
author: Powell
C-1004:
The Sorduen Bas.
author: Lloyd
C-1005:
Misled by Mersenne? (on flutes).
author: Chiverton
C-1006:
Ivory alternatives.
author: Paul
C-1007:
How to design a recorder.
author: Brach
C-1008:
Violin makers' inches in proportion.
author: Smith
C-1009:
A comparison of some baroque violins.
author: Smith
C-1010:
The early design of stringed instruments.
author: Chiverton
C-1011:
The acoustics of mountain forests in early centuries, or the lost art of choosing resonance wood.
author: Gug
C-988:
Gunji, Kunitachi College, Tokio: Catalogue 9, Flute.
[Review]
reviewer: Montagu
C-989:
I Quaderni della Civico Scuola di Musica, no.17, April 1989, Commune de Milano.
[Review]
C-990:
Larigot no.8, September 1990.
[Review]
reviewer: Montagu
C-991:
Ueno Gakuen College Tokio: Catalogue of the European musical instruments of the 17th-19th century (2nd issue).
[Review]
reviewer: Montagu
C-992:
Restoration of early musical instruments, UKIC and V&A Christmas symposium 1983.
[Review]
reviewer: Montagu
C-993:
Jaarboek van het Vlaamse centrum voor oude muziek 3, 1987.
[Review]
reviewer: Montagu
C-994:
1990 instrument courses in Prague.
author: Freeman
C-995:
Further to C-981: Reviewers and reviewers.
author: Chiverton
C-996:
Further to C-981: Response to bulletin supplement 60.
author: Hailperin
C-997:
Further to C-981: Reviews of musical instruments.
author: Rawson
C-998:
Further to C-981.
author: Lambert
C-999:
Further to C-981: Finding fault in the early bassoon: some thoughts on musical instrument reviewing.
author: White
FOMRHI Jan 1991 # 62
C-1012:
Record, keyboard works of C.P.E. Bach by Brauchli.
[Review]
reviewer: Montagu
C-1013:
Record, 18th century music for two keyboard instruments by Brauchli & Elizondo.
[Review]
reviewer: Montagu
C-1014:
University of Edinburgh collection of historic musical instruments, progress report 1990.
author: Meyers
C-1015:
The other Germany - well worth visiting.
author: Lambert
C-1016:
Hard currency and Eastern Europe.
author: Lambert
C-1017:
Reducing and enlarging paper sizes.
author: Lambert
C-1018:
On the reviewing and modification of musical instruments.
author: Jones
C-1019:
How recorders can improve with time.
author: Loretto
C-1020:
An imaginative investigator without ... investigations (on accuracy and precision).
author: Gug
C-1021:
New hypothesis on the construction of bass strings for lutes and other gut strung instruments.
author: Peruffo
C-1022:
A dynamic harpsichord action.
author: Napier-Hemy
FOMRHI Apr 1991 # 63
C-1023:
Journal of the Australian Association of musical instrument makers, November '90.
[Review]
reviewer: Montagu
C-1023:
Larigot no.9, December 1990.
[Review]
reviewer: Montagu
C-1024:
Spohr: Transverse flutes down the centuries from all over the world, (Exhibition catalogue Frankfurt 1991).
[Review]
reviewer: Montagu
C-1025:
Bouwbrief articles summarised, #51 - #58 (Nov '88 - Aug '90).
author: Chiverton
C-1026:
From small acorns, large oak tress grow; a personal report on early music in Czechoslovakia.
author: Freeman
C-1027:
A van load of instruments to Prague, June 1991.
author: Holden
C-1028:
Musical instrument technology in 17th century England; meeting report Oxford 3 Feb '91.
author: Gouk
C-1029:
Musical instrument technology 1450-1550; meeting report Oxford 17 Mar '91.
author: Napier-Hemy
C-1030:
Corollaria to the modal scale theory (summary).
author: Raudonikas
C-1031:
The Pythagorean system of musical tones, part 2.
author: Raudonikas
C-1032:
Singing lessons for wood.
author: Catch
C-1033:
The buzzing of wood strings.
author: Segerman
C-1034:
The stringing of English and German guitars.
author: Segerman
C-1035:
Culture mathematics and design of early instruments.
author: Segerman
C-1036:
Some geometrical analyses of archings.
author: Segerman
C-1037:
The descriptions of the Dutch recorders in the collection of the Haags Gemeente Museum.
author: Bouterse
C-1038:
Bouterse: De blokfluit, handleiding voor aanschaf, onderhoud bijstemmen en kleine reparaties, 1990.
[Review]
reviewer: Bouterse
C-1039:
Appeal for pitches of original traversos and recorders.
author: Haynes
C-1040:
Wood bending process in 18th century England.
author: Gug
C-1041:
A 17th century French harpsichord.
author: Nobbs
C-1042:
The walnut revisited (a harpsichord in Landesmuseum Stuttgart).
author: Jurgenson
C-1043:
Is looking seeing? (an Italian harpsichord description).
author: Jurgenson
Leicester Early Music festival 1991.
[General]
New acquisitions to the Fiske Museum, Ca.
[General]
List Guild of American Luthiers, Tacoma WA.
[Plans]
List Royal College of Music, London.
[Plans]
List Smithsonian Institute, Washington DC.
[Plans]
List Société des Amis du Musée Instrumental, Paris (new address).
[Plans]
FOMRHI Jul 1991 # 64
C-1044:
ACIMV [Larigot] Wind instrument makers and their catalogues, No.1: Martin Frères & Famille, Paris, 93 rue de la Chapelle.
[Review]
C-1045:
John Paul - An appreciation.
C-1046:
Dear Jeremy (A letter to J.M. on authenticity).
author: Way
C-1047:
On teaching wood to sing.
author: Way
C-1048:
Reconstructing Mersenne's basson and fagot.
author: Lyndon-Jones Harris
C-1049:
Preatorius' Basset Nicolo - Lang Strack Basset zu den Krumhörner, or Centaur, mythical beast.
author: Foster
C-1050:
Paper organ pipes.
author: Gill
C-1051:
The longitudinal structure of the Bizey boxwood flute (Bate collection No.106).
author: Brach
C-1052:
Dutch recorders and transverse flutes of the 17th and 18th century. (list of instruments, July 1991).
author: Bouterse
C-1053:
Some English viol belly shapes.
author: Segerman
C-1054:
Mersenne's monochord.
author: Napier-Hemy
C-1055:
Essays of Pythagorean system; primary concepts and two-dimensional syntax.
author: Raudonikas
C-1056:
Evidence of historical temperament from fretted clavichords.
author: Bavington Hellon
C-1057:
A signed Mietke harpsichord.
author: Kilström
FOMRHI Oct 1991 # 65
C-1058:
van Acht, van den Ende, Schimmel: Dutch recorders of the 18th century (collection Haags Gemeente Museum).
[Review]
reviewer: Montagu
C-1059:
Kampmann: Catalogue de la Collection d'instruments de musique à vent, tome 2, numéro special 1 du bulletin Larigot, ACIMV.
[Review]
reviewer: Montagu
C-1060:
Myers, Herbert: Catalogue of the European wind and percussion instruments in the Cyfarthfa Castle museum collection.
[Review]
reviewer: Montagu
C-1060:
Myers: Cartledge, Catalogue of the brass musical instruments in the collection of Bradford art galleries & museums.
[Review]
reviewer: Montagu
C-1061:
Snakes are Beautiful - with gratitude to Christopher Monk.
[Review]
reviewer: Montagu
C-1062:
Paper portative organ pipes.
author: Bridges
C-1063:
English pitch standards, mostly c.1600.
author: Segerman
C-1064:
Praetorius's Basset Nicolo, a reply to C-1049.
author: Gire
C-1065:
Singing lessons for wood.
author: Catch
C-1066:
Memories of John Paul.
author: White
C-1067:
From Purcell to perestroika, early keyboard in the USSR.
author: Stembridge
C-1068:
Essays of Pythagorean system; 3. three-dimensional syntax.
author: Raudonikas
FOMRHI Jan 1992 # 66
C-1069:
Huber: Verzeichnis sämtlicher Musikinstrumente, Germanisches National Museum, 1989, 415 pp.
[Review]
reviewer: Montagu
C-1070:
Rose, Law: A handbook of historical stringing practice for keyboard instruments, 1991, 132 pp & graphs.
[Review]
reviewer: Montagu
C-1071:
Martin Best Medieval Ensemble, the last of the troubadours.
[Review]
reviewer: Montagu
C-1071:
Souter: Händel & Scarlatti on the 1772 Kirckman harpsichord Ashmolean museum, CD or cassette.
[Review]
reviewer: Montagu
C-1071:
the Hanover Band, Huggett, Verney, Beethoven symphony #2, piano concerto #3.
[Review]
reviewer: Montagu
C-1072:
Trip to the Baltic states; including the Museum of Theatre and Music, Vilnius, the Museum of Theatre and Music, Tallinn, the Latvian State Museum, the Riga Museum of History and Shipping, Riga.
[Review]
reviewer: Madgwick
C-1073:
The chemical treatment of timber - part II, general.
author: Downing
C-1074:
The chemical treatment of timber - includes bogwood, bog oak, bog pine, alder.
author: Downing
C-1075:
Guilt-free music; on vegetarians.
author: Russell
C-1076:
Teaching wood to sing, and other matters; on scientist and musicians.
author: Way
C-1077:
Teaching wood to sing; a reply to C-1032 and C-1047.
author: Swayne
C-1078:
Italian short octaves; why did they exist.
author: Bence
C-1079:
On early music; why is there an early music movement and not an early painting movement.
author: Segerman
C-1080:
Design of the V&A Rose and Jaye viol soundholes.
author: Segerman
C-1081:
More on Praetorius' Basset Nicolo, a reply to C-1064.
author: Foster
C-1082:
Response to Eph Segerman's C-1063; on English pitch standards.
author: Haynes
C-1083:
Essays of Pythagorean system; 4. four-dimensional syntax; 5. auscultation researches.
author: Raudonikas
C-1083:
Essays of Pythagorean system; 6. spectrum of coherencies; 7. classification of modalities.
author: Raudonikas
C-1083:
Essays of Pythagorean system; representation of scale by point or the modular projection.
[Supplement]
author: Raudonikas
FOMRHI Apr 1992 # 67
C-1084:
Various comments (on C-1082, C-1077, C-1078 and C-1081).
author: Montagu
C-1085:
Bouwbrief articles (from 1991, #59 until 1991, #63).
author: Chiverton
C-1086:
A small miscellany of bits and pieces.
author: Chiverton
C-1087:
Progress report 1991 on the collection of historic musical instruments of the Edinburgh University.
author: Myers
C-1088:
An inexpensive, easily made counter bore that works.
author: Rhoads
C-1089:
Bajón reeds.
author: White
C-1090:
The reality of musicians and scientists: response to C-1076.
author: Segerman
C-1091:
Singing lessons for wood.
author: Catch
C-1092:
Some more aspects about fiddle making.
author: Talve
C-1093:
Jerome of Moravia's first fiddle tuning as an individualised modal framework.
author: Zaerr
C-1094:
Travelling in the 16th century and .... lute strings.
author: Gug
C-1095:
Short octaves.
author: Barnes
C-1096:
Shelley's guitar and 19th century stringing practices.
author: Segerman
C-1097:
Sympathetic strings.
author: Segerman
C-1098:
Reply to C-891 (on 18th century German and French pitches) by Bruce Haynes.
author: Segerman
C-1099:
Further comments to the pitch dispute.
authors: Haynes, Segerman
C-1100:
Early 18th century English pitches, especially 'consort flute pitch' and 'church pitch of f'.
author: Segerman
C-1101:
Comments on early 18th century organ pitches.
author: Gwynn
FOMRHI Jul 1992 # 68
C-1103:
Barclay: the art of the trumpet maker: the material, tools, and techniques used in the 17th and 18th century in Nuremberg; 186 pp.
[Review]
reviewer: Montagu
C-1104:
Rice: the baroque clarinet, 197 pp.
[Review]
reviewer: Montagu
C-1105:
Aksdal: Mer(oaker Klarinetten; Ringve Museums Skrifter nr.5, 33 pp.
[Review]
reviewer: Montagu
C-1106:
Haynes: Music for the oboe 1650-1800: a bibliography.
[Review]
reviewer: Montagu
C-1107:
Karp et al.: The conservation and technology of musical instruments, Art & Archeology Technical Abstracts, vol. 28, no. 3, 237 pp.
[Review]
reviewer: Montagu
C-1108:
Tiella, Beare, et al.: Strumenti di Antonio Stradivari, 68 pp.
[Review]
reviewer: Montagu
C-1109:
More sympathetic strings.
author: Webb
C-1110:
Forsyth (1914) quotes on viols.
author: Cousen
C-1111:
What is a 'copy' of an original instrument.
author: Segerman
C-1112:
An analysis of Irish harp scaling.
author: Downing
List of available drawings housed in the Bate collection.
[Plans]
author: Montagu
List the Bate collection of musical instruments, Oxford. Montagu.
[Plans]
Comments to C-1093 (fiddle tunings).
[Supplement]
author: Segerman
FOMRHI Oct 1992 # 69
C-1113:
Myers, ed.: Edinburgh Collection of Historic Musical Instruments.
[Review]
reviewer: Montagu
C-1114:
Golos, Kobus & Vogel: Stownik Terminologiczny Zabytków [Dictionary of the Polish terminology of Historic Musical Instruments], 1991; 209 pp.
[Review]
reviewer: Montagu
C-1114:
Golos: Przewodnik Po Dawnym Instrumentarium, 1998; 184 pp.
[Review]
reviewer: Montagu
C-1114:
Rosiónski: Zabytkowe Organy, Wydawnictwo Naukowe PWN, 1992; 422 pp.
[Review]
reviewer: Montagu
C-1115:
Lasocki, ed.: Fluting and Dancing, 1992; 200 pp.
[Review]
reviewer: Montagu
C-1116:
Baines: The Oxford companion to musical instruments, 1992; 404 pp.
[Review]
reviewer: Montagu
C-1117:
Comments on Jeremy Montagu's review of the Conservation and Technology of Musical Instruments' in C-1107.
author: Karp
C-1118:
Addendum to C-1111: What is a 'copy' of an original instrument?.
author: Loretto
C-1119:
The post-modernist bassoon: problems with 'authenticity' in early woodwind reproductions (marketing, facade and the early music industry steamroller).
author: White
C-1120:
Some flute pitches.
author: Chiverton
C-1121:
How to design a traverso.
author: Brach
C-1122:
A string and tuning guide for the Irish harp.
author: Downing
C-1123:
Short octaves (see also C-1078 and C-1095).
author: Barnes
C-1124:
How my harpsichord goes out of tune.
author: Lee
C-1125:
On Italian harpsichord jacks and sympathetic strings.
author: Greenberg
C-1126:
On Spanish harpsichord jacks and sympathetic strings.
author: Greenberg
C-1127:
English organs and transposition skills (with an appendix of a catalogue of methods of transposition).
author: Segerman
C-1128:
Fascination with the chekker is alive and well.
author: Segerman
C-1129:
Tempos and time signatures in 17th century England.
author: Segerman
C-1130:
Duple tempi and time signature in the 16th century (appendix Gaffurius's 'breathing' and Neusidler's counting).
author: Segerman
FOMRHI Jan 1993 # 70
C-1131:
Baines: The Oxford companion to musical instruments, 1992; 404 pp.
[Review]
reviewer: Montagu
C-1132:
Solum: The early Flute, 1992; 164 pp.
[Review]
reviewer: Montagu
C-1133:
Myers, ed.: Edinburgh Collection of Historic Musical Instruments, volumes 1 (the illustrations, 168 pp) and 2 (the descriptive fascicles, 44 pp).
[Review]
reviewer: Montagu
C-1134:
Harvey: Violin fraud: deception, forgery, theft, and the law, 1992; 126 pp.
[Review]
reviewer: Montagu
C-1135:
Bouwbrief articles (summarises nr 65 to 67).
author: Chiverton
C-1136:
The clarinet d'amour: e request for additional information.
author: Rice
C-1137:
Woodwind instrument making: use of gun drills for long hole boring; supplement to C-957.
author: Goodacre
C-1138:
Woodwind instrument making: wooden collet chucks for lathe work.
author: Goodacre
C-1139:
Drilling and boring process for chanters and drones.
author: McLaren
C-1140:
A case for CNC (Computer Numeric Control); computer aided reamer production for woodwind instruments.
author: Jefferies
C-1141:
Low cost CNC (Computer Numeric Control).
author: Jefferies
C-1142:
Re C-1119.
author: Stanley
C-1143:
Meanness of tone; re C-1119.
author: M. Lyndon-Jones
C-1144:
On the contrary; re C-1119.
author: G. Lyndon-Jones
C-1145:
Comments on C-1119.
author: G. Lyndon-Jones
C-1146:
Re C-1119.
author: Grazzi
C-1147:
Beethoven and the early music industry.
author: Segerman
C-1148:
On embellishment function and context.
author: Segerman
C-1149:
Applying the principles of stringing plucked instruments to the Irish harp.
author: Segerman
C-1150:
An attribution of an unsigned spinet.
author: Wraight
C-1151:
Harpsichord dampers; historic vs. modern.
author: Irvin
C-1152:
Through dampers (double dampers).
author: Irvin
C-1153:
More on sympathetic strings.
author: Irvin
FOMRHI Apr 1993 # 71
C-1154:
van Acht: Checklist of technical drawings of musical instruments in public collections of the world, 185 pp., 1992.
[Review]
reviewer: Montagu
C-1155:
1992 Report from the Czechoslovakian Society of Makers of Historical Reproduction Musical Instruments.
author: Freeman
C-1156:
Cow bells, a request.
author: Montagu
C-1157:
More on Beethoven and the early music industry.
author: Montagu
C-1158:
On current uniformity in performing style.
author: Segerman
C-1159:
Conflicting philosophies in the bassoon controversy.
author: Segerman
C-1160:
The hallmark of good restoration is ruthless authenticity.
author: White
C-1161:
Reamers - hollow.
author: Loretto
C-1162:
Make your own imitation ivory.
author: Ackerman
C-1163:
CNCs, the sledgehammer and the nut.
author: Ackerman
C-1164:
The `Zängelmass' of the wire drawer; a documentary confirmation of the 16th century.
author: Gug
C-1165:
On harpsichord dampers again.
author: Greenberg
C-1166:
A comment on C-1150.
author: Koster
C-1167:
Medieval sound boxes, to be glued or not.
author: Segerman
C-1168:
Fingerboard shapes and graded frets.
author: Segerman
C-1169:
Recreating the Irish harp - a comment to C-1149.
author: Downing
1992 Acquisitions at the Fiske Museum.
[General]
CIMCIM publications currently available.
[General]
Instructions for working tagua nuts, a substitute for ivory.
[General]
Tutors from the Bate Collection.
[General]
an addition to C-1130.
[Supplement]
FOMRHI Jul 1993 # 72
C-1170:
CIMCIM publication no.1: Recommendation for the conservation of musical instruments: an annotated bibliography. 19 pp. 1993.
[Review]
reviewer: Montagu
C-1171:
Journal of the Australian Association of musical instrument makers, vol.XII no.1, March '93.
[Review]
reviewer: Montagu
C-1172:
Do you get excited when the postman brings your Q.
author: Lyndon-Jones
C-1173:
Welcome back the Hunter - income from the ivory trade is the best assurance for the survival of elephants.
author: Jenkins
C-1174:
A counterblast to the Calvinist tendency (further to C-1119, C-1143, C-1146, C-1159, C-1160).
author: Bavington
C-1175:
Blow somewhat strong.
author: Wood
C-1176:
A preliminary reply to C-1119 and C-1160.
author: Kirckpatrick
C-1177:
A rejoinder to a response to C-1157.
author: Montagu
C-1178:
A comm on C-1137, C-1161, C-1163.
author: Jefferies
C-1179:
A low cost CAD/CAM.
author: Jefferies
C-1180:
Request for information (an Italian harpsichord).
author: Greenberg
C-1181:
Some remarks on the W. Beukers baroque oboe (museum code 808/69) in the V&A Museum in London.
author: Bouterse
C-1182:
Medieval glues ... sounded well.
author: Gug
Drawings available. Bouterse.
[Plans]
Correction to C-1129.
[Supplement]
English viol bellies, made of bent strip.
[Supplement]
author: Segerman
Restoration, on an article in the New Scientist, 26 June 1993.
[Supplement]
author: Segerman
FOMRHI Oct 1993 # 73
C-1183:
The Woodwind Quartely, issue 2.
[Review]
reviewer: Montagu
C-1184:
Giannini: Great flute makers of France: the Lot and Godfroy families 1650-1900.
[Review]
reviewer: Montagu
C-1185:
Novak Clinkscale: Makers of the piano 1700-1820.
[Review]
reviewer: Cole
C-1186:
Real instruments and fake putti.
author: Lyndon-Jones
C-1187:
An interesting organ loft in Antwerp.
author: Lyndon-Jones
C-1188:
Memlinc revisited - further to C-203, C-411 and C-659.
author: Montagu
C-1189:
Timber - swelling and shrinking.
author: Allen
C-1190:
A letter on the Pythagorean system. Raudonikas.
C-1191:
Response to Bavington's C-1174 criticising criticism of Early Musicians.
author: Segerman
C-1192:
Response to Wood's C-1175 criticising criticism of Early Musicians.
author: Segerman
C-1193:
The sharp eared minority and the effects of its power.
author: Segerman
C-1194:
Where have all the creative amateurs gone.
author: Segerman
C-1195:
Ruthless authenticity.
author: Jefferies
C-1196:
Relevant CNC.
author: Jefferies
C-1197:
Positioning pivot holes in turned rings.
author: Gill
C-1198:
A simple way to hold work on a lathe.
author: Ransley
C-1199:
Authentic methods of making woodwinds.
author: Ramsley
C-1200:
The sizes and pitches of Praetorius's sackbuts.
author: Segerman
C-1201:
Mean-tone fretting by computer or calculator.
author: Segerman
C-1202:
Violin makers in Milano 17th-18th century.
author: Chiesa
C-1203:
Catlin(g)s: the etymology.
author: Catch
C-1204:
Equal tension stringing of the Irish harp.
author: Downing
C-1205:
Mortice and tenon joints on the Irish harp.
author: Downing
Brassware for keyboard instruments.
[General]
author: Law
List of workshop drawings from the Edinburgh University Collection of Historic Musical Instruments.
[Plans]
FOMRHI Jan 1994 # 74
C-1206:
Gillian Sheldrick, ed.: The accounts of Thomas Green 1742-1790.
[Review]
C-1207:
Joseph Doane: A musical Directory for the year 1794.
[Review]
reviewer: Montagu
C-1208:
Peter Holman, Four and twenty fiddlers; the violin at the English Court 1540-1690. 491 pp.
author: Montagu
C-1209:
William Waterhouse: The new Langwill index - a dictionary of musical instrument makers and inventors. 518 pp.
[Review]
reviewer: Montagu
C-1210:
Larigot; annual subscription to ACIMV.
[Review]
reviewer: Montagu
C-1211:
Edinburgh Collection of Historic Musical Instruments, catalogue Vol 2;E;ii, William Waterhouse, Bassoons.
[Review]
reviewer: Montagu
C-1211:
Edinburgh Collection of Historic Musical Instruments, catalogue Vol 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and Trombones.
[Review]
reviewer: Montagu
C-1212:
What can we reasonably expect museums to provide or allow? (on measuring instruments).
author: Montagu
C-1213:
Measuring instruments in museums & conservation.
author: Ransley
C-1214:
Suppliers of materials.
author: Gill
C-1215:
A reply to comments from various members on C-1174.
author: Bavington
C-1216:
Some observations on the `natural' trumpet.
author: Barclay
C-1217:
On musicologists and early music.
author: Segerman
C-1218:
Scholarship, statistics, and the minimum amount of evidence needed.
author: Segerman
C-1219:
Well under a thousand words for the ivory ban.
author: Powell
C-1220:
Praetorius' keyless curtals.
author: Lyndon-Jones
C-1221:
A wizard lizard (a 5-keyed cornett in the Stadtmuseum of Munich).
author: Lyndon-Jones
C-1222:
Checklist of some of the woodwinds at the Stadtmuseum, Munich.
author: Lyndon-Jones
C-1223:
On the difference between early and modern baroque reeds.
author: Segerman
C-1224:
Augsburg revisited (the curtals in the Maximilian Museum).
author: Lyndon-Jones
C-1225:
C.N.C. reamer experiment. July 1992.
author: Jefferies
C-1226:
Some historical notes on acid staining.
author: Owen
C-1227:
Expanding boxwood and playing in.
author: Kirckpatrick
C-1228:
The good oil; what really happens when you oil your recorder.
author: Simmons
C-1229:
Restoration report, 17th century Italian harpsichord at Music-Sources, 1993.
author: Greenberg
C-1230:
Harpsichord voicing.
author: Cole
C-1231:
Milanese keyboard makers - 16th century.
author: Chiesa
C-1232:
An alphabetical string gauge system.
author: Downing
C-1233:
A c. 1900 string gauge and an unwound viola C string.
author: Segerman
C-1234:
Historical violin stringings up to 1900.
author: Segerman
C-1235:
On catlines and Pistoy basses.
author: Segerman
C-1236:
Bogwood again (further to C-1074).
author: Downing
C-1237:
Below bridge bars in lutes - a missing link.
author: Downing
African ebony.
[General]
Genuine boxwood.
[General]
FOMRHI Apr 1994 # 75
C-1238:
Cooke: Edinburgh University collection of historical instruments, catalogue, vol 2A, wind instruments of regional cultures worldwide.
[Review]
reviewer: Montagu
C-1239:
Lenski, Ventzke: Das goldene Zeitalter der Flöte, Frankreich 1832-1932, 270 pp., Montagu.
[Review]
C-1240:
van Ree Bernard: The keyed monochord; rediscovery of a forgotten instrument, 48 pp.
[Review]
reviewer: Montagu
C-1241:
Virdung: Musica Getutscht, (tr Beth Bullard), 275 pp.
[Review]
reviewer: Montagu
C-1242:
The FoMRHI Quarterly review of `Makers of the Piano 1700-1820', a question of interpretation or a statement of misunderstanding (further to C-1185).
author: Novak Clinkscale
C-1243:
Somewhat about understandings (further to C-1190).
author: Raudonikas
C-1244:
Unwelcome honesty doesn't help - a response to C-1216 (and to C-1215).
author: Segerman
C-1245:
Are our instruments HISTORIC or HISTORICAL.
author: Myers
C-1246:
Association in instrument collections.
author: Myers
C-1247:
Nominal pitch.
author: Myers
C-1248:
Measuring instrument pitch with a pocket tuner.
author: Downing
C-1249:
On the measurement of tessitura and movement in music.
author: Segerman
C-1250:
An equal tempered scale for tempo.
author: Segerman
C-1251:
Gerle on tempo.
author: Segerman
C-1252:
The transposing organ and choir pitch in England: a short test.
author: Goetze
C-1253:
Early instruments in St Petersburg.
author: Henning
C-1254:
Catlin, coloured and loaded strings.
author: Catch
C-1255:
On historical string tensions on lutes.
author: Segerman
C-1256:
Stringing 5-course baroque guitars.
author: Segerman
C-1257:
The curtals of the Maximilian Museum Augsburg: a reply to C-1224.
author: Tremmel
C-1258:
Making a stamp or branding iron for marking musical instruments.
author: King
C-1259:
Three boxwood oboes by Hendrik Richters.
author: Bouterse
C-1260:
Woodwinds - boring pipes.
author: Downing
C-1261:
The transposing organ and choir pitch in England: answers to C-1252).
author: Goetze
C-1262:
Key lever fulcrum pin mortices.
author: Robson
C-1263:
On the wings of the muse or songs of historical feathers (on harpsichord quills and voicing).
author: Gug
C-1264:
The Canadian vocalion.
author: Downing
C-1265:
The nature of theoretical musical communication.
author: Raudonikas
C-1266:
Syntax of relative two-dimensional mode.
author: Raudonikas
1993 Acquisitions at the Fiske Museum.
[General]
CompuServe announcement on making musical instruments.
[General]
Bate collection, three new plans (flutes by Delerablé, Lot, and Kirst).
[Plans]
FOMRHI Jul 1994 # 76
C-1267:
Pierre Erard: The harp in its present improved state compared with the original pedal harp, London 1821.
[Review]
reviewer: Montagu
C-1267:
Robert Bruce Armstrong: The Highland harp (part 2 of `Musical Instruments, Edinburgh 1904).
[Review]
reviewer: Montagu
C-1268:
Larigot 15, June 1994, ACIMV.
[Review]
reviewer: Montagu
C-1269:
Stephen Morey: Mandolins of the 18th century, 154 pp.
[Review]
reviewer: Montagu
C-1270:
Phillip T. Young: 4900 historical woodwind instruments, 270 pp.
[Review]
reviewer: Montagu
C-1271:
Questions on bending and a plan for crumhorns.
author: Buck
C-1272:
`Let us now praise famous men ...', an obituary for Michael Morrow.
author: Montagu
C-1273:
Michael Morrow.
author: Segerman
C-1274:
Reply to Raudonikas's C-1243.
author: Segerman
C-1275:
Letter to the membership as whole (further to C-1243).
author: Raudonikas
C-1276:
Occam's razor: the formal method for ensuring objectivity in scholarship.
author: Segerman
C-1277:
FoMRHI on the Internet.
author: Rawson
C-1278:
A kinder, gentler FoMRHI.
author: Cronin
C-1279:
On writing a history of the oboe in the 19th century.
author: Burgess
C-1280:
A `bajón' for London.
author: Waterhouse
C-1281:
Forces exerted by bore measuring techniques.
author: Cronin
C-1282:
Early sound generation: bassoon reeds.
author: White
C-1283:
Making one's Mark.
author: Lyndon-Jones
C-1284:
More putti in the Stiftsbasilika at Waldsassen.
author: Lyndon-Jones
C-1285:
A note on `the good oil' (C-1228) by T. Simmons.
author: Guida
C-1286:
Theobald Böhm as a flute maker.
author: Böhm
C-1287:
The scale of the psalter.
author: Crookes
C-1288:
On Venice catlins, lyons, Pistoy basses and loaded weighted bass gut strings (see also C-1235, C-1254 and C-1255).
author: Peruffo
C-1289:
More on the name `catline' (see also C-1254).
author: Segerman
C-1290:
On early 17th century English vocal and organ pitches.
author: Segerman
Portraits in the Royal College of Music, London.
[General]
Bate collection, two new plans (harpsichords by William Smith, and by Joannes Goermans).
[Plans]
List Royal College of Music, London.
[Plans]
On C-1245 (`historic' or `historical').
[Supplement]
On C-1278 (disputational style).
[Supplement]
FOMRHI Oct 1994 # 77
C-1291:
John Koster: Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp).
[Review]
reviewer: Irvin
C-1292:
John Koster: Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp).
[Review]
reviewer: Cole
C-1293:
Pauline Rushton, ed.: European musical instruments in Liverpool Museum (182 pp).
[Review]
reviewer: Cole
C-1294:
Pauline Rushton, ed.: European musical instruments in Liverpool Museum (182 pp).
[Review]
reviewer: Montagu
C-1295:
Eszter Fontana, Friedemann Hellwig, Klaus Martius: Historische Lacke und Beizen auf Musikinstrumenten in deutschsprachigen Quellen bis 1900 (158 pp).
[Review]
reviewer: Segerman
C-1296:
Florence Gétrau, ed.: La recherche en organologie; les instruments de musique occidenteaux, 1960-1992.
[Review]
reviewer: Montagu
C-1297:
Gerhard Stradner, ed.: Klangführer durch die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum.
[Review]
reviewer: Montagu
C-1298:
A method of bushing wrestplanks.
author: Law
C-1299:
The Davidic notation system, a sequel to C-1287.
author: Crookes
C-1300:
the internet mailing lists and Micat-L.
author: Stroom
C-1301:
Further to C-1278 `a kinder, gentler FoMRHI'.
author: Spohr
C-1302:
Thoughts on C-1276 `Occam's razor'.
author: White
C-1303:
Response to C-1302 on Occam's razor.
author: Segerman
C-1304:
For an open and honest FoMRHI - reply to C-1218.
author: Segerman
C-1305:
Four great curtals from Augsburg, Sonderhausen and Pillnitz.
author: Lyndon-Jones
C-1306:
Instruments at Schloss Pillnitz.
author: Lyndon-Jones
C-1307:
On historical lute string types and tensions (including a response to C-1288).
author: Segerman
C-1308:
Strings and their names.
author: Catch
C-1309:
On melodic and continuo bowing of early fiddles and viols.
author: Segerman
On C-1287 by D.Z. Crookes.
[Supplement]
author: Segerman
On Early Music and music history.
[Supplement]
author: Segerman
FOMRHI Jan 1995 # 78
C-1310:
The Hoogsteder Exhibition of Music & Painting in the Golden Age.
[Review]
C-1311:
Griscomb & Lasocki: The recorder - a guide to writings about the instrument for players & researchers.
[Review]
C-1312:
Gerhard Stradner, ed.: Klangführer durch die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum - part 2 (further to C-1297).
[Review]
reviewer: Montagu
C-1313:
The British Clavichord Society BCE.
author: Alexander-Max
C-1314:
On manners, status and C-1301.
author: Segerman
C-1315:
The world according to Segerman.
author: Stroom
C-1316:
Contrasts between string and woodwind gracing in Purcell's time.
author: Segerman
C-1317:
On the scholarship of string names, a reply to C-1308.
author: Segerman
C-1318:
Roped gut bass strings - a 16th century reference.
author: Downing
C-1319:
Chinese catlines.
author: Downing
C-1320:
All at sea with the ship's cat.
author: Downing
C-1321:
Talbot's English theorbo reconsidered.
author: van Edwards
C-1322:
Geometrical design of the lute belly.
author: Chiverton
C-1323:
Ebony.
author: Camwood ltd.
C-1324:
Lute: angled bridges, `J' shaped bars, fan bars and below the bridge transverse bars.
author: Mather
C-1325:
Further help with C-1197.
author: Mather
C-1326:
David's three-part organum (sequel to C-1299).
author: Crookes
C-1327:
Praetorius' brass instruments and cammerthon.
authors: Heavens, Segerman
C-1328:
Praetorius' pitchpipe pfeifflin zur Chormass.
author: Heavens
C-1329:
Transposing organs and pitch in England: response to Segerman's C-1290.
author: Goetze
Wood absorption (further to C-1227, C-1228, C-1285).
[Supplement]
FOMRHI Apr 1995 # 79
C-1330:
Katalin Komlós: Fortepianos and their music. 158 pp.
[Review]
reviewer: Cole
C-1331:
William Waterhouse: The new Langwill Index: a dictionary of musical wind instrument makers and inventors.
[Review]
C-1332:
Thoughts after the New Langwill Index.
author: Smith
C-1333:
A reply to Jeremy Montagu's review of Richard Griscomb & David Lasocki, the Recorder: a guide to writings about the instrument for players and researchers (C-1311).
author: Lasocki
C-1334:
About the difficulties of delivering a message and some replies to C-1314.
author: Spohr
C-1335:
On Stroom's C-1315.
author: Segerman
C-1336:
A revised hypothesis for the early music meaning of the word `Consort'.
author: Segerman
C-1337:
Wood science.
author: Beament
C-1338:
Preserving passion and conviction: fend off the flaccid.
author: White
C-1339:
Where do we want to go.
author: Rawson
C-1340:
Progress report 1994 on the collection of historic musical instruments of the Edinburgh University.
author: Myers
C-1341:
British clavichord society at the open university, 11th March 1995.
author: Alexander-Max
C-1342:
The grounded staff (sequel to C-1326).
author: Crookes
C-1343:
Cutting thick veneers.
author: Gill
C-1344:
Cork substitute.
author: Gill
C-1345:
The inventor of the double-action pedal harp with fourchettes; Gröll versus Erard.
author: Baldwin
C-1346:
Restoration report of English spinet by Stephen Keene, London, 1704.
author: Greenberg
C-1347:
Reply to C-1329 on English organ pitches.
author: Segerman
C-1348:
Response to Chiverton's C-1322 on lute belly shapes.
author: Segerman
C-1349:
Simple design for lute rib shapes.
author: Chiverton
C-1350:
German baroque lutes and overspun strings.
author: Peruffo
C-1351:
More on Ramelli, loaded gut strings and gansars.
author: Peruffo
C-1352:
More on roped strings and other knotty problems.
author: Downing
C-1353:
Determining the step size of a recorder.
author: Loretto
C-1354:
Recorder bore measuring.
author: Loretto
C-1355:
Recorder bore measuring, using modified telescopic bore gauges.
author: Loretto
C-1356:
Resonans, a software program for developing new wind instruments.
author: Bolton
Corrections to C-1316.
[Supplement]
Further to C-1318.
[Supplement]
FOMRHI Jul 1995 # 80
C-1357:
Sparks: The classical mandolin, 225 pp.
[Review]
reviewer: Montagu
C-1358:
Burnett: Seven Broadwoods; the evolution of an English piano.
[Review]
reviewer: Montagu
C-1359:
Harvey: the violin family and its makers in the British isles; an illustrated history and directory. 448 pp.
[Review]
reviewer: Montagu
C-1360:
Brauchli, Brauchli, Galazzo, ed.: De clavicordo: proceedings of the international clavichord symposium, Magnano 9-11 Sept 1993.
[Review]
reviewer: Bavington
C-1361:
Dulcimers in public collections.
author: Alcock
C-1362:
Martin Routh's razor (further to C-1350).
author: Catch
C-1363:
Response to C-1337 on wood science.
author: Segerman
C-1364:
Response to Rawson's C-1339.
author: Segerman
C-1365:
On the upsetting power of Occam's razor.
author: Segerman
C-1366:
Once more, scholarship and disputes (further to C-1335).
author: Stroom
C-1367:
Copyright, the status of FoMRHI and accuracy.
author: Stroom
C-1368:
David Lasocki's Ganassi controversy (reply to 1333).
author: Loretto
C-1369:
William who, from where?? (on Occam).
author: Loretto
C-1370:
Recorder writings.
author: Loretto
C-1371:
Praetorius's and surviving Nuremberg sackbut lengths and playing pitches.
author: Segerman
C-1372:
On measuring the pitch of early wind instruments.
author: Segerman
C-1373:
Mersenne's sackbut and pitch, plus playing with shawms.
author: Segerman
C-1374:
Mersenne's pitch standard.
author: Segerman
C-1375:
Undercutting small diameter finger holes on woodwind instruments: Goodacre's razor.
author: Goodacre
C-1376:
Suppliers for Occam's razor.
author: Goodacre
C-1377:
How to make a shelly hautbois.
author: Crookes
C-1378:
Upon the harp with a solemn sound (sequel to C-1342).
author: Crookes
C-1379:
On some early 17th century discussions of gracing.
author: Segerman
C-1380:
Robert Greenberg, an obituary.
author: Barnes
C-1381:
Withdrawal of ascription.
author: Greenberg
C-1382:
Some comments on veneering with hot glue.
author: Hood
C-1383:
The British ten foot organ.
author: Goetze
Technical drawings of musical instruments on microfiche, MFF Publications.
[Plans]
FOMRHI Oct 1995 # 81
C-1384:
Obituary Len Stanners.
author: Smith
C-1385:
Length standards from Stone's New Mathematical Dictionary, 1726.
author: Cousen
C-1386:
Philip Stubbes: anatomy of abuses, 1583 (music criticism).
author: Cousen
C-1387:
The music of psalm 117 (sequel to C-1378).
author: Crookes
C-1388:
On Stroom's C-1366..
author: Segerman
C-1389:
An explanation to C-1370.
author: Loretto
C-1390:
Bending wood for crummhorns.
author: Buck
C-1391:
Folding viol backs.
author: Van Edwards
C-1392:
Another mouldy idea.
author: Van Edwards
C-1393:
Gansar lute strings.
author: Downing
C-1394:
Catapult cordage - part 1, manufacture and properties.
author: Downing
C-1395:
Catapult cordage - part 2, more speculation.
author: Downing
C-1396:
A correction to C-1362.
author: Catch
C-1397:
The `clearness' of early gut.
author: Segerman
C-1398:
Pitch standards of early English organs - response to C-1383.
author: Segerman
C-1399:
Veneering with hot hide glue - response to C-1382.
author: Rawson
C-1400:
About `manacordo' and `sordino'.
author: Tiella
C-1401:
Was the fortepiano built as a folk instrument.
author: Tiella
FOMRHI Jan 1996 # 82
C-1402:
Boalch, Mould. Makers of the harpsichord and clavichord 1440-1840, 3rd ed.
[Review]
reviewer: Cole
C-1403:
Pollens. The early pianoforte.
[Review]
reviewer: Cole
C-1404:
Pollens. The early pianoforte.
[Review]
reviewer: Montagu
C-1405:
Larigot, Bulletin de l'association des collectionneurs d'instruments à vent. IV & V spécial & no.16.
[Review]
reviewer: Montagu
C-1406:
Myers, ed. Historical musical instruments in the Edinburgh University collection (Cornets & Tubas, Oboes, Clarinets, Stringed instruments of regional cultures worldwide, Viols & violins).
[Review]
reviewer: Montagu
C-1407:
Cat(apult)lin(e)s.
author: Catch
C-1408:
The auloi of Porphyrius: some thoughts about the differences in pitch between wider and narrower pipes of the same length.
author: Bouterse
C-1409:
The Ganassi bell diameter.
author: Loretto
C-1410:
More reamers.
author: Chiverton
C-1411:
Just a last(?) bang at Ockham (Occam).
author: Chiverton
C-1412:
Narrow long hole augers.
author: Gill
C-1413:
The case against hot hide glue.
author: Gill
C-1414:
On the expression of emotion in music.
author: Segerman
C-1415:
Anti FoMRHI people in the lute world.
author: Segerman
C-1416:
Some aspects of string technology bearing on sound quality.
author: Segerman
C-1417:
More on gut strings.
author: Peruffo
C-1418:
A power law in the stringing of instruments with varying string length.
author: Segerman
C-1419:
On describing the body shapes of stringed instruments.
author: Segerman
C-1420:
On the hair tension during bowing.
author: Segerman
C-1421:
J.S. Bach's `Fiauti d'echo': recorders off-stage.
author: Smith
C-1422:
The instruments of the consort.
author: Segerman
C-1423:
Wood treatment to improve sound.
author: Segerman
FOMRHI Apr 1996 # 83
C-1424:
Hide glue defended.
author: Rawnsley
C-1425:
Hot hide glue defended.
author: Bavington
C-1426:
Lieder ohne Worte: emotion imaged by music.
author: White
C-1427:
Who was HIE.S: or HIER.S: or HIERO.S.
author: Lyndon-Jones
C-1428:
More thoughts on the Bassanos.
author: Lyndon-Jones
C-1429:
Hautboy taxonomy.
author: Haynes
C-1430:
Bell key acoustics.
author: Thomas
C-1431:
Recorder woods - do they influence the sound.
author: Loretto
C-1432:
Estimation of original bore in old instruments.
author: Gill
C-1433:
Brass mouthpieces.
author: Chiverton
C-1434:
Chiverton's Ockham bang.
author: Loretto
C-1435:
More about reamers.
author: Gill
C-1436:
Right angled reamers; addendum to C-1410.
author: Chiverton
C-1437:
How accurate and understandable are measurements of woodwind instruments.
author: Bouterse
C-1438:
Historical evidence for stewing soundboard wood.
author: Gill
C-1439:
why old fiddles sound sweeter.
authors: Hunt, Balsan
C-1440:
Mace on overspun strings.
author: Segerman
C-1441:
More on sinew fibre - a footnote to C-1394.
author: Downing
C-1442:
Sinew strings ... yet again.
author: Downing
C-1443:
Caul veneering.
author: Downing
C-1444:
Making your own traditional purfling cutter.
author: Downing
C-1445:
The cittern in consort.
author: Forrester
C-1446:
Johann Socher's square piano of 1742.
author: Cole
list, Muzeum Ceské Hudby, Praha.
[Plans]
list, new acquisitions at the Fiske Museum, Claremont, California, USA.
[Plans]
FOMRHI Jul 1996 # 84
C-1447:
Field, Myers, ed. Catalogues of historic musical instruments in the Edinburgh University collection, vol 2-K (ancillary equipment).
[Review]
reviewer: Montagu
C-1447:
Myers, Parks, ed. Catalogues of historic musical instruments in the Edinburgh University collection, vol 2-H iv&v (small and large mouthpieces for brass, Montagu.
[Review]
C-1448:
Larigot 17 (August 1995 & 18 (February 1996).
[Review]
reviewer: Montagu
C-1449:
Falcon Møller. Music aloft - musical symbolism in the mural paintings of Danish medieval churches.
author: Montagu
C-1450:
Rose. Talks with bandsmen.
[Review]
reviewer: Montagu
C-1451:
Monroe. Adding percussion to medieval and renaissance music.
[Review]
reviewer: Montagu
C-1452:
Gétrau, ed. Instrumentistes et luthiers Parisiens, 17-18th siècles.
[Review]
reviewer: Montagu
C-1453:
Montagu. Musical instruments of the Bible.
[Review]
reviewer: Segerman
C-1454:
Reply to C-1426 on emotion imaged by music.
author: Segerman
C-1455:
The `dying fall', Caccini's `Exclamation' and a sigh.
author: Segerman
C-1456:
New Braille codes for some early music notations.
author: Williams
C-1457:
A visit to Paris and some of the museums there which have musical instruments.
author: Montagu
C-1458:
Progress report 1995 on the collection of historic musical instruments of the Edinburgh University.
author: Myers
C-1459:
The Mary Rose shawm.
author: Forster
C-1460:
Hautboy and other taxonomy - further to C-1429.
author: Montagu
C-1461:
Woodwind taxonomy.
author: Smith
C-1462:
Long hole augers.
author: Swayne
C-1463:
Reamers again (further to C-1435).
author: Chiverton
C-1464:
A bit more on mouthpieces.
author: Chiverton
C-1465:
Referring to C-1433 on brass mouthpieces.
author: Myers
C-1466:
More on gut strings.
author: Peruffo
C-1467:
Sinews: a search for improvement or an excuse for complacency.
author: Segerman
C-1468:
Reply to Peter Forrester's C-1445 on English citterns.
author: Segerman
C-1469:
Thicknessing.
author: Forrester
C-1470:
More on the treatment of soundboards.
author: Barlow
C-1471:
Wood structure and what happened in the Hunt & Balsan experiment.
author: Segerman
C-1472:
Models for sound improvement on playing in.
author: Segerman
C-1473:
Making a silk `sunburst' for a cabinet piano.
authors: Mobbs, Mobbs
A response to C-1439, claiming wood changes on playing in.
[Supplement]
author: Segerman
Chiverton's Ockham.
[Supplement]
author: Segerman
Praetorius's recorder pitch.
[Supplement]
author: Segerman
FOMRHI Oct 1996 # 85
C-1474:
Johann George Tromlitz, Ardal Powell, tr & ed. The keyed flute.
[Review]
reviewer: Frank
C-1475:
Sumi Gunji et alii: The collection of musical instruments, Kunitachi College, Tokio, 2 vols, rev edition.
[Review]
reviewer: Montagu
C-1476:
CD-ROM catalogue: Collection of paintings and sculptures, Wallraf-Richartz Museum, Cologne.
[Review]
reviewer: Montagu
C-1477:
David Crombie. Piano: evolution, design and performance.
[Review]
reviewer: Cole
C-1478:
Bernard Brauchli, ed. De clavicordio II: proceedings of the international clavichord symposium, Magnano, Italy 21-23 September 1995.
[Review]
reviewer: Mobbs
C-1479:
A response to C-1454 & C-1426.
author: White
C-1480:
In search of the well tuned clavier - I.
author: Lee
C-1481:
Some points raised by Ephraim Segerman's reply, C-1468, on English citterns.
author: Forrester
C-1482:
A response to C-1445 & C-1468.
author: Gill
C-1483:
Vihuela string quality and thickness, and the Paris vihuela.
author: Segerman
C-1484:
The changes from baroque to modern violins.
author: Segerman
C-1485:
Dividing a circumference into five.
author: Loretto
C-1486:
Old recorders for new (recorder patents).
authors: Madgwick, Loretto
Response to Roy Chiverton's C-1464.
[Supplement]
author: Segerman
Sutton Hoo lyre.
[Supplement]
author: Segerman
The English cittern in the 2nd quarter of the 17th century.
[Supplement]
author: Segerman
FOMRHI Jan 1997 # 86
C-1487:
Art Brownlow. The last trumpet - a history of the English slide trumpet.
[Review]
reviewer: Montagu
C-1488:
Larigot, Bulletin de l'association des collectionneurs d'instruments à vent. VI spécial.
[Review]
reviewer: Montagu
C-1489:
Pitch standards in northern Italy.
author: Segerman
C-1490:
The musical instrument - an oscillating system affected by high internal stresses.
author: Weiss
C-1491:
Leicester Early Music Festival 1997.
author: Bence
C-1492:
Violin research 15 years ago.
author: Segerman
C-1493:
On the (frequency) calculations in C-1480 by Lee.
author: Segerman
C-1494:
Mersenne's iron and Ruckers 6 foot pitch.
author: Segerman
C-1495:
Harpsichords and `Buntpapier'.
author: Pühringer
C-1496:
Segerman, Godwin, Fludd, and the English cittern.
author: Forrester
C-1497:
Reply to Forrester's C-1481 (on English citterns).
author: Segerman
C-1498:
Response to C-1482 and the Wensler G30 cithrinchen stringing.
author: Segerman
C-1499:
A provisional list of quinticlaves (alto ophicleides) in Europe and the United States.
authors: Jones, Myers, Rice
C-1500:
Comments to C-1486 (recorder patents).
author: Thomas
C-1501:
Four baroque recorders at Sotheby's, November 1996 (Beukers, Stanesby, Denner).
author: Bouterse
Further to C-1485.
[Bulletin]
author: Heavens
Further again to C-1485.
[Supplement]
author: Segerman
Further to C-1490.
[Supplement]
author: Segerman
FOMRHI Apr 1997 # 87
C-1502:
ACB, Anthony Baines, 1912-1997.
author: Montagu
C-1503:
Florence Gétrau. Aux origines du musée de la musique: les collections instrumentales du Conservatoire de Paris, 1793-1993.
[Review]
reviewer: Montagu
C-1504:
Thomas Lerch. Vergleichende Untersuchung von Bohrungprofilen historischer Blockflöten des Barock (Comparative research of bore profile of historical baroque recorders).
[Review]
reviewer: Bouterse
C-1505:
Goodacre's razor and undercutting woodwind finger holes.
author: Hailperin
C-1506:
Response to C-1500 (recorder patents).
author: Loretto
C-1507:
Response to Messrs Heavens and Segerman (C-1485).
author: Loretto
C-1508:
Recorder window size.
author: Loretto
C-1509:
Trust but don't believe what you see in pictures.
author: Segerman
C-1510:
Chaos, fractals and musical instrument acoustics.
author: Segerman
C-1511:
A correction and simplification for C-1493 (frequency calculations).
author: Segerman
C-1512:
Scaling harpsichords soundboards.
author: Lloyd
C-1513:
Instruments in 18th century Canada and a string maker of New France.
author: Downing
C-1514:
Citt/Gitt.
author: Montagu
C-1515:
Parchment roses in citterns, lute, baroque guitars and harpsichords.
author: van Weerd
C-1516:
Response to C-1498 (cithrinchen stringing).
author: Gill
C-1517:
Semitone step calculations in stringing.
author: Segerman
C-1518:
Stradivari `cello' strings and bass viols.
author: Segerman
C-1519:
Thick gut string, playing harmonics and stopping in mid air.
author: Segerman
C-1520:
Some earlyish cello string information.
author: Segerman
A DIY make of gut lute strings.
[Bulletin]
author: Segerman
CD-RoM museum pictures.
[Bulletin]
author: Segerman
Cittern controversy.
[Bulletin]
author: Segerman
The `renaissance' guitar.
[Bulletin]
author: Segerman
FOMRHI Jul 1997 # 88
C-1521:
West Dean College 10 day instrument making course.
author: Segerman(Y)
C-1522:
Warning against the Camwood firm.
author: Hailperin
C-1523:
Is evidence to be explained or just accumulated? Reply to C-1516.
author: Segerman
C-1524:
Parchment roses for harpsichords.
author: Rawson
C-1525:
Harpsichord and `Buntpapier'.
authors: Henning(R), Henning(U)
C-1526:
About Neupert harpsichord technology in the 30's.
author: Tiella
C-1527:
In search of the well tuned clavier - II.
author: Lee
C-1528:
The mathematics of tuning up a string.
author: Segerman
C-1529:
A short history of the names `gittern' and `cittern'; reply to C-1514.
author: Segerman
C-1530:
Citt/Gitt (cittern and gittern) again.
author: Montagu
C-1531:
More on the English guitar and speculations on its origin.
author: Segerman
C-1532:
Explanations of ways in which wood absorbs sound vibrations.
author: Segerman
C-1533:
The dimensions of windings on a traditional wound string.
author: Segerman
Further to C-1457 (Paris museums).
[Bulletin]
author: Hailperin
Further to C-1485 and C-1507 (dividing a circle).
[Bulletin]
author: Heavens
Christina Visconti in focus (further to C-1518).
[Supplement]
author: Segerman
Tricks in calculating equivalent diameters of unusual wound strings.
[Supplement]
author: Segerman
What about the history of tempo standards.
[Supplement]
author: Segerman
FOMRHI Oct 1997 # 89
C-1534:
Philip Young. Woodwind instruments in the Oberösterreichisches Landesmuseum, Linz.
[Review]
reviewer: Montagu
C-1535:
Swedish clavichords - Mikko Korhonen plays instant music.
[Review]
reviewer: Montagu
C-1536:
Hardening and tempering tool steel.
author: Jenkins
C-1537:
The Pipe and Tabor is alive and well and living in Euskadi.
author: Montagu
C-1538:
The Bolhuis auction (1764) of musical woodwind instruments.
author: Bouterse
C-1539:
The Selhof auction (1759) of musical woodwind instruments.
author: Bouterse
C-1540:
Recorder voicing.
author: Loretto
C-1541:
What happens when and after the clavichord tangent hits the string.
author: Segerman
C-1542:
The purpose of cotton between the hurdy-gurdy wheel and string.
author: Segerman
C-1543:
Origins of the `guitarra portuguesa'.
author: Segerman
C-1544:
An amendment to C-1203.
author: Catch
C-1545:
On Praetorius and the sizes of Renaissance bowed instruments.
author: Segerman
Recorder fingerings.
[Bulletin]
author: Bouterse
Further to C-1528 (mathematics of tuning up a string).
[Supplement]
The burn marks on the insides of surviving English viol soundboards.
[Supplement]
Were early open-wound strings tigerlines?.
[Supplement]
Clarinets by Koch.
[A&Q]
author: Perini
Lyra da braccio and Lirone project.
[A&Q]
author: Pomykalo
Music and Technology Research Seminar; 1997-1998.
[A&Q]
author: Jones
FOMRHI Jan 1998 # 90
C-1546:
Trevor Herbert, John Wallace. The Cambridge companion to brass instruments.
[Review]
reviewer: Montagu
C-1547:
Larigot, Bulletin de l'association des collectionneurs d'instruments à vent. VII spécial (April 1997) & no.20, Sept 1997.
[Review]
reviewer: Montagu
C-1548:
James Beament. The violin explained - components mechanism and sound.
[Review]
reviewer: Segerman
C-1549:
Jeremy Montagu. The magpie in ethnomusicology.
[Review]
reviewer: Segerman
C-1550:
More on draw plates; response to Peter Forrester's C-1469.
author: Badiarov
C-1551:
On musical iconography.
author: Tiella
C-1552:
The inventory of the musical instruments of Michael Charles.
C-1557:
Reply to C-1544 on catlines.
author: Segerman
C-1558:
Forqueray's strings and 18th century wound string sound.
author: Segerman
C-1559:
Reply to C-1542 (cotton between the hurdy-gurdy wheel and string).
author: Baker
C-1560:
On the lira da bracio and lirone project.
author: Segerman
C-1561:
The Cremona secret of violins.
author: Aristotel
C-1562:
The early violino and the viole da bracio family.
author: Segerman
C-1563:
Experimental work on clavichord action.
author: Barnes
the 1710 Michael Mietke single harpsichord in Hudiksval, Sweden (in Supplement).
[Plans]
Fomrhi Website.
[Supplement]
author: Segerman
On C-1535, review of a clavichord CD.
[Supplement]
author: Segerman
FOMRHI Apr 1998 # 91
C-1565:
Christopher Page. Music and instruments of the Middle Ages; studies on text and performance.
[Review]
reviewer: Montagu
C-1566:
Robert Barclay, ed. The care of historic musical instruments.
[Review]
reviewer: Montagu
C-1567:
Pepys's minikin.
author: Downing
C-1568:
Blowhorns of 19th century North America.
author: Downing
C-1569:
The alto recorders of Steenbergen.
author: Bouterse
C-1570:
Catajo and Ganassi - an Italian castle and a flauto dolce.
author: Loretto
C-1571:
On the information of musical iconography: reply to C-1551.
author: Segerman
C-1572:
Announcements: miscellany on pre-18th century hurdy gurdies.
author: Segerman
C-1573:
Some tangential observations about hurdy gurdies (further to C-1559).
author: Goodacre
C-1574:
Elia foreshadows C-1557 (on catlins).
author: Catch
C-1575:
Ruminations on original methods of constructing English viols.
author: Segerman
C-1576:
Violins, citterns and viols in the Edinburgh `A.S.' manuscript.
author: Segerman
Further to C-1535 (Swedish clavichords).
[Bulletin]
Further to C-1549 (ethnomusicology).
[Bulletin]
Further to C-1553 (antique brass instruments).
[Bulletin]
Alto recorder Steenbergen Groninger Museum (in C-1569).
[Plans]
author: Bouterse
Being fair to evidence in scholarship.
[Supplement]
author: Segerman
Further to C-1561 (Cremona secret).
[Supplement]
author: Segerman
Good players then and now.
[Supplement]
author: Segerman
Indexes.
[Supplement]
author: Segerman
On the use of timpani by 17th century composers.
[Supplement]
author: Segerman
Leicester Early Music Festival 1998.
[Announcement]
author: Bence
Morley clavichord No. 213.
[Announcement]
author: Bence
Progress report 1997 on the collection of historic musical instruments of the Edinburgh University.
[Announcement]
author: Myers
FOMRHI Jul 1998 # 92
C-1577:
Harpa no.28, spring 1998.
[Review]
reviewer: Montagu
C-1578:
Larigot 21, ACIMV.
[Review]
reviewer: Montagu
C-1579:
David Lasocki with Roger Prior. The Bassanos, 288 pp.
[Review]
reviewer: Montagu
C-1580:
The handling of source errors in scholarship.
author: Segerman
C-1581:
Henry VIII's 1542 and 1547 inventories.
author: Lyndon-Jones
C-1582:
Being fair to evidence in scholarship.
author: Montagu
C-1583:
Dr Robert Smith's 1748 keyboard tunings.
authors: Mobbs, Mackenzie of Ord
C-1584:
A case for the `Ganassi Recorder' in Vienna.
author: Lyndon-Jones
C-1585:
Recorder fingerings in print.
author: Loretto
C-1586:
Long and short recorder feet.
author: Loretto
C-1587:
Tinplate instruments- further to C-1568.
author: Montagu
C-1588:
As like as two peas.
author: Montagu
C-1589:
`What say you, Simon Catlin?'.
author: Catch
C-1590:
Late 17th century English bass violins, and catlin highest pitches.
author: Segerman
C-1591:
Catch non-view on the construction of catlins.
author: Segerman
C-1592:
The size of the English 12-course lute.
author: Segerman
C-1593:
Praetorius's plucked instruments and their strings.
author: Segerman
C-1594:
On the early violin bridge position.
author: Badiarov
C-1595:
Historical varnishes and colour of the bowed instruments in paintings.
author: Badiarov
C-1596:
44 historical varnishes and polishes.
author: Badiarov
C-1572-¾ (hurdy-gurdies).
[Bulletin]
Further to C-1522 (Camwood).
[Bulletin]
Further to C-1569 (Steenbergen recorders).
[Bulletin]
C-1545 error correction.
[Supplement]
Pitch standards and playing viols in the 16th century.
[Supplement]
author: Segerman
Response to bass violin comments by Catch in C-1574.
[Supplement]
author: Segerman
Soundboard wood imported to England.
[Supplement]
author: Segerman
FOMRHI Oct 1998 # 93
C-1597:
A working visit to the Mary Rose and the instruments found in her.
author: Montagu
C-1598:
Charivari agréable: Two upon a Ground, SIG CD 007.
[Review]
reviewer: Montagu
C-1599:
About technological information in musical instrument iconography; reply to C-1571.
author: Tiella
C-1600:
Werkstätt der heutigen Künste of J.S. Halle: implications on the historical bassoon reed gouge.
author: Rachor
C-1601:
The term 'transitional recorder'.
author: Loretto
C-1602:
Recorder research.
author: Loretto
C-1603:
Schmelzer's violino piffaro.
author: Heavens
C-1604:
The tunings and sizes of the viole da braccio: a correction to C-1562 and new theory.
author: Segerman
C-1605:
French fiddles, the soundpost and the violino.
author: Segerman
C-1606:
Peg fitting.
author: Segerman
C-1607:
The changeable harpsichord.
author: Stevens
C-1608:
Keyboard instruments building in Abruzzo (central Italy); keyboard instrument making of the 19th century in Lanciano (Abruzzo, Italy).
authors: Miscia, Tiella
C-1609:
The Cipollone fortepiano.
author: Tiella
Center for the study of free-reed instruments of the City University of New York.
[Bulletin]
FoMRHI History.
[Bulletin]
Foundation of the Gesellschaft der Freunde der Wiener Oboe.
[Bulletin]
Odilia Publishing Ltd.: harps.
[Bulletin]
Sibelius, a computer program for writing music.
[Bulletin]
Source for artificial ivory.
[Bulletin]
Catline, catlin and catling.
[Supplement]
author: Segerman
Facts and speculations people.
[Supplement]
author: Segerman
On `nuts & bolts', further to C-1469.
[Supplement]
author: Segerman
On timpani, reply to C-1582.
[Supplement]
author: Segerman
FOMRHI Jan 1999 # 94
C-1610:
Florence Gétreau, ed. Musique - Images - Instruments, #3, 1997.
[Review]
reviewer: Montagu
C-1611:
Larigot 19 Spécial, Septembre 1998, ACIMV.
[Review]
reviewer: Montagu
C-1612:
Symbolism in Emblem books.
author: Tiella
C-1613:
Mistreatment of instruments.
author: Loretto
C-1614:
Tin horns again (further to C-1587).
author: Downing
C-1615:
A low tech casting method.
author: Downing
C-1616:
Comments on C-1600 (the historical bassoon reed gouge, and further).
author: Leguy
C-1617:
Working GPS plastics.
author: Gill
C-1618:
Technical drawings of musical instruments on the Internet.
author: Bergstrøm.
C-1619:
The bass violin in the Talbot manuscript.
author: Smith
C-1620:
On using iconography for bridge positions.
author: Smith
C-1621:
Curving a fingerboard to improve the action.
author: Segerman
Further to C-1602 (Recorder research).
[Bulletin]
Further to Eph's (Segerman) Bulletin supplement (Q-93).
[Bulletin]
4th Broadwood harpsichord competition, Fenton House, 1999.
[Announcement]
FOMRHI Apr 1999 # 95
C-1622:
Jeremy & Gwen Montagu. Minstrels & Angels.
[Review]
reviewer: Segerman
C-1623:
Bouwerskontakt Bouwbrief 92, my summary.
author: Stroom
C-1624:
Period instrument performance in the Czech republic.
author: Freeman
C-1625:
Musical instrument cases.
author: Loretto
C-1626:
Direct access to medieval sounds in 1999.
author: Folkestad
C-1627:
The real diameter of shell augers.
author: Pöllitsch
C-1628:
A recently discovered traverso by I.W. Oberlender Senior.
author: Bouterse
C-1629:
Modern harpsichord plectra.
author: Lee
C-1630:
Violin neck; the changes from baroque to modern.
author: Badiarov
C-1631:
Response to C-1619 - Smith on Talbot's bass violin.
author: Segerman
C-1632:
Response to C-1620 - Smith on fiddle iconography.
author: Segerman
C-1633a:
Origin of the English name `violin' and more on the 16th century lirone.
author: Segerman
C-1633:
Multiple string bowing in the Renaissance.
author: Segerman
Further to C-1615 (casting mouthpieces).
[Bulletin]
Technical drawings of Musical Instruments, Museum of Fine Arts, Boston.
[Plans]
A stringing for an Irish harp.
[Supplement]
author: Segerman
Opinions about history and historical evidence.
[Supplement]
author: Segerman
Reactionary attitudes to music history and a new historical scholarship.
[Supplement]
author: Segerman
FOMRHI Jul 1999 # 96
C-1635:
Ira Schultze-Ardey. Die Geschichte der Klavierbaufamilie Kaim aus Kirchheim unter Teck.
[Review]
reviewer: Cole
C-1636:
Richard Maunder. Keyboard instruments in 18th century Vienna.
[Review]
reviewer: Cole
C-1637:
Michael Cole. The pianoforte in the Classical Era.
[Review]
reviewer: Maunder
C-1638:
Christiane Reicher, ed. Kielinstrumente aus der Werkstatt Ruckers - zu Konception, Bauweise und Ravelement sowie Restaurierung und Konservierung, etc., etc.
[Review]
reviewer: Montagu
C-1639:
Arnold Power, ed. TRAVERSO - the first ten years.
[Review]
reviewer: Bate
C-1640:
Thomas Sherwood. Starting the early bassoon.
[Review]
reviewer: Lyndon-Jones
C-1641:
Larigot 22, Décembre 1998, ACIMV.
[Review]
reviewer: Montagu
C-1642:
Larigot Spécial 10, Avril 1999. Catalogue des instruments de musique de la Manufacture Génerale de Gautrot Ainé & Cie.
[Review]
reviewer: Montagu
C-1643:
E Ridley, E Wells, ed. Royal College of Music Museum of Instruments Catalogue Part 1a - Addenda.
[Review]
reviewer: Montagu
C-1644:
Brian Harvey, Carla Shapreau. Violin fraud: deception, forgery, theft, and the law, 2nd ed.
[Review]
reviewer: Montagu
C-1645:
Rudolf Hopfner. Streichbogen (Katalog der Sammlungen alter Musikinstrumente und Sammlungen der Gesellschaft de Musikfreunde in Wien.
[Review]
reviewer: Heavens
C-1646:
Bouwerskontakt Bouwbrief 93, my summary.
[Review]
reviewer: Stroom
C-1647:
Had we but world enough and time - a rejoinder to Eph Segerman's remarks in Q-95.
author: Goodwin
C-1648:
Minimalism in historical scholarship.
author: Segerman
C-1649:
Notes on transposition.
author: Segerman
C-1650:
The silent whistle.
author: Lyndon-Jones
C-1651:
French fingerings - in the Cotswolds (the pipe and tabor and Joseph Powell).
author: Lyndon-Jones
C-1652:
Pipe and tablature.
author: Lyndon-Jones
C-1653:
Half holing the tabor pipe.
author: Lyndon-Jones
C-1654:
The big ones (pipe and tabor).
author: Lyndon-Jones
C-1655:
Irish harp tuning and The Sisters.
author: Downing
C-1656:
Further to C-1615 (A low tech casting method).
author: Downing
C-1657:
Further on the pitch ranges of gut strings (further to C-1545).
author: Segerman
C-1658:
A bit more on early fiddle tunings and sizes.
author: Segerman
C-1659:
The early development of 16th century viols.
author: Segerman
C-1660:
The tuning of viols in sets, and their sizes.
author: Segerman
NEMA Early Baroque Conference.
[Bulletin]
Newly available earliest evidence on the invention of strings wound with wire.
[Supplement]
author: Segerman
FOMRHI Oct 1999 # 97
C-1661:
Musica instrumentalis, Zeitschrift für Organologie, Ausgabe 1, 1998.
[Review]
reviewer: Montagu
C-1662:
Eric Montbel, Florence Gétreau, ed. Exhibition catalogue, `Souffler c'est jouer; Chabretaires et cornemuses à miroirs en Limousin'.
[Review]
reviewer: Montagu
C-1663:
L'arco, the multimedia guide for discovering the secrets of the bow (CD-ROM).
[Review]
reviewer: Heavens
C-1664:
Bouwerskontakt Bouwbrief 94, my summary.
[Review]
reviewer: Stroom
C-1665:
Priorities of words and music.
author: White
C-1666:
Collections and museums: it is all in the name, or not.
author: Bouterse
C-1667:
An unusual method for stabilising wood.
author: Gill
C-1668:
Charles Trute pianos - appeal for information.
author: Cole
C-1669:
`Bestes kleines Clavier' (clavichord congress Italy 1999).
author: Henning
C-1670:
Basic accountancy in organ pipe history.
author: Segerman
C-1671:
Instrument history and 16th century English choir boys.
author: Segerman
C-1672:
Virgiliano on instruments and transpositions.
author: Segerman
C-1673:
The sistrum and how to make one.
author: Little
C-1674:
The intentional sideway tilting of (violin) necks.
author: Smith
C-1675:
Tensions and diameters of early viol strings.
author: Segerman
C-1676:
Stringing of the baroque guitar in the 18th century.
author: Segerman
Jeremy Montagu announces resignment.
[Bulletin]
drawings available on webpage of Ture Bergstrøm.
[Bulletin]
Ephraim Segerman announces resignment.
[Supplement]
New address of the Center for Musical Iconography, Paris.
[Supplement]
author: Gétreau
Praetorius's mandora.
[Supplement]
author: Segerman
Tolbeque's name for small-size violins.
[Supplement]
author: Segerman
FOMRHI Jan 2000 # 98
C-1677:
Larigot 24, Décembre 1999, ACIMV.
[Review]
reviewer: Montagu
C-1678:
Martha Novak Clinkscale. Makers of the piano 1820-1860.
[Review]
reviewer: Cole
C-1679:
CD, two upon a ground; 17th century English instrumental music performed by Charivari Agréable.
[Review]
reviewer: Heavens
C-1680:
Bouwerskontakt Bouwbrief 95, my summary.
[Review]
reviewer: Stroom
C-1681:
J Milnes, ed. The British violin - historical aspects of violin and bow making in the British Isles.
[Review]
reviewer: Segerman
C-1682:
Karel Moens. Problems of authenticity of 16th century stringed instruments.
[Review]
reviewer: Segerman
C-1683:
Mimmo Peruffo. Italian violin strings, Recercare IX (1997).
[Review]
reviewer: Segerman
C-1684:
George Lane. The trombone, an annotated bibliography.
[Review]
reviewer: Myers
C-1685:
Musical millenium memoirs.
author: Loretto
C-1686:
I am not sure you ought to read this (on the Early Music Journal).
author: Montagu
C-1687:
News from the MFA (Museum of Fina Arts, Boston).
author: Kuronen
C-1688:
Molto stuccato.
author: Lyndon-Jones
C-1689:
Postscript to C-1673 on the sistrum and how to make one.
author: Little
C-1690:
On Western travellers who described and drew inspiration from Eastern instruments and music, ca 1830-1850.
author: Little
C-1691:
A Roman mouthpiece in England.
author: Chiverton
C-1692:
Making Italian roses.
author: Wraight
C-1693:
Ways of treating wood.
author: Owen
C-1694:
About an unusual method for stabilizing wood.
author: Tiella
C-1695:
A theologian's specific for happy musicology.
author: Catch
C-1696:
A question of evidence.
author: Catch
C-1697:
Further to C-1655, the Sisters and Irish double harps.
author: Downing
C-1698:
Modern lute stringing and beliefs about gut.
author: Segerman
C-1699:
Tinctoris and depictions of 15th century fiddles.
author: Segerman
addition to C-1588.
[Bulletin]
further to C-1650.
[Bulletin]
Geschichte, Bauweise und Spieltechnik der tiefen Streichinstrumente (symposium).
[General]
Symposium on bowed string musical instruments.
[General]
Fairness, non-judgementalism, objectivity and understanding.
[Supplement]
author: Segerman
Praetorius's pitch.
[Supplement]
author: Segerman
further to C-1667 (wood stabilisation).
[Supplement]
author: Segerman
further to C-1674 (neck tilts).
[Supplement]
author: Segerman
FOMRHI Apr 2000 # 99
C-1700:
Larigot 25, Mars 2000, ACIMV.
[Review]
reviewer: Montagu
C-1701:
F Ingerslev, W Frobenius. Some measurements of the end correction and acoustic spectra of cylindrical open flue pipes.
[Review]
reviewer: Segerman
C-1702:
More on iconography.
author: Tiella
C-1703:
Comment on C-1686 (the Early Music Journal).
author: Loretto
C-1704:
Further to C-1686 (the Early Music Journal) - and this you should read.
author: Montagu
C-1705:
Removing and replacing recorder blocks.
author: Loretto
C-1706:
Pitch of electrical appliances.
author: Loretto
C-1707:
Musical instruments evocative of the ancient orient.
author: Little
C-1708:
Copies of Polish stringed instruments found in archeological digs.
author: Czechak
C-1709:
`Mysteries' about early bowed instruments.
author: Segerman
C-1710:
A question of certainty - use of wound strings around 1700 - restoration C-1697.
author: Segerman
further to C-1681.
[Bulletin]
1st `Diego Fernandez' International Symposium on the Spanish Harpsichord.
[General]
Consensus scholars and scholarly debate.
[Supplement]
author: Segerman
FOMRHI Jul 2000 # 100
C-1711:
Arnold Myers, ed. Catalogue of historic musical instruments in the Edinburgh University Collection: vol 2Aiii (Peter Cooke) Percussion instruments of regional cultures worldwide, 1998.
[Review]
reviewer: Montagu
C-1711:
Arnold Myers, ed. Catalogue of historic musical instruments in the Edinburgh University Collection: vol 2Ji (Christopher Overton, Raymond Parks) Xylophones, cymbales and bells, 1998.
[Review]
reviewer: Montagu
C-1711:
Arnold Myers, ed. Catalogue of historic musical instruments in the Edinburgh University Collection: vol 2Jii (Christopher Overton, Raymond Parks) Drums, 1999.
[Review]
reviewer: Montagu
C-1711:
Arnold Myers, ed. Catalogue of historic musical instruments in the Edinburgh University Collection: vol 2Jiii (Christopher Overton, Raymond Parks) Beaters for percussion instruments, 2000.
[Review]
reviewer: Montagu
C-1712:
Florence Gétrau, ed. Revue française d'organologie et d'iconographie musicale, no 4, 1999, musique - -images - instruments.
[Review]
C-1713:
David Fallows. Embellishment and Urtext in the 15th century song repertories (in Basler Jahrbuch für Historische Musikpraxis XIV (1990).
[Review]
reviewer: Segerman
C-1714:
Marco Tiella, tr. Il pianoforte di G.F. Sievers (English translation).
[Review]
reviewer: Cole
C-1715:
Trute pianos.
author: Michael Cole
C-1716:
The design of an early Italian harpsichord at the RCM.
author: Wraight
C-1717:
Arnaut's Clavisimbalum mechanisms.
author: Wraight
C-1718:
How were the earliest viols played.
author: Segerman
C-1719:
On Francesco Sgargi's book.
author: Tiella
C-1720:
Some old Italian units of measurements.
author: Tiella
C-1721:
Some brief thoughts about the future of FoMRHI.
author: Jones
C-1722:
Filing FoMRHI Quarterlies.
author: Smith
C-1723:
English usage in publications.
author: Catch
C-1724:
Pitch of electrical appliances - comments on C-1706.
author: Swayne
C-1725:
Decoration and its current use.
author: Segerman
C-1726:
Why want to hear what it sounds like.
author: Segerman
Peterson strobe tuners.
[Bulletin]
The Hon.Sec. & Hon.Ed. & Hon.Treas.
[Bulletin]
Further on Praetorius's pitch.
[Supplement]
author: Segerman
FOMRHI Oct 2000 # 101
C-1727:
The Renaissance Workshop Company Ltd. Ottavino spinet; plan and construction manual.
[Review]
reviewer: Jones
C-1728:
Bernard Brauchli, ed. De clavicordio III: proceedings of the international clavichord symposium, Magnano, Italy 23-28 September 1997.
[Review]
reviewer: Jones
C-1729:
Bouwerskontakt Bouwbrief 96-98, my summary.
[Review]
reviewer: Stroom
C-1730:
Museum report (St Annen Museum, Lübeck; Schloss Sonderhausen; Museum der Universität, Leipzig; Händel Haus Museum, Halle).
author: Dart
C-1731:
An improved wooden bodied bore reamer.
author: Catterall
C-1732:
Pythagoras vs Euclid (in Arnaut's Clavisimbalum).
author: Barlow
C-1733:
The Clavisimbalum of Henri Arnaut de Zwolle.
author: Barlow
C-1734:
Horn working Nuts and Bolts; selecting raw material.
author: Leaf
C-1735:
Further to C-1721, Some brief thoughts about the future of FoMRHI.
author: Segerman
C-1736:
A late 16th century French picture with instruments.
author: Segerman
C-1737:
Further to C-1723, English usage in publications; knowledge, belief, catlins, and a response.
author: Segerman
C-1738:
David Boyden. `Monteverdi's violini piccoli alla Francese' and `Viole da brazzo' in Annales Musicologiques VI.
[Review]
reviewer: Segerman
C-1739:
The Hieronymus Albrecht Hass clavichord in the Bate Collection of Historical Instruments, Faculty of Music, University of Oxford; restoration report.
author: Jones
Nuts and Bolts comms.
[Bulletin]
author: Jones
Restoration and repair.
[Bulletin]
author: Jones
Armitage.
[Supplement]
FOMRHI Jan 2001 # 102
C-1736:
Larigot Spécial 11, Septembre 2000. Essai de classification alphabétique des facteurs, ouvriers, inventeurs, essayeurs, marchands, ... français d'instruments à vent, 1re partie A-L.
[Review]
reviewer: Montagu
C-1737:
Bouwerskontakt Bouwbrief 99, my summary.
[Review]
reviewer: Stroom
C-1738:
Acquisitions of the Kenneth G. Fiske Museum, 1999-2000.
author: Rice
C-1739:
Early pianos in Pennsylvania.
author: Cole
C-1740:
Tuning recorders by modifying the bore.
author: Loretto
C-1741:
Recorder dynamics (Dolmetsch, Breuking).
author: Loretto
C-1742:
Top f in a treble recorder.
author: Robertson
C-1743:
Some evidence from an old violin.
author: Badiarov
C-1744:
Strings of silk and other textiles.
author: Rakov
C-1745:
Oriental colour and atmosphere: why exotic colour became prominent in 19th and early 20th century orchestration.
author: Little
Horn working and personal safety.
[Bulletin]
author: Jones
Leipzig Instrument Museum is moving.
[Bulletin]
author: Jones
National sound archive on-line catalogue.
[Bulletin]
author: Jones
Renaissance recorder database.
[Bulletin]
author: Jones
Textile strings.
[Bulletin]
author: Jones
1 Apologies.
[Supplement]
author: Armitage
2 Loretto's windway broaching machine acquisition.
[Supplement]
author: Armitage
FOMRHI Apr 2001 # 103
C-1746:
Progress report 2000 on the collection of historic musical instruments of the Edinburgh University.
author: Myers
C-1747:
Koen Vermeij. The Hubert Clavichord Data Book.
[Review]
reviewer: Jones
C-1748:
Horn - several more toots.
author: Goodacre
C-1749:
Comment on C-1742.
author: Loretto
C-1750:
Comment on bulletin 102.
author: Loretto
C-1751:
Catgut - C-1567 revisited.
author: Downing
C-1752:
`An angel in green with a vielle' - a reconstruction.
author: Skeaping
C-1753:
16th century rib bending.
author: Coleman
C-1754:
More on the violino Piffaro.
author: Heavens
C-1755:
About the history of the use of metal in violin strings.
author: Segerman
C-1756:
The appoggiatura, early vocal style and instrument imitations.
author: Segerman
C-1757:
When the neck length (nut to body) became 2/3 the body stop (neck to bridge) on violins and violas.
author: Segerman
FoMRHI Treasurer - a vacancy.
[Bulletin]
author: Jones
Wood auction.
[Bulletin]
author: Jones
FOMRHI Jul 2001 # 104
C-1758:
Bouwerskontakt Bouwbrief l00 and 101, my summaries.
author: Stroom
C-1759:
F Delbanco. Posaunen und Trompeten - Geschicbte, Akustike, Spieltechnik.
[Review]
reviewer: Montagu
C-1760:
Andrew Ashbee, et al. The Viola da Gamba Society index of manuscripts containing consort music, vol 1.
[Review]
reviewer: Jones
C-1761:
Response to Eph's (Segerman) response to Lewis's (Jones) C-1721.
author: Montagu
C-1762:
Irving and historical scholarship: a lesson for music historians.
author: Segerman
C-1763:
Double chamfers.
author: Loretto
C-1764:
A synthetic finish for recorder bores.
author: Colebrook
C-1765:
The clavisimbalum from the manuscript of Arnaut de Zwolle, c. 1440.
author: Rennoldson
C-1766:
Some theory on pitch instability, inharmonicity and lowest pitch limits.
author: Segerman
C-1767:
Response to C-1744 (strings of silk and other textiles).
author: Segerman
C-1768:
Stringing renaissance fiddles and rebecs.
author: Segerman
C-1769:
Early sound posts and bass bars.
author: Segerman
C-1770:
17th century English viols.
author: Segerman
C-1771:
Stress equilibrium and moisture content in gut and wood.
author: Segerman
Delays in publication - an apology.
[Bulletin]
author: Jones
Titles of FoMRHI Comms.
[Bulletin]
author: Jones
FOMRHI Oct 2001 # 105
C-1772:
A brief response to C-1752 and Bull-103.
author: Montagu
C-1773:
The peoples organ - investigating the concertina.
author: Macneil
C-1774:
A look at the mechanics of the vibration of the bowed bridge.
author: Segerman
C-1775:
Measuring the elastic modulus of gut.
author: Segerman
C-1776:
Tables in steps for close-wound strings.
author: Segerman
C-1777:
Jerome of Moravia and the Tractatus de musica.
author: Skeaping
C-1778:
Tuning and stringing medieval fiddles.
author: Segerman
C-1779:
The anomalous size of the pardessus de viole.
author: Segerman
C-1780:
Román Martinez Gayol. The aging process (in 'the Strad', vol 112, # 1335).
[Review]
reviewer: Segerman
C-1781:
A timeline of 18th century bassoon makers.
author: Dart
C-1782:
Early ud fretting systems described by Al-Kindi.
author: Margerum
FoMRHI Treasurer - David Armitage.
[Bulletin]
author: Jones
Form for the submission of entries for the FoMRHI Directory of Suppliers to Musical Instrument Makers.
[Bulletin]
author: Jones
FOMRHI Jan 2002 # 106
C-1783:
Progress report 2001 on the collection of historic musical instruments of the Edinburgh University.
author: Myers
C-1784:
Larigot 27, Août 2001, Larigot 28, Décembre 2001, Larigot Spécial XII, Avril 2001, Larigot Répertoire et Listing, Avril 2001.
[Review]
reviewer: Montagu
C-1785:
On the 'English scholarly tradition' expressed in Jeremy's C-1761.
author: Segerman
C-1786:
Hornworking reference sources.
author: Leaf
C-1787:
A Workeshoppe Restor'd - an attempt to recreate a North European string instrument maker's workshop of the late 16th Century (or the search for the lute makers donkey!).
author: Atkinson
C-1788:
Harpsichord - to build or buy.
author: Foster
C-1789:
My problems with traversos in a-440 Hz.
author: Bouterse
C-1790:
High f on the baroque alto recorder (further to C-1742 and C-1749).
author: Bolton
C-1791:
On Downing's speculations on catgut in C-1751.
author: Segerman
C-1792:
On Skeaping's fiddle reconstruction in C-1752.
author: Segerman
C-1793:
Comments on Coleman's C-1753 on rib bending.
author: Segerman
C-1794:
The 'Angel in Green' Lyra - a response to Eph Segerman's observations on C-1792.
author: Skeaping
C-1795:
Further to C-1751 - Silkworm Gut and the Origins of the Minikin Lute String.
author: Downing
C-1796:
Silk Strings? - Putting Another Spin on Interpretation of the Sources (Further to C-1767).
author: Downing
C-1797:
Translation of the tuning instructions in Girolamo Montesardo, 'Nuova inventione d'intavolatura per sonare li balletti sopra la chitarra spagniuola (Florence, 1606).
author: Hall
C-1798:
A few notes on Montesardo's 5-course guitar tuning.
author: Segerman
Further to C-1751 (silkworms).
[Bulletin]
author: Harwood
Further to C-1751 (silkworms).
[Bulletin]
author: Montagu
Further to C-1765 (the clavisimbalum).
[Bulletin]
author: Montagu
Further to C-1785 (reviewing of published articles).
[Bulletin]
author: Jones
The violino piffaro.
[Bulletin]
author: Segerman
FOMRHI Apr 2002 # 107
C-1799:
The Kloster Michaelstein Guitar and Cittern Symposium: a report.
author: Forrester
C-1800:
Spreadsheet I & F (Ingerslev & Frobenius) calculation of organ pipe pitch.
author: Segerman
C-1801:
More ancient varnish recipes.
author: Owen
C-1802:
The clavisimbalum from the manuscript of Henri Arnaut de Zwolle, c. 1440: an update to C-1765.
author: Rennoldson
C-1803:
Bending vihuela ribs: a response to Ephraim Segerman's C-1793 on Richard Coleman's C-1753.
author: Hebbert
C-1804:
Gut strings: further to C-1683.
author: Peruffo
C-1805:
On Segerman's speculations on catgut, etc in C-1791.
author: Downing
C-1806:
Some relationships involving string displacement.
author: Segerman
C-1807:
An analysis of the bridge hole data on lutes in C-1288 and C-1350.
author: Segerman
A virtual Sodi harpsichord.
[Bulletin]
author: Jones
Joint meeting with the Lute Society.
[Bulletin]
author: Jones
FOMRHI Jul 2002 # 108
C-END:
FoMRHI has ceased to exist.
[Announcement]
FOMRHI Aug 2008 # 109
C-1808:
Tuning temperaments for lutes.
author: Coakley
C-1809:
Elasticity of lute strings.
author: Coakley
C-1810:
Tapered lute strings, angled necks and bridges.
author: Coakley
C-1811:
Acoustics of lute soundboards and bars.
author: Coakley
C-1812:
Lute stability.
author: Coakley
C-1813:
Further acoustivs of lutes: bridge areas, minor bars, angles.
author: Coakley
C-1814:
Lute sizes and optimum design.
author: Coakley
Revival of FoMRHI, by Chris Goodwin, secretary, with John Rawson, treasurer.
[Bulletin]
author: Goodwin
FOMRHI Nov 2008 # 110
C-1815:
On frets and barring; some useful ideas.
author: McConnell
C-1816:
Modifications to recorder blocks to improve sound production.
author: Madge
C-1817:
What is wrong with Vermeer's guitar.
author: Forrester
C-1818:
A new addition to the instruments of the 'Mary Rose'.
author: Montagu
C-1819:
Oud or lute? - a study.
author: Downing
C-1820:
Some parallels in the ancestry of the viol and violin.
author: Segerman
C-1821:
Notes on the polyphont.
author: Segerman
C-1822:
The 'English' in English violette.
author: Segerman
C-1823:
The identity of the lirone.
author: Segerman
C-1824:
On the origins of the tuning peg and some early instrument names.
author: Segerman
C-1825:
'Twined' strings for clavichords.
author: Bavington
C-1826:
Wood fit for a king? An investigation.
author: Downing
C-1827:
Temperaments for gut string and gut fretted instruments.
author: Catch
C-1828:
Reply to Hebbert's C-1803 on early bending method.
author: Segerman
C-1829:
Reply to Peruffo's C-1804 on gut strings.
author: Segerman
C-1830:
Reply to Downing's C-1805 on silk and catgut.
author: Segerman
C-1831:
On stringing of lutes in C-1807 and guitars in C-1797 and C-1798.
author: Segerman
C-1832:
Tapered lute strings and added mass.
author: Coakly
C-1833:
Review: A history of the lute from Antiquity to the renaissance, by Douglas Alton Smith; Lute Society of Amerixa, 2002.
[Review]
reviewer: Segerman
C-1834:
Review: Die Renaissanceblockflöten der Sammlung alter Musikinstrumenten des kunsthistorisches Museums Wien; Vienna, 2006.
[Review]
reviewer: Bouterse
The Greenwich Exhibition, Call for Papers.
[Bulletin]
author: Goodwin
FOMRHI Feb 2009 # 111
C-1835:
Jan Steenbergen and his oboes.
author: Bouterse
C-1836:
Observations on glue and an early lute construction technique.
author: Downing
C-1837:
Thomas Stanesby junior's 'True Concert Flute'.
author: Bolton
C-1838:
Oil paintings of musical instruments - should we trust the Old Masters?.
author: Goodacre
C-1839:
A method of fixing loose soundbars.
author: Bavington
C-1840:
Mediaeval and Renaissance multiple tempo standards.
author: Segerman
C-1841:
The earliest soundposts.
author: Segerman
C-1842:
The historical basis of the modern earlymusic pitch standard of a' = 415 Hz.
author: Segerman
C-1843:
Notes on the symphony.
author: Segerman
C-1844:
Some design considerations in making flattened lute backs.
author: Segerman
C-1845:
Tromba Marina notes.
author: Allen
C-1846:
Woodwinds dictionary online; http://www.woodwindwords.com.
author: Lemmel
C-1847:
For information: Diderot et d'Alembert, L'Encyclopedie free!; http://diderot.alembert.free.fr.
author: Downing
C-1848:
'Mortua dolce cano' - a question.
author: Downing
C-1849:
'Mortua dolce cano' - two more instances.
author: Goodwin
C-1850:
Further to C-1818, the new Mary Rose fiddle bow.
author: Montagu
C-1851:
Oud or lute? C-1819 continued.
author: Downing
C-1852:
Wood fit for a king a case of mistaken identity?; C-1826 updated.
author: Downing
C-1853:
Reply to Segerman's C-1830; (on silk and catgut).
author: Downing
C-1854:
Reply to john Catch's C-1827 on frets and temperaments.
author: Munck
C-1855:
C-1855 not allocated.
C-1856:
Re C-1810 and C-1815 angled bridges, tapered strings, frets and bars.
author: Segerman
C-1857:
The lute in renaissance Spain: comment on C-1833.
author: Arroitajauregi
C-1858:
Review of modern clavichord studies: De Clavicordo VIII.
[Review]
reviewer: Weston
.
[Bulletin]
author: Goodwin
FOMRHI May 2009 # 112
C-1859:
Errata in C-1858; some names were misprinted.
author: Goodwin
C-1860:
Mortua dolce cane - an answer to C-1848 and C-1849.
author: Forrester
C-1861:
Bouwerskontakt and its publications.
author: Bouterse
C-1862:
Further to C-1854 on fretting.
author: Catch
C-1863:
David Hockney and 'The Ambassadors' lute.
author: Downing
C-1864:
Oud or lute? - the Ambassadors lute seen from a computer's perspective.
author: Downing
C-1865:
A brief review of sound hole configuration in early ouds and lutes.
author: Downing
C-1866:
Glue - more information from the Asiatic bow makers.
author: Downing
C-1867:
Making a recorder block.
author: Lynham
C-1868:
Supporting claims of kithara or lyre origin.
author: Segerman
C-1869:
On the development of early music.
author: Segerman
C-1871:
A basic theory about string twist.
author: Segerman
C-1872:
The Young's modulus made easy.
author: Louchet
.
[Bulletin]
author: Goodwin
FOMRHI Aug 2009 # 113
C-1873:
Lute peg shank taper; includes lists from mandolinos and lutes.
author: Downing
C-1874:
More on making recorder blocks; comments on C-1867.
author: Madge
C-1875:
Every musician an instrument maker or Bach's 'viola pomposa'; 'all makers must be players and all players makers' (Carl Dolmetsch).
author: Lahham
C-1876:
English guitar makers in 18th century Britain: a directory; an inventory is included.
author: Tyler
C-1877:
A wooden ocarina.
author: Bouterse
C-1878:
More on Youngs modulus; comments to C-1872.
author: Downing
C-1879:
Another useful free online resource; the internet archive of old books at www.archive.org.
author: Downing
C-1880:
Recorder research: windway design - part 1; measurements, techniques of old recorders.
author: Bouterse
C-1881:
Some thoughts on 'reverse' moderators in Austrian pianos at the end of the 18th century; a fortepiano made by Sebastian Lengerer, Kufstein 1793.
author: Tiella
C-1882:
A keyboard instrument in a painting; an unsigned portrait with a keyboard instrument: an attempt to ascribe a painting.
author: Rosenblatt
C-1883:
On lute sizes; an historical approach.
author: Segerman
.
[Bulletin]
author: Goodwin
FOMRHI Nov 2009 # 114
C-1884:
Additions to C-1876, some more English Guitars.
author: Takeuchi
C-1885:
An early lute construction technique, further to C-1836.
author: Downing
C-1886:
A keyboard instrument in a photograph; a reed organ in the house of German clergy in Jerusalem.
author: Rosenblatt
C-1887:
Pinched notes; the thumb hole of the recorder.
author: Madge
C-1888:
Home-made tools for lute building.
author: Franklin
C-1889:
Bassoon reed making; adapting the reed making technique to the material or forcing the material to the reed making technique.
author: Rachor
C-1890:
Inventing the guihuela; a radical approach to instrument accessibility.
author: Emmet
C-1891:
On an often misunderstood picture of a mediaeval fiddle; King David depicted in a Troparium, 11th cnt.
author: Segerman
C-1892:
The lost art of declamation in music performance.
author: Segerman
C-1893:
What types of fiddles were the Charles XI Andrea Amati instruments when made?.
author: Segerman
C-1894:
On late 18th century archcitterns.
author: Segerman
.
[Bulletin]
author: Goodwin
FOMRHI Mar 2010 # 115
C-1895:
English guitars in the Danish Music Museum, Copenhagen; additions to C-1876 and C-1884.
author: Bergstrøm
C-1896:
Design and construction of a 'multipurpose' lute.
author: Coakley
C-1897:
How big is a lute? The statistical evidence from hand sizes.
author: Franklin
C-1898:
Recorder research: windway design - part 2; five alto recorders by Bressan: windway and blocks.
author: Bouterse
C-1899:
A renaissance piano?; based on a spinettino in the Metropolitan Museum of Art, New York, by Franciscus Bonafinis MDLXXV.
author: Barlow
C-1900:
Reply to David Rachors C-1889 on adapting techniques to the material or not.
author: Barlow
C-1901:
A keyboard instrument in a Metropolitan Museum, New York; a rebuilt Italian harpsichord in the Metropolitan Collection (NY): restoring a chain of events.
author: Rosenblatt
C-1902:
A clarinet from before when clarinets were invented?; the sculpture of an angel at the Plasy organ (Abraham Starck, 1688, West Bohemia).
author: Spicka
C-1903:
On the gittern's body change round 1500.
author: Segerman
C-1904:
The step between the top of the sides and the top of the neck of stringed instruments.
author: Segerman
C-1905:
Angled bowing on medieval paintings.
author: Segerman
C-1906:
Why it was the vihuela and not the lute in 16th century Spain.
author: Segerman
announcing www.fomrhi.org; an electronic Fomrhi?.
author: Goodwin
FOMRHI Aug 2010 # 116
C-1907:
Lute pegs from Holbein's Ambassadors Portrait.
author: Franklin
C-1908:
Clarinets are older than you think; reply to C-1092.
author: Henning
C-1909:
Early keyboards in Israel: reportage from the field.
author: Rosenblatt
C-1910:
Bressan alto recorders: pitch and sound; and some tips to make a copy.
author: Bouterse
C-1911:
'Pythagoras of Ulm' and the geometry of a 19th century oud.
author: Downing
C-1912:
Templates for grinding tools on a bench grinder.
author: van der Most
C-1913:
Hie Folget ein Welsche Tanz?; in Hans Newsidler's Lautenbuch.
author: Downing
C-1914:
A lute peg retrofit with 'silver' inlays.
author: Downing
C-1915:
An Italian (unsigned) harpsichord rebuilt as a tangent piano; addition to C-1901.
author: Tiella
.
[Bulletin]
author: Goodwin
FOMRHI Dec 2010 # 117
C-1916:
A geometrical analysis of an old Nahat oud.
author: Downing
C-1917:
Silk strings - making sense of the historical data, part 1.
author: Downing
C-1918:
Questions about the origin of the curtal and the bassoon.
author: van der Most
C-1919:
A comparison of oud and lute geometries - a 16th century lute by Giovane Hieber.
author: Downing
C-1920:
Early clarinet iconography.
author: Rice
C-1921:
A comparison of oud and lute geometries - the 17th century `Cleveland Tiorbino'.
author: Downing
C-1922:
Towards an affordable South African recorder.
author: Jones
C-1923:
Workshop idea: shaped file, e.g. for cutting windways.
author: Lloyd
C-1924:
Further to C-1004, The `Sorduen-Bas'.
author: Lloyd
C-1925:
Stewart Pollens: Stradivari, 335 pp.
[Review]
reviewer: Segerman
C-1926:
Three Broadwood pianos spanning one decade.
author: Barlow
C-1927:
Help needed regarding stuck bassoon tenons.
author: Rachor
C-1928:
Danger of spontaneous combustion using linseed oil.
author: Damon
Quartelies online.
[Bulletin]
author: Goodwin
FOMRHI Apr 2011 # 118
C-1929:
Alto recorders by Bressan.
author: Bouterse
C-1930:
Two unstuck bagpipe tenons.
author: Goodacre
C-1931:
More on the dangers of combustion; linseed oil.
authors: Goodacre, Allen
C-1932:
Tronc, tronc, tronc, preng, preng, preng: onomatapocic words as an indication of the sound and playing technique of early stringed instruments.
author: Goodwin
C-1933:
Sliding tubes for the renaissance sackbut.
authors: van der Most, van Assendelft
C-1934:
Correction to C-1918, questions about curtal and bassoon.
author: van der Most
C-1935:
Ancient metrology, Ibn al-Tahhan and the Maler and Frei lutes; part 1.
author: Downing
C-1936:
Ancient metrology, Ibn al-Tahhan and the Maler and Frei lutes; part 2.
author: Downing
C-1937:
Catgut revisited.
author: Downing
C-1938:
A very useful tool; (but not a very useful title) - the hand shaper.
author: Wynn
C-1939:
The significance of the evidence in historical scholarship.
author: Segerman
C-1940:
Another look of the Cetra in the Gubbio intarsia.
author: Segerman
C-1941:
Historical accuracy and the early music movement.
author: Segerman
.
[Bulletin]
author: Goodwin
FOMRHI Jul 2011 # 119
C-1942:
Caveat Emptor', some thoughts relating to C-1939 and C-1941.
author: Franklin
C-1943:
Catgut, some comments.
author: Catch
C-1944:
Napoleon and a seven-course oud.
author: Downing
C-1945:
A mediaeval oud, Ikhwan-al-Safa and the 'Pythagoras of Ulm' lute.
author: Downing
C-1946:
Volumes of different kinds of double reeds.
author: van der Most
C-1947:
One more instance of musical onomataopoeia, further to C-1932.
author: Goodwin
C-1948:
The Brussels #0164 Oud case and 16th century lute case design.
author: Downing
C-1949:
Pitch relativity in the renaissance and the sizes of fiddles and viols.
author: Segerman
C-1950:
Fixture for cutting windways on a metal working lathe.
author: Jones
C-1951:
The story of Giuseppe Fiorini - appeal for assistance.
author: Regazzi
C-1952:
The guitar and Praetorius' finger.
author: Downing
.
[Bulletin]
author: Goodwin
FOMRHI Oct 2011 # 120
C-1953:
Reports of woodwind instruments in Dutch sale catalogues and inventories between 1700 and ca. 1830.
author: Bouterse
C-1954:
An old list of gut string specimens; in the Elenco di Saggi de Prodotti della Industria Napolitana 1844.
author: Tiella
C-1955:
European music in Japan in the 16th and 17th centuries.
author: van Ooijen
C-1956:
The dangers of trusting iconography.
author: Watson
C-1957:
A Japanese vihuela spotted in China; footnote to C-1955.
author: van Ooijen
C-1958:
Obituary of a FOMRHI fellow: Ian Harwood MBE, 1931-2011.
author: Thea Abbott
C-1959:
Meantone fretting.
author: Catch
.
[Bulletin]
author: Goodwin
FOMRHI May 2012 # 121
C-1960:
The authenticity of colours.
author: Heinrich
C-1961:
Albrecht Dürer and the shape of a lute - egg or ellipse.
author: Downing
C-1962:
C-1956 and the 'Ambassadors' Lute - some observations and comment.
author: Downing
C-1963:
Scorched guitar soundboards.
author: Downing
C-1964:
A few common-sense expedients for players and makers how should you constitute an early music consort of thirty players?.
author: Crookes
C-1965:
A decorous text for 'Watkins Ale'.
author: Crookes
C-1966:
Castaldi's practice room: onomatopoeic echoes (after C-1932, C-1947).
author: Dolata
C-1967:
The Ashmolean festoon bass viol reconsidered.
author: Munck
C-1968:
The organ and the organistrum, plus a possible key mechanism of the box symphony.
author: Segerman
C-1969:
The lute and the case for double frets.
author: Watson
C-1970:
Buffalo horn, a versatile, carbon neutral material.
author: Franklin
.
[Bulletin]
author: Goodwin
FOMRHI Oct 2012 # 122
C-1971:
Corrections to C-1963 - scorched guitar soundboards?.
author: Downing
C-1972:
Research note: imported lutes in the 15th century.
author: Pickvance
C-1973:
Comment on C-1963 'Scorched guitar soundboards?'.
author: Hodgson
C-1974:
A geometrical analysis of an old Syrian oud.
author: Downing
C-1975:
Some early 20th gut and silk oud strings, an inspection report.
author: Downing
C-1976:
Further to C-1969 - early evidence for the use of double frets and a list of their advantages over single frets.
author: Hodgson
C-1977:
Pillow talk.
author: Crookes
C-1978:
On lute and cases.
author: Crookes
C-1979:
Gut, gunge and gurus.
author: Crookes
C-1980:
It all began in Belfast.
author: Crookes
C-1981:
The four-string lyre.
author: Crookes
C-1982:
Dutch bassoons and rackets.
author: Bouterse
.
[Bulletin]
author: Goodwin
FOMRHI Feb 2013 # 123
C-1983:
A triangular spinet of unknown Italian maker; found inside the space under the hinged top of a 19th century table.
author: Tiella
C-1984:
Scorched guitar soundboards and Mace; comments on C-1973.
author: Downing
C-1985:
Annual ring orientations, speed of sound and multiple piece oud soundboards.
author: Downing
C-1986:
Dowland's lute tuning and other ancient methods, including Gerle's; an extensive 28-page communication.
author: Coakley
C-1987:
Orpharion and cittern fret analysis and other ancient tunings, including batoque lutes; a very extensive 67-page communication.
author: Coakley
announcing an AGM in November.
[Bulletin]
author: Goodwin
FOMRHI May 2013 # 124
C-1988:
18th century clarinets in Holland; Boekhout, Borken, van de Knikker.
author: Bouterse
C-1989:
Making cents out of fretting ratios and vice versa.
author: Dolata
C-1990:
The Ikwhan al-Safa oud revisited - further to C-1945 and some other thoughts; numbers and ratios, the oud geometry, fretting and tuning, strings, notes.
author: Downing
C-1991:
Low cost infrared 'X-ray' imaging - a useful research tool for luthiers? - part 1; introduction, camera, modifications.
author: Downing
C-1992:
Low cost infrared 'X-ray' imaging - part 2; macro image tests, infrared pass filter, test 2 - transmitting infrared imaging.
author: Downing
C-1993:
Low cost infrared 'X-ray' imaging - part 3 - postscript.
author: Downing
C-1994:
A unusual late 19th century Syrian oud - a link to the 16th century Laux Maler lute?.
author: Downing
subscription holiday; conference in Oxford July; conference at the Horniman Museum, March 2014; an early Dolmetsch lute for auction in New Zealand.
[Bulletin]
author: Goodwin