© 2016 Charles Stroom

FOMRHI Contents, updated 2016-12-8

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FOMRHI Nov 1975 # 1

C-1: On early 16th century lute barring and bridge placement. [Announcement] author: Segerman Abbott
C-2: The problem of double bridges on 15th century illustrations of rebecs. author: Rooley
C-3: Gut strings. author: Segerman Abbott
C-4: An inductive thickness gauge. author: Edmunds

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FOMRHI Jan 1976 # 2

C-5: Geometric description and analysis of instrument shapes. author: Abbott Segerman
C-6: Some thoughts on a file of musical instruments. author: Abbott Segerman
C-7: Sources of information on authentic lutes. author: Abbott Segerman
C-8a: Pictures etc in the Ashmolean Museum. author: Downing
C-8: Some manuscripts in the British Library with musical instruments and a few other sources. author: Montagu
C-9: Comments on the catalogue of the V&A Museum. author: Montagu

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FOMRHI Apr 1976 # 3

C-10: Attitude to musical instrument conservation and restoration. author: O'Brien
C-11: Proposal for a computer-based index of data concerning historical documents. author: Theakston
C-12: Musical instruments in Jean de Gerson's Tractatus de Canticis. author: Page
C-13: Musical instruments in medieval Latin biblical glosses. author: Page
C-14: References to string materials in some medieval texts. author: Page
C-15: Historical background to the strings used by catgut scrapers. author: Segerman Abbott
C-16: On the Palmer orpharion. author: Segerman Abbott
C-17: Regarding lute pegs and bridges. author: Curry
C-18: Blades, Montagu: Early percussion instruments from the middle ages to the baroque. [Review] reviewer: Bowles
C-19: Montagu: Making early percussion instruments. [Review] reviewer: Bowles
C-20: Marcuse: A survey of musical instruments. [Review] reviewer: Montagu

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FOMRHI Jul 1976 # 4

C-21: The construction of a monochord. author: Montagu
C-22: The polishing of metal surfaces. author: Betts
C-23: Some notes on the use of benzotriazole as a preservative for copper and alloys of high copper content. author: Betts
C-24: A substitute for ivory. author: Taggart
C-25: A 16th century French description of gut strings in Turkey. author: Wright
C-26: The Early Musical Instrument Makers Association Limited. author: Morley
C-27: A letter to Editors of periodicals with interests in historical instruments. author: Abbott Segerman Montagu
C-28: A note on the preparation and distribution of instrument designs. author: Abbott Segerman
C-29: Design information for lute makers. author: Segerman Abbott
C-30: On single, octave or unison courses in early stringed instruments. author: Segerman Abbott

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FOMRHI Oct 1976 # 5

C-31: A reconstruction of the Bosch hurdy-gurdy. author: Tolley
C-32: Burning as an alternative to boring. author: Hailperin
C-33: Colouring of instruments. author: Lawrence
C-34: On bending woods. author: Hachez
C-35: An ivory substitute. author: Hachez
C-36a: Comments on C-41. author: Segerman
C-36: Lessons about the naming of instruments offered by the early guitar and violin. author: Segerman Abbott
C-37: Praetorius and the viola bastarda. author: Abbott Segerman
C-38: Praetorius and English pitch standards in the 17th century. author: Segerman Abbott
C-39: On the string length of the 16th century vihuela da mano. author: Segerman Abbott
C-40: Why are lute pegboxes bent back. author: Segerman Abbott
C-41: Lute pegboxes and necks. author: Samson
C-42: Museums, commercialism and instrument drawings. author: Segerman Abbott
C-43a: Comments on C-29. author: Segerman Abbott
C-43: Notes on the Horniman Museum Handbook. author: Montagu
C-44: Montagu: The world of medieval and renaissance musical instruments. [Review] reviewer: Segerman
C-44: Munrow: Instruments of the middle ages and renaissance. [Review] reviewer: Segerman
Italian harpsichords, Wraight. [Plans]

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FOMRHI Jan 1977 # 6

C-39a: Some notes on C-39. author: Gill
C-44a: Munrow: Instruments of the middle ages and renaissance (part 1). [Review] reviewer: Segerman
C-45: Renaissance transposing keyboard instruments. author: Meeùs
C-46: Recommendations for drawings of keyboard instruments. author: Barnes
C-47: Lute pegboxes in pictures 1600-1800. author: Samson
C-48: The twelve-course lute. author: Samson
C-49: Classic guitar shape. author: Ecker
C-50: Jerome of Moravia and bridge curvature in the medieval fiddle. author: Segerman Abbott
C-51: Some speculations on medieval fiddle technique. author: Segerman Abbott
C-52: What is a musical instrument. author: Marvin
C-53: The words authentic and original. author: Segerman
C-54: Felling your own timber. author: Rawson
List Metropolitan Museum of Art, New York. [Plans]
FoMRHI rules. [Announcement]

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FOMRHI Apr 1977 # 7

C-40a: In defence of C-40. author: Segerman
C-44b: Munrow: Instruments of the middle ages and renaissance (part 2). [Review] reviewer: Segerman
C-55: Reports on FoMRHI seminars Syrus. author: Montagu
C-56: FoMRHI book news. author: Montagu
C-57: Renaissance transposing keyboard instruments II. author: Meeùs
C-58: Jerome of Moravia. author: Baines
C-59: The names, string lengths and pitch standards of extended-neck lutes in the 17th century. author: Abbott Segerman
C-60a: Some comments on C-60. author: Montagu
C-60: Instrument research through artist's depiction. author: Ecker
C-61: Detection of reinforcing bars in instruments. author: Wood
C-62: Bending irons. authors: Garrod, Abbott, Young
C-63: On measures of instruments in museums. authors: Segerman, Abbott
C-64: Freighting instruments from the U.K. author: Wood

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FOMRHI Jul 1977 # 8

C-10a: Comment on C-10: attitudes to musical instrument conservation and restoration by O'Brien. author: Barnes
C-39b: Comments on comments (C-39a) on C-39. author: Segerman Abbott
C-44c: Montagu: The world of medieval and renaissance musical instruments (part 1). [Review] reviewer: Segerman
C-58a: On prematurity of communication. author: Segerman Abbott
C-65: On the sizes of renaissance and baroque viols and violins. author: Segerman
C-66: The range of pitch with gut strings of a given length. author: Samson
C-67: Principal instruments of 14th century Italy and their structural features. author: Mayor Brown
C-68: Comments on technical drawings and photographs of musical instruments. author: Lee
C-69: On the dangers of becoming an established scholar. author: Segerman
C-70: Profile turning of reamer blanks for use in woodwind. author: Cameron
C-71: Humidity cycling for stabilisation of gut and wood. author: Abbott Segerman Rolfe
C-72: Tullberg: The manufacture of musical instruments. [Review] reviewer: Montagu
C-73: Diagram_group: Musical instruments of the world. [Review] reviewer: Montagu
C-74: Medieval carvings of musical instruments in St Mary's Church Shrewsbury. author: Wright
List V&A Museum, London. [Plans]

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FOMRHI Oct 1977 # 9

C-44d: Montagu: The world of medieval and renaissance musical instruments. [Review] reviewer: Segerman (part 2)
C-75: Notes on the barring of an Arabian lute. author: Downing
C-76: Notes on the preservation and repair of the shakuhachi. author: Mayers
C-77: Restoration of cupped Flemish wrestplanks. author: Lee
C-78: Profiling and tuning of viol front plates. author: Strahle
C-79: Another note concerning Praetorius's pitch standards. author: Segerman
C-80: Some reflections on the acoustics of the cornett. author: Leguy
C-81: The string formula. author: van Pelt
C-82: Comment on C-81. author: Segerman Abbott
C-83: Wrought iron music wire. author: Karp
C-84: Accuracy of measurement of woodwinds and the exact copy. author: Karp
C-85: More comments on measured drawings of keyboard instruments. author: Debenham
C-86: On measurement. author: Robinson
C-87: On C-67. author: Hailperin
C-88: A reasoned and practical approach to mean-tone fretting. author: Segerman Abbott
C-89: On medieval and early renaissance tunings and fretting patterns. author: Segerman
C-90: Katalog der Streichinstrumente Berlin. [Review] reviewer: Montagu
C-91: van der Meer, Thibault: Preservation and restoration of musical instruments. [Review] reviewer: Montagu
C-92: Jenkins: International dictionary of musical instruments. [Review] reviewer: Montagu

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FOMRHI Jan 1978 # 10

C-100: Early musical instruments for school construction. author: Tolley Roscow Allison
C-101: On C-76 and woodwind crack repair. author: Karp
C-102: Overspun strings. author: Karp
C-103: The interaction between gut string technology and instrument ranges and sizes up to the 18th century. author: Segerman
C-104: A description of the early Irish harp. author: Hobrough
C-105: About old music wire. author: Gug
C-106: Karp: Basic keyboard tuning techniques. [Review] reviewer: Montagu
C-107: Varquin: hurdy-gurdy drawing. [Review] reviewer: Tolley
C-108: Scheurwater, van Acht: Old harpsichords, their construction and restoration. [Review] reviewer: Barnes
C-109: Stradner: Die musikinstrumente im Seiermarkischen Landeszeughaus in Graz. [Review] reviewer: Montagu
C-110a: Kjeldsberg: Klemt og Klang; Ringve Museum. [Review] reviewer: Montagu
C-110: Kjeldsberg: Musikinstrumenter ved Ringve Museum. [Review] reviewer: Montagu
C-111: Stockmann: Studia Instrumentorum Musicae Popularis, Musikhistoriska museets skrifter. [Review] reviewer: Montagu
C-44e: Montagu: The world of medieval and renaissance musical instruments. [Review] reviewer: Segerman (part 3)
C-93: Report on the 16th century seminar. author: Montagu Segerman
C-94: Some thoughts on gut string history before 1600. author: Segerman
C-95: A correction to C-50 on Jerome of Moravia's second fiddle tuning. author: Segerman
C-96: A hypothesis on the symphony. author: Montagu
C-97: Cetra et cetera. author: Allworth
C-98: Lead in harpsichord keyboards. author: Rawson
C-99: Seasoning your own timber. author: Rawson

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FOMRHI Apr 1978 # 11

C-112: The compass of the Royal College of Music clavicytherium. author: Debenham
C-113: Reproductions. author: Garrod
C-114: On the construction of Ruckers harpsichords. author: Gug
C-115: More about drawings of keyboard instruments. author: Barnes
C-116: The circulation of restoration reports: restoration of square piano c.1820 by Gaiser. author: Barnes
C-117: Documentation of a Fort'e Piano mechanism once existing in the Giusti harpsichord. author: Sutherland
C-118: A Ganassi flauto. author: Marvin
C-119: Three full-sized line drawings of historical wind instruments. author: Cousen
C-120: Reed-gouging tool. author: Holmes
C-121: Woodwind measurements. author: Whinray
C-122: A shaper for recorder block blanks. author: Whinray
C-123: Information on regals and foreign language dictionaries. author: Young
C-124: An analysis of the fretting of the Canpi cittern at the Royal College of Music in London. author: Segerman
C-125: On C-97: Cetra fret blocks. author: Segerman
C-126: Twist your strings to improve tone and fretting accuracy. author: Segerman Abbott
C-127: More comments on C-39, 39a and 39b. author: Gill
C-128: The Maler and Frei lutes - some observations. author: Downing
C-129: String tension on Mersenne's lute. author: Segerman
C-130: Clean edges on gold leaf. author: Douglas
C-131: Some historical notes on acid staining. author: Owen
C-132: Two simple varnishes. author: Rubin
C-133: A gauge for measuring front-plate thickness profiles of viols. author: Strahle
C-134: On wire-comms and wire-comm comments. author: Karp
List Brussels Museum. [Plans]
List Société des Amis du Musée Instrumental, Paris. [Plans]

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FOMRHI Jul 1978 # 12

C-135: A proposed device for more accurate acoustical duplication of stringed instruments. author: Segerman
C-136: Speculations on the renaissance viol, the ubiquity of soundholes bracketed by bars, and the history of soundposts. author: Segerman
C-137: Strings, twisted and Mersenne. author: Karp
C-138: Catline strings. author: Abbott Segerman
C-139: Metal-covered threads before 1600. author: Montagu
C-140: Making lute pegs. author: Miller
C-141: A cut lute recorded. author: Samson
C-142: Bologna lutes - comments on C-128. author: Samson
C-143: The Baffo virginal. author: Shann
C-144: Basic clavichord design. author: Rawson
C-145: Method of woodwind frequency measurement data treatment. author: Raudonikas
C-146: Nuts, bolts and plugs. author: Marvin
C-147: Comments on a visit to the State Institute of Theatre, Music and Cinematographie (Leningrad). author: Moore
C-148: FoMRHI book news. author: Montagu
C-149: Birsak: Die Holzblas Instrumente im Salzburger Museum Carolino Augusteum. [Review] reviewer: Montagu
C-149: Kaba: Die Römische Orgel von Aquincum. [Review] reviewer: Montagu
C-149: Leppert: Arcadia at Versailles. [Review] reviewer: Montagu
C-149: Remnant: Musical instruments of the West. [Review] reviewer: Montagu
C-149: Salzburger Museum Carolino Augusteum: Jahresschrift 22 1976. [Review] reviewer: Montagu
C-149: Szende: Intervallic hearing, its nature and pedagogy. [Review] reviewer: Montagu

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FOMRHI Oct 1978 # 13

C-150: Hutchins: The physics of music. [Review] reviewer: Montagu
C-151: Tolley: Making musical instruments. [Review] reviewer: Montagu
C-152: 18th century musical instruments in the National Museum Dublin, with notes on a English guitar 1764 by Gibson. author: Doyle
C-153: Longnecks. author: Kimbel Lupus
C-154: Mace's theorbo from Musick's Monument, 1676. author: Miller
C-155: A red herring on Praetorius's foot. author: Segerman Young
C-156: Two-headed lute news. author: Vang Segerman
C-157: Musical sculptures in medieval Burgundy. author: Henning
C-158: On the sizes of surviving English viols. author: Segerman
C-159: The Giusti harpsichord in the Stearns collection. author: Barnes
C-160: More about instrument drawings. author: Barnes Mactaggart
C-161: Computing cents with a pocket calculator. author: Meeùs
C-162: A string calculator. author: Abbott Segerman
C-163: Overspun string calculations. author: Segerman Abbott
C-164: On twisted metal strings and Mersenne's data. author: Segerman Abbott
C-165: On C-86. author: Robinson
C-166: Safety with woodworking machines. author: Rawson
C-167: Vellum and parchment roses. author: Rawson
C-168: Planes for shaping arched bellies of stringed instruments. author: Young
C-169: Comments on humidity cycling. author: Wraight
C-170: Blown resonance of baroque transverse flute: I pitch axis and wind bands. author: Raudonikas

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FOMRHI Jan 1979 # 14

C-171: Jansen: The bassoon, part I. [Review] reviewer: Montagu
C-172: Divisions: volume 1, no. 1. [Review] reviewer: Montagu
C-173: A possible soundboard finish for lutes and guitars. author: Harwood
C-174: On the time of invention of overspun strings. author: Abbott Segerman
C-175: The identity of 18th century 6-course lutes. author: Hodgson
C-176: Early 16th century lute constructions. author: Hodgson
C-177: A table to convert plain gut string sizes to equivalent overwound string specifications. author: Hodgson
C-178: Mensur? Ugh. author: Segerman
C-179: Fret distances from the nut for every interval above the open string. author: Abbott Segerman Spencer
C-180: Making reamers on a shoestring. author: Marvin
C-181: Blown resonance of baroque transverse flute: II characteristic frequency. author: Raudonikas
C-182: Planning a workshop. author: Rawson
C-183: On Mersenne's twisted data and metal strings. author: Karp
C-184: Notes on European harps. author: Hobrough
C-185: Peg taper finisher and cutter. author: Mather
C-186: The viola pomposa. author: Smith
C-187: More on the sizes of English (and other) viols. author: Segerman Abbott

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FOMRHI Apr 1979 # 15

C-188a: Ford: Making musical instruments. [Review] reviewer: Montagu
C-188b: Ford: Making musical instruments. [Review] reviewer: Segerman
C-188c: Ford: Making musical instruments. [Review] reviewer: Barnes
C-189: MacLeod-Coupe: Lute construction. [Review] reviewer: Hodgson
C-190: Jansen: The bassoon, part I (plates). [Review] reviewer: Montagu
C-191: Boyle: Intervals, scales and temperaments. [Review] reviewer: Montagu
C-192: Cornett and Sackbut, journal. [Review] reviewer: Montagu
C-193: Heyde: Musikinstrumenten Museum Leipzig band 1 Flöten. [Review] reviewer: Montagu
C-194: The development of the calachon. author: Hodgson
C-195: Soundhole migration in the development of the lute. author: Downing
C-196: Early 16th century lute construction. author: Downing
C-197: Woodwind making techniques. author: Cameron
C-198: Soundboard finishes. author: Shann
C-199: Mersenne untwisted. author: Segerman
C-200: A method for making traditional tuning pins. author: Barnes
C-201: Artificial ivory made from milk. author: Pereira
C-202: Inventory of the workshop of Kejcher, Krakow (1548-1599). author: Ducept
C-203: The Memling Angel Musicians Psaltery. author: Kottick
C-204: Making a fraize. author: McCrone
C-205: A gouge for measuring thickness of musical instrument soundboards. author: Tourin
C-206: On Chladni-plate tuning of baroque viol soundboards. author: Segerman
C-207: Further to C-145 and C-80. author: Leguy

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FOMRHI Jul 1979 # 16

C-208: Tolley: Making musical instruments. [Review] reviewer: Baines
C-209: Hope: Baroque guitar (record). [Review] reviewer: Montagu
C-210: Jansen: The bassoon, part II. [Review] reviewer: Montagu
C-211: Musical instrument conservation and technology journal. [Review] reviewer: Montagu
C-212: Divisions, volume 1, no. 2. [Review] reviewer: Montagu
C-213: Ross: Musical instruments at the University of Iowa. [Review] reviewer: Montagu
C-214: Diderot, viols and false tables. author: Miller
C-215: On baroque lute strings and tunings. author: Segerman
C-216: Acoustics, appearance and authenticity - are our priorities right. author: Samson
C-217: The 3 R's: responses, rejoinders and reminders to C-216. author: Hodgson
C-218: Further to C-216. author: Segerman
C-219: Early 16th century lute reconstructions. author: Hodgson
C-220: Tonal balance and bar depths. author: Samson
C-221: An acoustical problem. author: Montagu
C-222: On accuracy of measurements. author: Pereira
C-223: On seasoning timber. author: Gould
C-224: A note on electronic tuning aids. author: Gould
C-225: The cataloguing of instruments and associated references. author: Holmes
C-226: A serviceable early baroque flauto. author: Marvin
C-227: Making double reeds for renaissance wind instruments. author: Meyer Kottick

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FOMRHI Oct 1979 # 17

C-228: Note on titebond. author: Butler
C-229: Blown resonance of baroque transverse flute: III influence of cork position alteration. author: Raudonikas
C-230: Small planes. author: Williams
C-231: Standards for instrument plans. author: Williams
C-232: On the information in instrument drawings. author: Segerman
C-233: A jig for preparing and glueing lute neck joints. author: Ellis
C-234: Parchment roses. author: Theakston
C-235: Parchment roses. author: Kemner
C-236: The collection of Ukranian folk instruments at Kiev. author: Zajaruzny
C-237: Dental acrylic. author: Mercer
C-238: Jewelery in wood etc. author: Samson
C-239: Comment on C-227. author: Gould
C-240: Some original receipts, appertaining to the varnishes of lutes in Italy. author: Forrester
C-241: Crumhorns - a letter from Hanchet to Montagu.
C-242: Crafts Council Conservation Sourcebook. [Review] reviewer: Montagu
C-243: Muskett: Method for the vielle or hurdy-gurdy. [Review] reviewer: Tolley
C-244: Toll: Bar Consort Earl Music (record). [Review] reviewer: Montagu
C-245: Jansen: The bassoon, part II (plates) & III. [Review] reviewer: Montagu

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FOMRHI Jan 1980 # 18

C-246: List of plans. author: Paris Conservatoire
C-247: Adhesive bonding in musical instrument construction. author: Brown
C-248: Response to Butler's C-228: more on titebond. author: Cumpanio
C-249: Adhesive for the cornetto maker. author: Drake
C-250: String keyboard instruments. author: Rawson
C-251: Some thoughts on manufacture and production. author: Montagu
C-252: More on computer catalogues. author: Holmes
C-253: Theory of viol design - I. author: Segerman
C-254: Making woodwind keys. author: Bigio
C-255: This quarter's good cause: the FoMRHI book list. author: Hobrough
C-256: Files and benches. author: Hobrough
C-257: Old keyboard tablature used in making organ pipes. author: Pereira
C-258: Untitled. author: Spalding
C-259: Notes on the drawings and photographs of the liuto attiorbato by Choc in the V&A museum. author: Lourie
C-260: Position of bridge and bars regarding tone production. author: Mather
C-261: Jansen: The bassoon, part IV. [Review] reviewer: Montagu
C-262: Zeugnisse alter Musik XI, 1980. [Review] reviewer: Montagu
C-263: Divisions, volume 1, no. 3. [Review] reviewer: Montagu
C-264: Fuller: Mechanical musical instruments as a source for the study of notes inégales. [Review] reviewer: Montagu
C-265: Tiella: Indirizzi di ricerca su strumenti pre-rinascimentali. [Review] reviewer: Montagu
C-266: Brauchli: The renaissance clavichord I & II (records). [Review] reviewer: Montagu
List Société des Amis du Musée Instrumental, Paris. [Plans]

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FOMRHI Apr 1980 # 19

C-267: Lute body manufacture - the authentic way. author: Downing
C-268: Is restoration doomed. author: Rawson
C-269: Viol dimensions. author: Tourin
C-270: An Irish hurdy-gurdy in the National Museum Dublin. author: Doyle
C-271: An early gemshorn. author: Muskett
C-272: Styll shalmes. author: Buckland
C-273: More on drawings of keyboard instruments. author: Pereira
C-274: Mandora and calachon. author: Gill
C-275: The hurdy-gurdy. author: Palmer
C-276: Palmer: The hurdy-gurdy. [Review] reviewer: Montagu
C-277: Dürichen: Corrette's Method for learning to play the vielle-a-roue. [Review] reviewer: Muskett
C-278: Leguy: Précis de fracture d'anches renaissance. [Review] reviewer: Wood
C-279: Tibia 1/80 journal. [Review] reviewer: Montagu
C-280: Haine: Adolphe Sax. [Review] reviewer: Montagu
C-281: Jansen: The bassoon, part V. [Review] reviewer: Montagu
C-282: Moonen: Drawings of four woodwind instruments in the Brussels Museum. [Review] reviewer: McCrone
C-283: Ellis: Hanes y delyn yng Nghymru. [Review] reviewer: Montagu
C-283: Ellis: The story of the harp in Wales. [Review] reviewer: Montagu
C-284: Rans, Misschaert: Die nachtegael int wilde (record). [Review] reviewer: Montagu
C-285: Rans, Misschaert: Die nachtegael int wilde (record). [Review] reviewer: Yakeley
List Royal College of Music, London. [Plans]

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FOMRHI Jul 1980 # 20

C-286: On the distinction between the hurdy-gurdy and the vielle-a-roue. author: Montagu
C-287: Further to C-275. author: Longstaff
C-288: Further to C-276. author: Palmer
C-289: A note on the belly construction of early English viols. author: Segerman
C-290: Making solid bentsides for harpsichords. author: Rose
C-291: Painting keyboard instruments. author: Rawson
C-292: Making arcades for keyboard instruments. author: Rawson
C-293: Arcade cutting. author: Glover
C-294: A jig for use in arching and thicknessing viol front plates. author: Strahle
C-295: Further to C-295. author: Gill
C-296: Introduction to the small organ. author: Gwynn
C-297: Tyler: The early guitar. [Review] reviewer: Hope
C-298: Jansen: The bassoon, part VI. [Review] reviewer: Montagu
C-299: Hope: Italian baroque guitar (record). [Review] reviewer: Montagu
List V&A Museum, London. [Plans]

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FOMRHI Oct 1980 # 21

C-300: Lute soundboards - how were they fitted. author: Samson
C-301: Classification system of the pitches with various absolute height. author: Raudonikas
C-302: A simple, safe method for making pine resin varnish. author: Duncalf Segerman
C-303: Building lute backs with a flattened section. author: Lourie
C-304: The forked shawm. author: Montagu
C-305: Electronic aids and their use in early music. author: Isbell
C-306: Laminated soundboards for harpsichords. author: Way
C-307: Painting harpsichords. author: Way
C-308: Making solid bentsides for harpsichords. author: Way
C-309: Thibault, Rokseth: Trois chansonniers Français du XV siècle. [Review] reviewer: Fallows
C-310: Jansen: The bassoon, part VII. [Review] reviewer: Montagu
C-311: Haine, de Keyser: Catalogue des instruments Sax au Musée Instrumental de Bruxelles. [Review] reviewer: Montagu
C-312: Burney: An account of the musical performances in Westminster-Abbey. [Review] reviewer: Montagu
C-313: Orcutt: The Stradivari memorial. [Review] reviewer: Montagu
C-314: Dolmetsch: Personal recollections of Arnold Dolmetsch. [Review] reviewer: Montagu
C-315: Nothern Renaissance Instruments, catalogue. [Review] reviewer: Montagu
C-316: The master musicians of Jajouka at the Commonwealth Institute London (concert). [Review] reviewer: Montagu

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FOMRHI Jan 1981 # 22

C-317: Early music instruments from shipwrecks, lake dwellings and rivers. author: Morrison
C-318: Plane scraping for profit and pleasure. author: Glover
C-319: The baroque guitar - one day course - Hope. author: O'Sea
C-320: Untitled (photogrammetrics and organology). author: Tiella
C-321: Lute construction - further comments. author: Downing
C-322: FoMRHI conference on pitch and transposition. author: Rose
C-323: The problem of nomenclature. author: Montagu
C-324: Why do some lutes have flattened backs. author: Samson
C-325: On the number of guts in a gut string. author: Segerman
C-326: Parrish: Johannes Tinctoris translated. [Review] reviewer: Page
List Brussels Museum. [Plans]
List Hill collection, Ashmolean Museum, Oxford. [Plans]

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FOMRHI Apr 1981 # 23

C-327: To study the embouchure hole form. author: Raudonikas
C-328: What was the flauto d'echo. author: Montagu
C-329: Covered strings for clavichords and square pianos. author: Barnes
C-330: How to make a baroque trumpet (I). author: van der Heide
C-331: A temporary debarockant. author: Drake
C-332: Photogrammetric measurement. author: Hobrough
C-333: Devices for measuring the undercutting. author: Karp
C-334: Enigmatic bars. author: Mather
C-335: String to soundboard proximity. author: Mather
C-336: Early double reeds. author: Haynes
C-337: English nomenclature of extended lutes. author: Spencer
C-338: Criteria for the naming of instruments. author: Segerman
C-339: On water-resistant glues. author: Coutrait
C-340: On shafts and bearings for hurdy-gurdies. author: Palmer
C-341: Lead in keyboards. author: Hermans
C-342: Organ pitch. author: Gwynn
C-343: A string diameter on Mersenne's bass viol. author: Namreges
C-344: Ambiguity in Mersenne's use of Grosseur. author: Segerman
C-345: Warning. author: Gretton
C-346: Blumenfeld: The Syntagma Musicum Praetorius translated. [Review] reviewer: Montagu
C-347: Carse: Musical wind instruments. [Review] reviewer: Bate
C-348: Henkel: Musikinstrumenten Museum Leipzig band 2 Kielinstrumente. [Review] reviewer: Montagu
C-348: Heyde: Musikinstrumenten Museum Leipzig band 3 Trompeten, Posaunen, Tuben. [Review] reviewer: Montagu
C-349: Speer: Grundrichter Unterricht der musikalische Kunst oder Vierfaches musikalisches Kleeblatt, 1697. [Review] reviewer: Montagu
C-350: Jansen: The bassoon, part VIII & IX. [Review] reviewer: Montagu

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FOMRHI Jul 1981 # 24

C-351: On nomenclature - a rejoinder. author: Montagu
C-352: The lower bout back fold on English treble viols. author: Segerman
C-353: Restoration of a recorder edge. author: Miller
C-354: Sinking harpsichord soundboards. author: Way
C-355: Fingering on the Gaita galega. author: Gretton
C-356: Bending massive bentsides. author: Kalsbeek
C-357: The business end (sharp end) of the cornetto. author: Gretton
C-358: Valves and mouthpieces for bagpipes. author: Gretton
C-359: The inverted mordent in late 16th and 17th century music. author: Segerman
C-360: An inventory of the Charles van Raalte Collection in instruments. author: Downing
C-361: Jansen: The bassoon, part X. [Review] reviewer: Montagu
C-362: Taylor: The musician's piano atlas. [Review] reviewer: Montagu
C-363: Myers: A check-list of the brass musical instruments in the Edinburgh University collection. [Review] reviewer: Montagu
C-364: Nagy: Michael Haydn, ein Überblick über sein Leben. [Review] reviewer: Montagu
C-365: Stewart: The Shrine to Music Museum, vol 1, keyed brass instruments. [Review] reviewer: Montagu

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FOMRHI Oct 1981 # 25

C-366: Restoration reports for two Broadwood pianos. author: Barnes
C-367: Browning harpsichord pins. author: Way
C-368: The nomenclature of plucked keyboard instruments. author: Meeùs
C-369: On renaissance flute design. author: Underhill
C-370: Mixed clavichord and spinette (with vibrato). author: Matern
C-371: Further to C-342. author: Raudonikas
C-372: Peg mill attached to a lathe. author: Steafel
C-373: Further to Still Shalmes (C-272). author: Buckland
C-374: Further to comments by Rein on C-307. author: Mactaggart
C-375: Proposal for a medieval workshop. author: Hobrough
C-376: More on organological terminology - response to C-351. author: Segerman
C-377: Lute outlines - geometrical description. author: Samson
C-378: Report on the restoration of a violin. author: Watchorn
C-379: Thickness graduation of the Tourte bow - simple alternative. author: Segerman
C-380: Conservation of research information vs a playing collection. author: Segerman
C-381: Design of a viol belly. author: Moonen
C-382: On Talbot's measurements of viols. author: Segerman
C-383: Jansen: The bassoon, part XI. [Review] reviewer: Montagu
C-384: UK Institute for Conservation: Conservation, archaeology & museums. [Review] reviewer: Montagu
C-385: Canadian Conservation Institute: Care of musical instruments in Canadian collections. [Review] reviewer: Montagu
C-386: Musikhistoriska Museet Stockholm: Studia instrumentorum popularis VII. [Review] reviewer: Montagu
C-387: Montagu: Geschichte der Musikinstrumente in Mittelalter und Renaissance. [Review] reviewer: Montagu

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FOMRHI Jan 1982 # 26

C-388: Yet more on organological terminology. Montagu.
C-389: Should museum instruments be used. author: Montagu
C-390: Construction of ivory cornetti and tuning cornetti at the sharp end. author: Gretton
C-391: Brass. author: Karp
C-392: A method of casting harpsichord roses. author: Paul
C-393: Keyboard restoration. author: Barnes
C-394: About restoration reports for fortepianos. author: Hermans
C-395: Construction of viol bellies by bending all staves. author: Segerman Duncalf
C-396: Production of plectrum from bird feathers. author: Lajaruzny
C-397: Soundhole evolution. author: Lajaruzny
C-398: A survey of graces in the renaissance and early baroque. author: Segerman
C-399: Mactaggart: Laying & decorating harpsichord papers. [Review] reviewer: Montagu
C-400: Paul: Modern harpsichord makers. [Review] reviewer: Montagu
C-401: Langwill: A check-list of the double-reed musical instruments in the Edinburgh collection. [Review] reviewer: Montagu
C-402: Roche: A dictionary of early music. [Review] reviewer: Montagu

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FOMRHI Apr 1982 # 27

C-403: A method for casting harpsichord roses. author: Paul
C-404: Woodwind bore measurement and analysis. author: Lewin
C-405: Drone system of the Lissieu musette. author: Greensitt
C-406: Woodwind bore oil. author: Karp
C-407: Orpharion news. author: Segerman
C-408: More mid- 16th century information on Spanish gracing. author: Segerman
C-409: Renaissance and baroque bows. author: Segerman
C-410: Hizler's tenor violin. author: Segerman
C-411: On Memling's psaltery. Segerman.
C-412: Proposed construction of a medieval fiddle. author: Segerman
C-413: All-gut bass strings. author: Segerman
C-414: All-nylon strung lutes. author: Irvine
C-415: More on C-375. author: van Dijk
C-416: Schrammek, Herre. [Review]
List Germanisches Nationalmuseum, Nürnberg. [Plans]

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FOMRHI Jul 1982 # 28

C-417: Computing lute rib shapes. author: Peckham
C-418: Braga cathedral - gospel organ. author: Pereira
C-419: Blown resonance of baroque transverse flute: IV the tone and the blowing process. author: Raudonikas
C-420: Lute action. author: Brown
C-421: A new edition of Langwill's index. author: Waterhouse
C-422: Aguado: New guitar method. [Review] reviewer: Hope
C-423: Emery: A check-list of the bowed string musical instruments in the Edinburgh collection. [Review] reviewer: Montagu
C-424: Dreieich Museum: Two catalogues of exhibitions (Flöten; Drehleier & Dudelsack). [Review] reviewer: Montagu
C-425: Coover: Musical instrument collections, Catalogues. [Review] reviewer: Montagu
List Musikmuseet, Stockholm. [Plans]
List Musée Grobet, Labadie. [Plans]
List Société des Amis du Musée Instrumental, Paris. [Plans]

Return to Index

FOMRHI Oct 1982 # 29

C-426: Zen-on: The recorder collection of Frans Brüggen. [Review] reviewer: Montagu
C-427: James: A word of two on the flute (1826). [Review] reviewer: Montagu
C-428: Blades: A check-list of the percussion musical instruments in the Edinburgh collection. [Review] reviewer: Montagu
C-428: Macauly: A check-list of the plucked and hammered string musical instruments in the Edinburgh collection. [Review] reviewer: Montagu
C-429: Kjeldsberg: Musikinstrumenter ved Ringve Museum. [Review] reviewer: Montagu
C-430: Boydell: The crumhorn and other renaissance windcap instruments. [Review] reviewer: Moonen
C-431: Making unsoldered oboe staples. author: Kirkpatrick
C-432: Finishing lute soundboards. author: Brown
C-433: Two possible sources of instrument-making timber. author: Mills
C-434: Perforating soundboard roses with scissors. author: Williams
C-435: Report on the Stuttgart harpsichord exhibition August 1982. author: Champollion
C-436: Converting cents to Hertz. author: Bigio
C-437: Speculations on the rote. author: Segerman
C-438: Strings for the violin family. author: Segerman

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FOMRHI Jan 1983 # 30

C-439: Heinrich Schütz's strings. author: Karp
C-440: Ferrous wire of high tensile strength ca. 1600. author: Segerman
C-441: Blown resonance of baroque transverse flute: V tolerances of tones. author: Raudonikas
C-442: On German, Italian and French pitch standards in the 17th and 18th century. author: Segerman
C-443: Converting note names to frequency values. author: Karp
C-444: Relative string lengths of the crwth. author: Montagu
C-445: Fairly, Flutes, flautists and makers. [Review] reviewer: Montagu
C-446: Royal College of Music Museum Catalogue part I, European wind instruments. [Review] reviewer: Montagu
C-447: Campbell: A check-list of the free reed, miscellaneous and ancillary instruments in the Edinburgh collection. [Review] reviewer: Montagu

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FOMRHI Apr 1983 # 31

C-448: The trapozoidal triangle - a practical solution. author: Glover
C-449: Spoon-castagnetts of Turkey. author: Harders
C-450: Notes on copyright(©). author: Mactaggart
C-451: Another recipe for copal varnish. author: Gretton
C-452: The story of a harpsichord string. author: Gug
C-453: A double recorder. author: Marvin
C-454: Workshop gimmicks. author: Stanners
C-455: Lettering. author: Bridges
C-456: On the size of Italian theorboes and archlutes before 1650. author: Segerman
C-457: Tuning instruments having a conical bore. author: van der Heide
C-458: Early 18th century bows and screws. author: Segerman
C-459: A note on mean temperament. author: Segerman
C-460: Wood contraction and instrument bores. author: Segerman
C-461: Transferring soundboard designs. author: Mactaggart
C-462: Lane: The trombone in the middle ages and the renaissance. [Review] reviewer: Montagu
C-463: Seyfritt: musical instruments in the Dayton C. Miller collection. [Review] reviewer: Cousen

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FOMRHI Jul 1983 # 32

C-464: The sizes and pitches of Italian archlutes. author: Hodgson
C-465: The mean-tone. author: Karp
C-466: Some notes on cittern fingerboards and stringing. author: Forrester
C-467: On restoration. author: Way
C-468: Lost traditions - or are they. author: Montagu
C-469: Portatives with reservoirs. author: Bridges
C-470: Moisture blocking of fipple flutes. author: Willetts
C-471: Comments on bows and their screws, taps, dies and lathes. author: Mather
C-472: Put the gurus out to grass. author: Crookes
C-473: Comments on C-448. author: Montagu
C-474: Acid staining of hardwoods. author: Willetts
C-475: Woodwind bore oil. author: Willetts
C-476: How to make your own mouldings in wood. author: Hendry
C-477: What is a historical instrument. author: Segerman
C-478: Cheape: A check-list of the bagpipes in the Edinburgh collection. [Review] reviewer: Montagu
C-479: Cross: The Shrine to Music Museum, vol 2 instruments of Burma, India, Nepal, Thailand, Tibet. [Review] reviewer: Montagu
C-480: Vorreiter: Die schönsten Musikinstrumente des Altertums. [Review] reviewer: Montagu
C-481: Bingham, Catalogue of old brasswind instruments. author: Montagu
C-482: Ueno Gakuen College Tokio: Catalogue of the European musical instruments of the 17th-19th century. [Review] reviewer: Montagu
C-483: Overton: Der Zink, Geschichte, Bauweise and Spieltechnik eines historischen Musikinstruments. [Review] reviewer: Gretton

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FOMRHI Oct 1983 # 33

C-484: Notes on a painting by Sabastino Lazzari. author: Downing
C-485: The NF treble recorder at the Museum der Stadt Meran. author: Zaniol
C-486: Geometrical description and analysis of instrument shapes; considerations on early 16th century lute construction. author: Steinberg
C-487: Bone for peg decoration. author: Jenkins
C-488: The fingered 16' on the harpsichord. author: Shann
C-489: Comments on C-417 and C-420. author: Samson
C-490: Mersenne, Praetorius and the English viol pitch standard: problems of the history of early pitches. author: Meeùs
C-491: Response to C-490 on English viol pitches. author: Segerman
C-492: Untitled (tuning conical bore woodwind instruments). author: Marvin
C-493: Fingering the Gaita galega: the horse speaks. author: Stacey
C-494: Health-shop historicity. author: Crookes
C-495: No posterity for the eunuch flute. author: Crookes
C-496: Schrammek, Herre: Museum Musicum Leipzig. [Review] reviewer: Henning
C-497: Waterhouse: The proud bassoon (catalogue). [Review] reviewer: Montagu
C-498: Henkel: Musikinstrumenten Museum Leipzig band 4 Clavichorde. [Review] reviewer: Montagu
C-498: Heyde: Musikinstrumenten Museum Leipzig band 5 Hörner und Zinken. [Review] reviewer: Montagu
C-499: Stradner: Linzer Musikinstrumente der Bruckner-Zeit, Linz. [Review] reviewer: Montagu
C-500b: Untitled (and some more). author: Kolberg
C-500: Trouble with C-302 varnish. author: Segerman

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FOMRHI Jan 1984 # 34

C-501: The UKIC and V&A Christmas symposium. author: Montagu
C-502: Some comments on C-477. author: Gretton
C-503: Effects applicable to the tuning of instruments with a conical bore (replaces C-457). author: van der Heide
C-504: How to make a baroque trumpet (II). author: van der Heide
C-505: Comments on C-483: review of Der Zink. author: Overton
C-506: 18th century success of copal varnish. author: Segerman
C-507: Lunatic crumhorn. author: Crookes
C-508: Observations prelusive to reconstructing the kithara. author: Crookes
C-509: Conjectures about making harpsichord bentsides. author: Lee
C-510: The key system of the organistrum. author: Gibson
C-511: Dean castle: van Raalte collection organs. author: Coetze
C-512: Drilling bristle-holes in wooden jacks. author: Groom
C-513: Comments on C-488: the fingered 16'. author: Meeùs
C-514: Recorder voicing: answers to questions. author: Willoughby
C-515: Henkel: Beiträge zum historischen Cembalobau. [Review] reviewer: Wraight
C-516: Tibia-Calendrium 1984. [Review] reviewer: Montagu
C-517: Barclay: Anatomy of an exhibition: the look of music. [Review] reviewer: Montagu
C-518: Mactaggart: Painting and marbling harpsichord cases. [Review] reviewer: Montagu
C-519: Gernhardt, Henkel, Schrammek: Musikinstrumenten Museum Leipzig band 6 Orgelinstrumente, Harmoniums. [Review] reviewer: Montagu
C-520: van Acht: Volksmuziek en volksmuziekinstrumenten in Europa, Haags Gemeente Museum. [Review] reviewer: Montagu
C-521: Brauchli: Carlos Seixas's nine sonatas for clavichord (record). [Review] reviewer: Montagu

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FOMRHI Apr 1984 # 35

C-522: The Icelandic langspil. author: Crookes
C-523: Trends towards historical accuracy in popular design. author: Segerman
C-524: Was the violin a French invention after all. author: Segerman
C-525: Fingerboard length on the baroque violin. author: Segerman
C-526: Comments on Bull. Supp. 34: O'Kelly table. author: O'Kelly
C-527: Lute string calculation and identification. author: O'Kelly
C-528: Further on early manufacture of gut strings. author: Zaniol
C-529: Further on C-514. author: Zaniol
C-530: Notes on Theobald Böhm's article on the open G-sharp key. author: Böhm
C-531: The Mary Rose shawm or dulcina. author: Lyndon-Jones
C-532: The fornication of recorder windways. author: Marvin
C-533: Miscellaneous comments. author: Cronin
C-534: The oldest organ in Christendom. author: Montagu
C-535: Using the pitchmeter and digituner. author: Crowe
C-536: Some thoughts on the use of renaissance legends. author: Crookes
C-537: Flemish transposing harpsichords - some rejoinders answered. author: Shann
List Royal College of Music, London. [Plans]
List woodwind, Bate collection, Oxford. [Plans]

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FOMRHI Jul 1984 # 36

C-538: Italian two-manual harpsichords. author: Wraight
C-539: Comments. author: Way
C-540: Bending harpsichord bentsides. author: Shann
C-541: Further to C-529. author: Willoughby
C-542: Making a Roman cornu. author: Barton
C-543: Response to C-533. author: Hailperin
C-544: Making a bodhrán without steaming. author: Crookes
C-545: On making stitched drumheads. author: Gould
C-546: Three unrelated rebukes. author: Crookes
C-547: Figures relevant to C-546. author: Segerman
C-548: Steel music wire. author: Karp
C-549: Reply to C-526. author: Segerman
C-550: The lengths of bows in the baroque. author: Segerman
C-551: Converting note names & cents to frequency values by micro computer. author: Owen
C-552: Quarna: vivera di Strumenti. [Review] reviewer: Montagu
C-553: Lund: The sounds of prehistoric Scandinavia (record). [Review] reviewer: Montagu
C-554: Praxis vol.1, Studi e testi sull' interpretazione della musica, 1983. [Review] reviewer: Montagu
C-555: Lindley: Lutes, viols & temperaments. [Review] reviewer: Montagu
List woodwind, Bate collection, Oxford. [Plans]

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FOMRHI Oct 1984 # 37

C-556: Lindley: Lutes, viols & temperaments. [Review] reviewer: Hodgson
C-557: Viol bellies and bridges. author: Munck
C-558: Frau Musica detected. author: Henning
C-559: Partial response to C-442, C-490 & C-491 (pitch standards). author: Crighton
C-560: A tiny harp made from bog oak. author: Crookes
C-561: Progress report on the kithara. author: Crookes
C-562: More cello spikes and lute strings. author: Crookes
C-563: Why gut treble strings are the best. author: Segerman
C-564: A thicknessing procedure for baroque and modern bows. author: Segerman
C-565: Wood for bows. author: Jenkins
C-566: A reply to C-505 (Overton). author: Gretton
C-567: Making mild steel (flat-stock) reamers. author: Willoughby
C-568: To hell with whither - it's what that counts. author: Montagu
C-569: The transition from octave to unison stringing. author: Shann
C-570: The colour of the Ruckers' wood-grain paper. author: Shann
C-571: Scraping plane for mouldings in wood. author: Greenberg
C-572: Bending bentsides using steam or hot-iron. author: Greenberg
C-573: Re: C-540. author: Way
C-574: Harpsichord bottom screws. author: Way
C-575: Tentative observations about barred soundboards. author: Way
C-576: Non-ferrous harpsichord wire. author: Way
C-577: Installing soundboard wet and dry. author: Way
List woodwind, Bate collection, Oxford. [Plans]

Return to Index

FOMRHI Jan 1985 # 38

C-578: The new Grove dictionary of musical instruments 3 vol. Montagu. [Review]
C-579: Bingham: Patents for inventions related to musical instruments, 1694-1866. [Review] reviewer: Montagu
C-580: Bingham: Harmony for the flute. [Review] reviewer: Montagu
C-581: Stacey, Wishart: Bagpipes & hurdy-gurdies. [Review] reviewer: Montagu
C-582: Woodfield: The early history of the viol. [Review] reviewer: Montagu
C-583: Mactaggart: Practical guilding. [Review] reviewer: Montagu
C-584: Taylor: The musician's piano atlas, suppl 1. [Review] reviewer: Montagu
C-585: List of northern French makers. author: Delassus
C-586: Re: scraping plane in C-571. author: Young
C-587: Materials and tone quality. author: Cronin
C-588: A contribution to authenticity in the art of drum making. author: Gould
C-589: Did nothing survive from Roman antiquity. author: Crookes
C-590: Some Nietzschean aphorisms to stir up trouble. author: Crookes
C-591: Some historical data on harpsichords. author: Shann
C-592: Bentsides again. author: Shann
C-593: The pitch of Ruckers instruments. author: Shann
C-594: Possible reconstruction of Stradivarius cellos. author: Smith
C-595: Baroque cello spikes. author: Smith
C-596: Response to Crighton's C-559. author: Segerman
C-597: English viol sizes and pitches. author: Segerman
C-598: What Praetorius wrote on English viols. author: Segerman
C-599: King Henry VIII's stump. author: Chiverton
List woodwind, Bate collection, Oxford. [Plans]

Return to Index

FOMRHI Apr 1985 # 39

C-600: Fischer: The renaissance sackbut and its use today. [Review] reviewer: Montagu
C-601: Barnes: Making a spinet by traditional methods. [Review] reviewer: Montagu
C-602: Schott: The historical harpsichord, vol.1. [Review] reviewer: Montagu
C-603: Biber: 16 Rosenkrantzsonaten (record). [Review] reviewer: Montagu
C-604: The new Grove dictionary of musical instruments (A). Montagu. [Review]
C-605: The new Grove dictionary of musical instruments. Segerman. [Review]
C-606: Karp: The pitches of 18th century strung keyboard. [Review] reviewer: Segerman
C-607: Praetorius, Segerman and the English viols. author: Meeùs
C-608: An unpublished letter by Michael Praetorius. author: Meeùs
C-609: More on Denis Gaultier, Sohne, Zarlino et al. author: Lindley
C-610: The vihuela. author: McCormack
C-611: What was the viole d'aline. author: Crookes
C-612: What was the Bohemian wing. author: Crookes
C-613: Response to Crookes's C-589 and C-590. author: Segerman
C-614: Grove on the chekker. author: Shann
C-615: Provisional check-list of surviving clavicytheria. author: Bavington
C-616: Oil and varnish. author: Mactaggart
C-617: Pale drying oil. author: Wadsworth
C-618: Start lean, finish fat. author: Forrester
C-619: Method for drilling the hinge pin hole in the foot of a traverso. author: van Leeuwen
C-620: Untitled. author: Kolberg
List Société des Amis du Musée Instrumental, Paris. [Plans]

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FOMRHI Jul 1985 # 40

C-621: The new Grove dictionary of musical instruments (A). [Review] reviewer: Segerman
C-622: Barnes: Making a spinet by traditional methods. [Review] reviewer: Shann
C-623: Ruckers transposing double harpsichords. author: Shortridge
C-624: Authentic and all that jazz. author: Way
C-625: Axioms for archaeology. author: Way
C-626: Uniformity in old wire. author: Way
C-627: Keyboard pitch in the 18th century. author: Karp
C-628: The case of the unknown scholar and the missing lute. author: Hodgson
C-629: Response to C-610 on vihuelas. author: Segerman
C-630: Pitch notation: a plea to end confusion. author: Myers
C-631: Comments on C-610 (vihuelas). author: Gill
C-632: A closer look at pitch ranges of gut strings. author: Segerman
C-633: Praetorius, Meeùs and the English viols. author: Segerman
C-634: The Bohemian wing. author: Matou(vsek
C-635: Reconstruction of the harpate wing. author: Crookes
C-636: Some instruments of skomorokhi from the 1630s. author: Crookes
C-637: Further to C-613. author: Crookes
C-638: The new Grove eunuch-flute article. author: Crookes
C-639: Some measurements techniques for recorders. author: Stroom
C-640: Two links with antiquity: Kundera's zert and the zhaleyka. author: Crookes
C-641: The microwave way: drying boxwood fast and easy. author: Bouterse
C-642: Report about our researches in historical brass metal. author: Thein
Bressan recorder from Bate collection, Oxford. [Plans]
List Metropolitan Museum of Art, New York. [Plans]
Terton recorder from Haags Gemeente Museum. [Plans] author: Stroom

Return to Index

FOMRHI Oct 1985 # 41

C-643: Nema, Early music in education. [Review] reviewer: Montagu
C-644: Good: The Eddy collection of musical instruments; a check-list. [Review] reviewer: Montagu
C-645: Kunitachi College, Tokio: Catalogue 3, Bowed stringed-instruments. [Review] reviewer: Montagu
C-645: Kunitachi College, Tokio: Catalogue 4, Plucked stringed-instruments. [Review] reviewer: Montagu
C-645: Kunitachi College, Tokio: Catalogue 5, Harp; Lyre. [Review] reviewer: Montagu
C-646: The new Grove dictionary of musical instruments. Montagu (B). [Review]
C-647: The new Grove dictionary of musical instruments. Segerman (Ba). [Review]
C-648: Reamer-saving counterbores. author: Marvin
C-649: A flexible recorder. author: Marvin
C-650: Apologies to Sverre. author: Marvin
C-651: A Bassano flauto. author: Marvin
C-652: Tuning recorders. author: Marvin
C-653: Tuning the traverso. author: Bouterse
C-654: Recorder voicing structures. author: Woods
C-655: FoMRHI communication. author: Karp
C-656: A Greenlandic drum. author: Crookes
C-657: Some developments in Spanish musical life. author: Harris
C-658: A flying visit to Italy. author: Montagu
C-659: Speculation on Memling's tromba marina. author: Davies
C-660: Comments on C-629 on vihuelas. author: Gill
C-661: Discussion of points on violas and vihuelas in C-660. author: Segerman
C-662: On cammer-ton and on the sizes of lutes. author: Hodgson
C-663: The stringing of a baroque guitar. author: Hodgson
C-665: Ruckers doubles - a survey of the theories. author: Shann
C-665: Some ways with means. author: Segerman
C-666: Swedish gauge system. author: Gug

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FOMRHI Jan 1986 # 42

C-667: Fluke: Victorian reed organs and harmoniums. [Review] reviewer: Montagu
C-668: Journal of the Australian Association of musical instrument makers, Aug '85. [Review] reviewer: Montagu
C-669: Myers: The Glen account book 1838-1853. [Review] reviewer: Montagu
C-670: Simon: Händel: a celebration of his life and times. [Review] reviewer: Wollenberg
C-671: The new Grove dictionary of musical instruments. Montagu (C). [Review]
C-672: The new Grove dictionary of musical instruments. Segerman (Bb-Bz). [Review]
C-673: A return visit to Venice. author: Montagu
C-674: A reamer made of aluminium. author: Janke
C-675: Another reamer-saving counterbore. author: Swayne
C-676: Workshop ideas for woodwinds. author: Swayne
C-677: Further to Cary's C-655. author: Montagu
C-678: The FoMRHI network. author: Karp
C-679: Comments on C-666 on the Swedish gauge system. author: Karp
C-680: Ruckers doubles: the sixth hypothesis. author: Meeùs
C-681: Early pianos at Ipswich. author: Barnes
C-682: Bending in San Franscisco. author: Greenberg
C-683: 18th century German and French pitches. author: Segerman
C-684: An exceptional G-sharp in Milan. author: Lindley
C-685: Early instrument news from Yugoslavia. author: Vojnic
C-686: A letter to J. Montagu. author: Bashford
C-687: Angled bridges and J bars on lutes. author: Segerman

Return to Index

FOMRHI Apr 1986 # 43

C-688: Bassart: The sound of the fortepiano: a discography of music on early pianos. [Review] reviewer: Montagu
C-689: Hamber, Stanners: Musical instruments through the ages. [Review] reviewer: Montagu
C-690: Haynes: Music for oboe, 1650-1800: a bibliography. [Review] reviewer: Montagu
C-691: Vierundzwandzigsteljahrschrift der internationalen Maultrommel-virtuosengenossenschaft 2, 1985. [Review] reviewer: Montagu
C-692: Mozart: A treatise on the fundamental principles of violin playing, (Knocker). [Review] reviewer: Montagu
C-693: Un musée aujourd'hui - des facteurs d'instruments de musique. [Review] reviewer: Montagu
C-694: Pasquali: The art of fingering the harpsichord; illustrated with examples, etc 1757. [Review] reviewer: Montagu
C-695: Jones: Musical and poetical relicks of the Welsh bards, preserved by tradition, etc 1784. [Review] reviewer: Montagu
C-696: Kjeldsberg: Piano i Norge. [Review] reviewer: Aanstad
C-697: The new Grove dictionary of musical instruments. Montagu (D-E). [Review]
C-698: The new Grove dictionary of musical instruments. Segerman (Ca-Ci). [Review]
C-699: Are computers anything for us. author: Karp
C-700: Untitled (on computers). author: Lyndon-Jones
C-701: On computers, typewriters, etc. author: Champollion
C-702: Untitled (non-keyboard baroque temperament). author: Haynes
C-703: A matter of temperament. author: Hodgson
C-704: The proportional compass. author: Gug
C-705: A simple and cheap hygrometer. author: Bergstrøm
C-706: Digital and other calipers. author: van Leeuwen
C-707: Modification and sharpening of twist drills. author: van Leeuwen
C-708: Dehumidifiers. author: Hope
C-709: Chitarra battente. author: Hope
C-710: Vihuela. author: Hope
C-711: An experimental method. author: Odell
C-712: On extended lutes. author: Segerman
C-713: Napolitan mandolins, wire strengths and violin stringing. author: Segerman
C-714: Round bridges: the geometry of clearance angles. author: Segerman
C-715: Flat bridges I: focus on the lira da braccio. author: Segerman
C-716: Lyra and other viols that played from tablature. author: Segerman
C-717: Untitled (keyboard instrument classification). author: Pereira
C-718: Double, double, toil and trouble. author: Shann
C-719: Enquiries. author: Champollion
C-720: Little French harpsichord plan, as asked for by Geza Vojnic. author: Champollion
C-721: Biblical instruments - further to C-672. author: Montagu
C-722: On the skill of the Nürnberg brass instrument makers. author: Montagu
C-723: Untitled (the pitches of flutes). author: Cameron
C-724: Building and playing a Narh. author: Madgwick
C-725: A peculiar Fornari oboe. author: Bernardini
C-726: Changes at Prague. author: Lyndon-Jones
Bass recorder, Bergstrøm. [Plans]
Eerens traverso, van Leeuwen. [Plans]
List Edinburgh University collection. [Plans]
List Société des Amis du Musée Instrumental, Paris. [Plans]

Return to Index

FOMRHI Jul 1986 # 44

C-727: The new Grove dictionary of musical instruments. Montagu (F). [Review]
C-728: Neuhaus: The baroque flute fingering book. [Review] reviewer: Montagu
C-729: The new Grove dictionary of musical instruments. Segerman (Cj-Cz). [Review]
C-730: Coates: Geometry proportion and the art of lutherie. [Review] reviewer: Samson
C-731: Selection of wood according to a German document. author: Gug
C-732: Converting Hertz to cents and vice versa. author: Montagu
C-733: What should measuring tools be made of. author: Montagu
C-734: Helpful recordings. author: White
C-735: Happy tranposition?!. author: Meeùs
C-736: More on the proportional compass. author: Shann
C-737: Von Radolt's instructions to lute players (Vienna 1701). author: Samson Hodgson
C-738: On extended peghead lutes. author: Hodgson
C-739: Violas, vihuelas and iconography. author: Forrester
C-740: Citterns and chitarra battente. author: Forrester
C-741: Chitarra battente, further comments. author: Gill
C-742: Response to C-739 and C-740. author: Segerman
C-743: More on early gut string diameter. author: Segerman
C-744: Moiré contours. author: McLennan

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FOMRHI Oct 1986 # 45

C-745: Haine, Meeùs: Dictionaire des facteurs d'instruments de musique en Wallonie et à Bruxelles etc. [Review] reviewer: Montagu
C-746: Mactaggart: Musical instruments in the 1851 exhibition. [Review] reviewer: Montagu
C-747: Weston: Samuel Hughes ophicleidist. [Review] reviewer: Montagu
C-748: Chanter, the journal of the Bagpipe Society, vol.1, part 1, '86. [Review] reviewer: Montagu
C-749: The new Grove dictionary of musical instruments. Montagu (G). [Review]
C-750: The new Grove dictionary of musical instruments. Segerman (D). [Review]
C-751: More on Longman, Lukey & Broderip. author: Montagu
C-752: Made for music - the Galpin Society's 40th anniversary. author: Montagu
C-753: Mersenne, Mace and speed of playing. author: Segerman
C-754: A bibliography of 18th century sources relating to crafts, manufacturing and technology. author: McGeary
C-755: What has gone wrong with the early music movement. author: Samson
C-756: What is a simple lute. author: Samson
C-757: A reply to C-742. author: Forrester
C-758: A follow-on to C-739. author: Gill
C-759: Untitled (comments on the chitarra battente). author: Hope
C-760: Untitled (craftsmanship of Nürnberg horns). author: Barclay
C-761: Bore gauging - some ideas and suggestions. author: Williams
C-762: Woodwind bore measuring tools. author: Karp
C-763: Untitled (on measuring tools and modems). author: Stroom
C-764: A preliminary check-list of iconography for oboe-type instruments, reeds and players, 1630-1830. author: Haynes
C-765: Happy, happy transposition. author: Shann
C-766: The way from Thoiry to Nürnberg. author: Gug
List Royal College of Music, London. [Plans]
List woodwind, Bate collection, Oxford. [Plans]

Return to Index

FOMRHI Jan 1987 # 46

C-767: Bang Mather, Lasocki: The art of preluding, 1700-1830 for flutists, oboists, clarinettists and other performers. [Review] reviewer: Montagu
C-768: The new Grove dictionary of musical instruments. Montagu (H). [Review]
C-769: The historic clarinet exhibition at Edinburgh, August 1986. [Review] reviewer: Montagu
C-770: The new Grove dictionary of musical instruments. Segerman (E-F). [Review]
C-771: Re: Grove review: double bass. author: Slatford
C-772: A table for violin family string diameters and tensions. author: Segerman
C-773: Response to an attack on modern catlines. author: Segerman
C-774: A 1656 Tabley manuscript: on viol players, cittern and gittern. author: Segerman
C-775: The wood under the varnish. author: Segerman
C-776: Nut groove diameters on a Sellas extended-neck lute. author: Segerman
C-777: Unhappy. author: Meeùs
C-778: The origin of the chromatic keyboard layout. author: Meeùs
C-779: Addresses. author: Karp
C-780: Artificial ivory rings for woodwind instruments. author: Desforges
List Edinburgh University collection. [Plans]
List cembalo, Ruckers genootschap, Antwerpen. [Plans]

Return to Index

FOMRHI Apr 1987 # 47

C-782: Vierundzwandzigsteljahrschrift der internationalen Maultrommel-virtuosengenossenschaft 3, 1987. [Review] reviewer: Montagu
C-783: Chanter, the journal of the Bagpipe Society, vol.1, part 2, '86/'87. [Review] reviewer: Montagu
C-784: Ringve Museum: Exhibition catalogue 1987. [Review] reviewer: Montagu
C-785: Philidor: March for two pairs of kettledrums. [Review] reviewer: Montagu
C-786: Page: Voices & instruments of the middle ages - instrumental practice and songs in France 1100-1300. [Review] reviewer: Montagu
C-786: Remnant: English bowed instruments from Anglo-Saxon to Tudor times. [Review] reviewer: Montagu
C-787: Stradner: Playing practice and instrumentation around 1500 as represented by Virdung's Musica Getutscht. [Review] reviewer: Chiverton
C-788: The new Grove dictionary of musical instruments. Segerman (G). [Review]
C-789: A catalogue of surviving instruments. author: Lewin
C-790: On the Zängelmass. author: Shann
C-791: Computer programs for the conversion of cents to Hertz. author: Goodwin Mills
C-792: Thoughts on C-755. author: Willetts
C-793: On chemical analysis of the wood of historical bowed instruments. author: Gug
C-794: Inductive meter to determine wood thickness of unopened musical instruments. author: Manders
C-795: The bowed string. author: Meeùs
C-796: Vihuela and José Romanillos. author: Hope
C-797: The 17th century gittern and bell gittern. author: Gill
C-798: Was the English guitar a guitar or a cittern. author: Walsh
C-799: A method for the construction of the rib template for a lute. author: Kershaw
C-800: A technical database management program for woodwind instrument makers. author: Powell
C-801: A reed-scraping tool. author: Owen
C-802: The Bassano, HIE(RO).S, !!, Venice discussion. author: Lyndon-Jones
C-803: Restoration of an early clarinet. author: Wells
C-804: A profile of Mr Ling - English oboe reeds around 1800. author: Burgess

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FOMRHI Jul 1987 # 48

C-805: Henning: Musica Maximiliana, Ekkehart Stegmiller. [Review] reviewer: Montagu
C-806: Young: 2500 historical woodwind instruments. [Review] reviewer: Montagu
C-807: Remnant: English bowed instruments from Anglo-Saxon to Tudor times. [Review] reviewer: Montagu
C-808: Page: Voices & instruments of the middle ages - instrumental practice and songs in France 1100-1300. [Review] reviewer: Montagu
C-809: Page: Voices & instruments of the middle ages - instrumental practice and songs in France 1100-1300. [Review] reviewer: Segerman
C-810: Praetorius: Syntagma Musicum I & II (tr Crookes). [Review] reviewer: Segerman
C-811: Montagu: Bate collection of historical instruments - supplement to the 1976 catalogue. [Review] reviewer: Segerman
C-812: The new Grove dictionary of musical instruments. Montagu (I). [Review]
C-813: What's wrong with early music. author: Page
C-814: Recent changes in early music. author: Segerman
C-815: Clamps for woodwind parts. author: Wells
C-816: The Clinton system clarinet. author: Shackleton
C-817: John Hale. author: Shackleton
C-818: Update to international check-list of locations and citations of early oboe reeds and accessories. author: Burgess
C-819: The musical uses of the word consort. author: Segerman
C-820: Discussion of the physics of bowing - response to C-794. author: Segerman
C-821: Phosphorous iron music wire. author: Shann
C-822: Determining wood thickness in unopened musical instruments. author: Armitage
C-823: The English guitar etcetera. author: Gill
C-824: Vihuela and José Romanillos. author: Gill
C-825: 17th century guitar woodwork. author: Forrester

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FOMRHI Oct 1987 # 49

C-826: Thomas Ling, 1787-1851, reed maker. author: Byrne
C-827: Lewis, a flute case maker. author: Smith
C-828: More thoughts on woodwind bore measurement. author: Cronin
C-829: What do we mean by A=415. author: Montagu
C-830: A=415. author: Meeùs
C-831: A=415. author: Barnes
C-832: Re: comment on what do we mean by A=415. author: Law
C-833: What means A=415. author: Way
C-834: A=415 and unequal temperaments. author: Lindley
C-835: Tuning an unequal temperament using an equal temperament pitchmeter. author: Chiverton
C-836: European music wire making places. author: Gug
C-837: Wire drawing and working conditions. author: Gug
C-838: The case of the mythical kinks. author: Meeùs
C-839: Response to Meeùs on the bowed string. author: Segerman
C-840: An embryonic bass bar. author: Segerman
C-841: The apparent geometry of Jakob Stainer. author: Smith
Hotteterre traverso, Leningrad, Raudonikas. [Plans]
Mulhouse traverso, van Leeuwen. [Plans]
Naust traverso, Leningrad, Raudonikas. [Plans]

Return to Index

FOMRHI Jan 1988 # 50

C-842: von Gleich: A check-list of pianos, Haags Gemeente Museum. [Review] reviewer: Montagu
C-843: The harpsichord and fortepiano magazine, October 1987. [Review] reviewer: Montagu
C-844: Sumi Gunji et alii: The collection of musical instruments, Kunitachi College, Tokio. [Review] reviewer: Montagu
C-845: Guide to the collection, Edinburgh university collection of historical musical instruments. [Review] reviewer: Montagu
C-846: Haase, Krickeberg: Tasteninstrumente des Museums, Berlin. [Review] reviewer: Montagu
C-847: Tiella, Negri, Primon: Ricerche su un violino di proprietà del comune di Rovereto. [Review] reviewer: Montagu
C-848: The new Grove dictionary of musical instruments. Montagu (J-K). [Review]
C-849: The establishment of conservation standards and accreditation in the UK. author: Montagu
C-850: London conference on early keyboard music and instruments. author: Jones
C-851: A=415.3 and all that. author: Mobbs
C-852: Strong iron wire and long scales in Italian harpsichords. author: Wraight
C-853: English pianoforte wire - a controversy during the years 1823-1825. author: Gug
C-854: Some strangeness in the proportion. author: Fleming
C-855: On the double bass and related instruments before 1700. author: Segerman
C-856: Is it a lyra viol or division viol or what. author: Hütmannsberger
C-857: Pepys' viol. author: Forrester
C-858: The cittern in Italy - notes, observations and speculations. author: Forrester
C-859: A bore measurement tool. author: Cronin
List Edinburgh University collection. [Plans]

Return to Index

FOMRHI Apr 1988 # 51

C-860: The new Grove dictionary of musical instruments. Segerman (H-I). [Review]
C-861: Comments on C-731. author: Downing
C-862: On English and French vocal and viol style. author: Segerman
C-863: On accreditation. author: Leigh
C-864: Further to C-849. author: Ransley
C-865: Comments on woodwind restoration. author: Ackerman
C-866: Jobst Meuler or the secret of a Nürnberg wire drawer. author: Gug
C-867: On English lute sizes and tunings c.1600. author: Segerman

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FOMRHI Jul 1988 # 52

C-868: Lumsden: The sound of the sackbut, Edinburgh university collection of historical musical instruments. [Review] reviewer: Montagu
C-869: Harpsichord and fortepiano magazine, 4:5, April 1988. [Review] reviewer: Montagu
C-869: Journal of the Australian Association of musical instrument makers, March '88. [Review] reviewer: Montagu
C-870: Jaccottet: J.S. Bach Kompositionen für Lauteninstrumente (record). [Review] reviewer: Montagu
C-870: Widensky: Das Claviorganum (record). [Review] reviewer: Montagu
C-871: Convegno di Studi Organaria veneta: patrimonio e salvaguardia. author: Montagu
C-872: The new Grove dictionary of musical instruments. Segerman (J-K). [Review]
C-873: A reminder on the principles of scholarly choice. author: Segerman
C-874: An international database on conservation techniques. author: Winsor
C-875: UK conservation standards and accreditation. author: Barnes
C-876: Registration of old musical instruments conducted by the historical monuments documentation centre, Warszawa.
C-877: Musical instruments case makers. author: Mactaggart
C-878: Ancient clarsach compared with modern clarsach. author: Hobrough
C-879: Studies on the physical and technical construction bases of great Italian violin. author: Suboni
C-880: Keeping geometrical analysis in proportion. author: Smith
C-881: Salted soundboards and sweet sounds. author: Gug
List Musikinstrumentenmuseum, Berlin. [Plans]

Return to Index

FOMRHI Oct 1988 # 53

C-882: Renaissance flute circle newsletter, vol. 1, no. 1 & 2 (1988). [Review] reviewer: Jones
C-883: Moeck (ed): Fünf Jahrhunderte Deutsche Musikinstrumentenbau. [Review] reviewer: Montagu
C-884: Royal College of Music Museum, Set of 13 postcards. [Review] reviewer: Montagu
C-885: Young: Loan exhibition of historic double reed instruments, 1988. [Review] reviewer: Montagu
C-886: The new Grove dictionary of musical instruments. Segerman (L). [Review]
C-887: Drum rythms for dance music in the renaissance and middle ages. author: Montagu
C-888: Roman keyed tibiæ. author: Galpin
C-889: .. in death I sing. author: Haynes
C-890: Generic A=415. author: Haynes
C-891: 18th century German and French pitches. author: Haynes
C-892: Peculiar tibiæ. author: Montagu
C-893: Historic and experimental studies on brass used for organ reeds. author: Gug
List Edinburgh University collection. [Plans]

Return to Index

FOMRHI Jan 1989 # 54

C-894: Roberts: Manual or method of instrumentation for playing the Welsh harp. [Review] reviewer: Montagu
C-895: American Musical Instrument Society Journal XIII, 1987, October 1986. [Review] reviewer: Montagu
C-895: Early Music, November 1988, October 1986. [Review] reviewer: Montagu
C-895: Galpin Society Journal XLI, 1988, October 1986. [Review] reviewer: Montagu
C-895: Harpsichord & Fortepiano magazine, October 1986. [Review] reviewer: Montagu
C-895: Larigot, no. 2, May 1988, October 1986. [Review] reviewer: Montagu
C-896: Harrison: Account of the discovery of the scale of musick (1775?) (in above review). [Review] reviewer: Jones
C-896: Lucy: Pitch, (*p and other musical paradoxes: a practical guide to natural microtonality. [Review] reviewer: Jones
C-897: The new Grove dictionary of musical instruments. Montagu (L-M). [Review]
C-898: The new Grove dictionary of musical instruments. Segerman (M). [Review]
C-899: Accreditation and elitism. author: Barclay
C-900: Conservation standards and accreditation. author: Karp
C-901: Historical tests on Pleyel's music wire, Paris 1811. author: Gug
C-902: Ivory. author: Powell
C-903: Urgent communication on ivory. author: Haynes Powell.
Course on applied conservation technology, Dundee. [General]
Music and book reviews. [General] author: Montagu
New acquisitions to the Fiske Museum, Ca. [General]
List the Shrine to Music Museum, Vermillion, USA (Italian stringed instruments). [Plans]

Return to Index

FOMRHI Apr 1989 # 55

C-904: The new Grove dictionary of musical instruments. Segerman (N-O). [Review]
C-905: FoMRHI and conservation and restoration. author: Chiverton
C-906: A response to Cary's C-900 on conservation and accreditation. author: Montagu
C-907: University of Edinburgh collection; progress report 1988. author: Meyers
C-908: Response to C-889. author: Swayne
C-909: Plastic, ivory, gold and South Africa. author: Powell
C-910: GPS Agencies artificial ivory. author: Stevens
C-911: Instrument drawings. author: Chiverton
C-912: High tech in instrument making. author: Bezinger Evald
C-913: The flutes of Robert and Willem Wijne. author: Bouterse
C-914: Observations on the wear of two keyboards separated 200 years. author: Lee
C-915: No percussion in more part renaissance dance music. author: Neumann
C-916: Rhetoric for the voice and instruments. author: Segerman
C-917: The Birmingham wire gauge and its musical sisters. author: Gug
List Royal College of Music, London. [Plans]
Instruments by named makers; Jeremy Montagu Collection. [Survey]

Return to Index

FOMRHI Jul 1989 # 56

C-918: Larigot no.5, May 1989. [Review] reviewer: Montagu
C-919: Traverso no.2, April 1989. [Review] reviewer: Montagu
C-920: Kunitachi College, Tokio: Catalogue 8, bagpipes. [Review] reviewer: Montagu
C-921: Moyle: the Sound of Oceania, Auckland Institute & Museum, 1989. [Review] reviewer: Montagu
C-922: Tyler, Sparks: The Early Mandolin, 1989. [Review] reviewer: Montagu
C-923: Journal of the Australian Association of musical instrument makers, Oct 1989. [Review] reviewer: Montagu
C-924: The new Grove dictionary of musical instruments. [Review] reviewer: Montagu (N)
C-925: Comments on comments about conservation. author: Karp
C-926: The destruction of the tropical rain forests - What can I do. author: Lambert
C-927: Bassoon reeds by Triébert and Massabo. author: White
C-928: Responses to C-903 on the subject of ivory. author: Powell
C-929: Traverso Newsletter. author: Powell
C-930: La Gaita Gastoreña.
C-931: The Morley consort lessons and the English cittern. author: Forrester
C-932: Historical wire micrometers and diameter values (1780 - 1850). author: Gug
C-933: Fortepiano building in Vienna as reflected in the dispute between Jakob Bleyer & Martin Seufert. author: Swenson
C-934: An unknown bentside spinet by Albert Delin. author: Meeùs
Complete list Bate collection, Oxford. [Plans]
Musical instruments and publications, Haags Gemeente Museum. [Plans]
Publications by G. Dullat. [Survey]

Return to Index

FOMRHI Oct 1989 # 57

C-935: Bowles: Musical ensembles in festival books, 1500-1800; an iconographical and documentary survey. [Review] reviewer: Montagu
C-936: Brown: The recorder; a basic workshop manual. [Review] reviewer: Montagu
C-938: Kolberg: Ornamental metrics of recorders & traverso. [Review] reviewer: Montagu
C-939: Journal of the Australian Association of musical instrument makers, March '89. [Review] reviewer: Montagu
C-939: Richter: Wood as raw material for making musical instruments. [Review] reviewer: Chiverton
C-940: Update on response to C-903 on the subject of ivory. author: Powell
C-941: Don't go overboard about ivory. author: Montagu
C-942: The use of drawings of original instruments. author: Lambert
C-943: Traverso or traversa. author: Powell
C-944: Harpsichord jacks at the Royal Swedish Academy of Science, 1739-1753. author: Gug

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FOMRHI Jan 1990 # 58

C-945: Smithers: The music and history of the baroque trumpet before 1721. [Review] reviewer: Montagu
C-946: Haine: Musica, musical instruments in Belgian collections. [Review] reviewer: Montagu
C-947: Schultze: Querflöten der Renaissance and des Barock, Band 1: Eine historisierende literarische Anthologie. [Review] reviewer: Montagu
C-948: Van Ree Bernard: The psaltery; an annotated audio-visual review of different types. [Review] reviewer: Montagu
C-949: Gunji, Kunitachi College, Tokio: bowed string instruments. [Review] reviewer: Montagu
C-949: Gunji, Kunitachi College, Tokio: lute. [Review] reviewer: Montagu
C-950: Journal of the Australian Association of musical instrument makers, August '89. [Review] reviewer: Montagu
C-950: Larigot, November 1989. [Review] reviewer: Montagu
C-951: The new Grove dictionary of musical instruments. Segerman (P). [Review]
C-952: Boston Museum of Fine Arts - 1989 Report. author: Quigley
C-953: FoMRHI members teaching in Prague. author: Loretto
C-954: The Prague Bressan bocal. author: Loretto
C-955: Intonation tests on a post horn in F with one tone hole. author: Rycroft
C-956: More on 19th century bassoon reeds. author: Lehey
C-957: Woodwind instrument making: use of gun drills for long hole boring. author: Goodacre
C-958: Woodwind instrument making: report on gun drills, live centre, metal turning tools, plastic calipers and 4-jaw self-centering chuck. author: Goodacre
C-959: The Pythagorean system of musical tones, part 1. author: Raudonikas
C-960: Whistles on harpsichord strings. author: Bavington
C-961: Work done on clavichord #6 by Arnold Dolmetsch 1896/7. author: Barnes
Harpsichords, organs, trumpet, tromba marina (including photographs). [Plans] author: Lee

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FOMRHI Apr 1990 # 59

C-962: Scherchen: Handbook of conducting. [Review] reviewer: Montagu
C-963: Ehrlich: The piano: a history. [Review] reviewer: Montagu
C-964: Pinniger: Insect pests in museums. [Review] reviewer: Montagu
C-965: The new Grove dictionary of musical instruments. Segerman (Q-R). [Review]
C-966: Aulos, Stanesby junior traverso; Haka treble recorder. [Review] reviewer: Montagu
C-967: The Aulos baroque flute and descant and treble recorders. author: Jones
C-968: The early 16th century Italian short octave. author: Wraight
C-969: Viennese fortepiano tuning and maintenance manuals: a check-list. author: McGeary
C-970: A contact-free woodwind bore measuring tool. author: Schultze
C-971: University of Edinburgh collection of historic musical instruments, progress report 1989. author: Meyers
C-972: Instrument courses in Prague. author: Freeman
C-973: The killing of woodworm, particularly in woodwind instruments. author: Freemanova
C-974: Throwing ivory overboard. author: Powell
C-975: More on dead elephants. author: Folkers
C-976: Geometry, lutherie and the art of historiography, part I. author: Gug
New acquisitions to the Fiske Museum, Ca. [General]

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FOMRHI Jul 1990 # 60

C-977: The new Grove dictionary of musical instruments. Segerman (S). [Review]
C-978: Larigot no.7, March 1990. [Review] reviewer: Montagu
C-979: Tiella & Primon: Catalogo degli Strumenti dell'Istituto della Pietà Venezia, Venezia 1990. [Review] reviewer: Montagu
C-980: Aulos Haka descant and treble recorders. [Review] reviewer: Davis
C-981: Reviews of musical instruments. author: Powell
C-982: Further to C-981 - Are reviews justified. author: Montagu
C-983: Style decoration and tone. author: Segerman
C-984: Identifying woodworm. author: Rawson
C-985: Old wood. author: Way
C-986: The archetypal harpsichord. author: Yokota
C-987: On three well proportioned alto recorders. author: Brach
List Bate collection, Oxford, supplement to the 1989 check list, July 1990. [Plans]

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FOMRHI Oct 1990 # 61

C-1000: Further to C-981 and C-982. author: Bavington
C-1001: Further to C-966, C-967, C-981 and C-982: Should FoMRHI continue or not. author: Henning
C-1002: Further to C-981: A controversial issue. author: Powell
C-1003: Fixing the baroque flute. author: Powell
C-1004: The Sorduen Bas. author: Lloyd
C-1005: Misled by Mersenne? (on flutes). author: Chiverton
C-1006: Ivory alternatives. author: Paul
C-1007: How to design a recorder. author: Brach
C-1008: Violin makers' inches in proportion. author: Smith
C-1009: A comparison of some baroque violins. author: Smith
C-1010: The early design of stringed instruments. author: Chiverton
C-1011: The acoustics of mountain forests in early centuries, or the lost art of choosing resonance wood. author: Gug
C-988: Gunji, Kunitachi College, Tokio: Catalogue 9, Flute. [Review] reviewer: Montagu
C-989: I Quaderni della Civico Scuola di Musica, no.17, April 1989, Commune de Milano. [Review]
C-990: Larigot no.8, September 1990. [Review] reviewer: Montagu
C-991: Ueno Gakuen College Tokio: Catalogue of the European musical instruments of the 17th-19th century (2nd issue). [Review] reviewer: Montagu
C-992: Restoration of early musical instruments, UKIC and V&A Christmas symposium 1983. [Review] reviewer: Montagu
C-993: Jaarboek van het Vlaamse centrum voor oude muziek 3, 1987. [Review] reviewer: Montagu
C-994: 1990 instrument courses in Prague. author: Freeman
C-995: Further to C-981: Reviewers and reviewers. author: Chiverton
C-996: Further to C-981: Response to bulletin supplement 60. author: Hailperin
C-997: Further to C-981: Reviews of musical instruments. author: Rawson
C-998: Further to C-981. author: Lambert
C-999: Further to C-981: Finding fault in the early bassoon: some thoughts on musical instrument reviewing. author: White

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FOMRHI Jan 1991 # 62

C-1012: Record, keyboard works of C.P.E. Bach by Brauchli. [Review] reviewer: Montagu
C-1013: Record, 18th century music for two keyboard instruments by Brauchli & Elizondo. [Review] reviewer: Montagu
C-1014: University of Edinburgh collection of historic musical instruments, progress report 1990. author: Meyers
C-1015: The other Germany - well worth visiting. author: Lambert
C-1016: Hard currency and Eastern Europe. author: Lambert
C-1017: Reducing and enlarging paper sizes. author: Lambert
C-1018: On the reviewing and modification of musical instruments. author: Jones
C-1019: How recorders can improve with time. author: Loretto
C-1020: An imaginative investigator without ... investigations (on accuracy and precision). author: Gug
C-1021: New hypothesis on the construction of bass strings for lutes and other gut strung instruments. author: Peruffo
C-1022: A dynamic harpsichord action. author: Napier-Hemy

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FOMRHI Apr 1991 # 63

C-1023: Journal of the Australian Association of musical instrument makers, November '90. [Review] reviewer: Montagu
C-1023: Larigot no.9, December 1990. [Review] reviewer: Montagu
C-1024: Spohr: Transverse flutes down the centuries from all over the world, (Exhibition catalogue Frankfurt 1991). [Review] reviewer: Montagu
C-1025: Bouwbrief articles summarised, #51 - #58 (Nov '88 - Aug '90). author: Chiverton
C-1026: From small acorns, large oak tress grow; a personal report on early music in Czechoslovakia. author: Freeman
C-1027: A van load of instruments to Prague, June 1991. author: Holden
C-1028: Musical instrument technology in 17th century England; meeting report Oxford 3 Feb '91. author: Gouk
C-1029: Musical instrument technology 1450-1550; meeting report Oxford 17 Mar '91. author: Napier-Hemy
C-1030: Corollaria to the modal scale theory (summary). author: Raudonikas
C-1031: The Pythagorean system of musical tones, part 2. author: Raudonikas
C-1032: Singing lessons for wood. author: Catch
C-1033: The buzzing of wood strings. author: Segerman
C-1034: The stringing of English and German guitars. author: Segerman
C-1035: Culture mathematics and design of early instruments. author: Segerman
C-1036: Some geometrical analyses of archings. author: Segerman
C-1037: The descriptions of the Dutch recorders in the collection of the Haags Gemeente Museum. author: Bouterse
C-1038: Bouterse: De blokfluit, handleiding voor aanschaf, onderhoud bijstemmen en kleine reparaties, 1990. [Review] reviewer: Bouterse
C-1039: Appeal for pitches of original traversos and recorders. author: Haynes
C-1040: Wood bending process in 18th century England. author: Gug
C-1041: A 17th century French harpsichord. author: Nobbs
C-1042: The walnut revisited (a harpsichord in Landesmuseum Stuttgart). author: Jurgenson
C-1043: Is looking seeing? (an Italian harpsichord description). author: Jurgenson
Leicester Early Music festival 1991. [General]
New acquisitions to the Fiske Museum, Ca. [General]
List Guild of American Luthiers, Tacoma WA. [Plans]
List Royal College of Music, London. [Plans]
List Smithsonian Institute, Washington DC. [Plans]
List Société des Amis du Musée Instrumental, Paris (new address). [Plans]

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FOMRHI Jul 1991 # 64

C-1044: ACIMV [Larigot] Wind instrument makers and their catalogues, No.1: Martin Frères & Famille, Paris, 93 rue de la Chapelle. [Review]
C-1045: John Paul - An appreciation.
C-1046: Dear Jeremy (A letter to J.M. on authenticity). author: Way
C-1047: On teaching wood to sing. author: Way
C-1048: Reconstructing Mersenne's basson and fagot. author: Lyndon-Jones Harris
C-1049: Preatorius' Basset Nicolo - Lang Strack Basset zu den Krumhörner, or Centaur, mythical beast. author: Foster
C-1050: Paper organ pipes. author: Gill
C-1051: The longitudinal structure of the Bizey boxwood flute (Bate collection No.106). author: Brach
C-1052: Dutch recorders and transverse flutes of the 17th and 18th century. (list of instruments, July 1991). author: Bouterse
C-1053: Some English viol belly shapes. author: Segerman
C-1054: Mersenne's monochord. author: Napier-Hemy
C-1055: Essays of Pythagorean system; primary concepts and two-dimensional syntax. author: Raudonikas
C-1056: Evidence of historical temperament from fretted clavichords. author: Bavington Hellon
C-1057: A signed Mietke harpsichord. author: Kilström

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FOMRHI Oct 1991 # 65

C-1058: van Acht, van den Ende, Schimmel: Dutch recorders of the 18th century (collection Haags Gemeente Museum). [Review] reviewer: Montagu
C-1059: Kampmann: Catalogue de la Collection d'instruments de musique à vent, tome 2, numéro special 1 du bulletin Larigot, ACIMV. [Review] reviewer: Montagu
C-1060: Myers, Herbert: Catalogue of the European wind and percussion instruments in the Cyfarthfa Castle museum collection. [Review] reviewer: Montagu
C-1060: Myers: Cartledge, Catalogue of the brass musical instruments in the collection of Bradford art galleries & museums. [Review] reviewer: Montagu
C-1061: Snakes are Beautiful - with gratitude to Christopher Monk. [Review] reviewer: Montagu
C-1062: Paper portative organ pipes. author: Bridges
C-1063: English pitch standards, mostly c.1600. author: Segerman
C-1064: Praetorius's Basset Nicolo, a reply to C-1049. author: Gire
C-1065: Singing lessons for wood. author: Catch
C-1066: Memories of John Paul. author: White
C-1067: From Purcell to perestroika, early keyboard in the USSR. author: Stembridge
C-1068: Essays of Pythagorean system; 3. three-dimensional syntax. author: Raudonikas

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FOMRHI Jan 1992 # 66

C-1069: Huber: Verzeichnis sämtlicher Musikinstrumente, Germanisches National Museum, 1989, 415 pp. [Review] reviewer: Montagu
C-1070: Rose, Law: A handbook of historical stringing practice for keyboard instruments, 1991, 132 pp & graphs. [Review] reviewer: Montagu
C-1071: Martin Best Medieval Ensemble, the last of the troubadours. [Review] reviewer: Montagu
C-1071: Souter: Händel & Scarlatti on the 1772 Kirckman harpsichord Ashmolean museum, CD or cassette. [Review] reviewer: Montagu
C-1071: the Hanover Band, Huggett, Verney, Beethoven symphony #2, piano concerto #3. [Review] reviewer: Montagu
C-1072: Trip to the Baltic states; including the Museum of Theatre and Music, Vilnius, the Museum of Theatre and Music, Tallinn, the Latvian State Museum, the Riga Museum of History and Shipping, Riga. [Review] reviewer: Madgwick
C-1073: The chemical treatment of timber - part II, general. author: Downing
C-1074: The chemical treatment of timber - includes bogwood, bog oak, bog pine, alder. author: Downing
C-1075: Guilt-free music; on vegetarians. author: Russell
C-1076: Teaching wood to sing, and other matters; on scientist and musicians. author: Way
C-1077: Teaching wood to sing; a reply to C-1032 and C-1047. author: Swayne
C-1078: Italian short octaves; why did they exist. author: Bence
C-1079: On early music; why is there an early music movement and not an early painting movement. author: Segerman
C-1080: Design of the V&A Rose and Jaye viol soundholes. author: Segerman
C-1081: More on Praetorius' Basset Nicolo, a reply to C-1064. author: Foster
C-1082: Response to Eph Segerman's C-1063; on English pitch standards. author: Haynes
C-1083: Essays of Pythagorean system; 4. four-dimensional syntax; 5. auscultation researches. author: Raudonikas
C-1083: Essays of Pythagorean system; 6. spectrum of coherencies; 7. classification of modalities. author: Raudonikas
C-1083: Essays of Pythagorean system; representation of scale by point or the modular projection. [Supplement] author: Raudonikas

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FOMRHI Apr 1992 # 67

C-1084: Various comments (on C-1082, C-1077, C-1078 and C-1081). author: Montagu
C-1085: Bouwbrief articles (from 1991, #59 until 1991, #63). author: Chiverton
C-1086: A small miscellany of bits and pieces. author: Chiverton
C-1087: Progress report 1991 on the collection of historic musical instruments of the Edinburgh University. author: Myers
C-1088: An inexpensive, easily made counter bore that works. author: Rhoads
C-1089: Bajón reeds. author: White
C-1090: The reality of musicians and scientists: response to C-1076. author: Segerman
C-1091: Singing lessons for wood. author: Catch
C-1092: Some more aspects about fiddle making. author: Talve
C-1093: Jerome of Moravia's first fiddle tuning as an individualised modal framework. author: Zaerr
C-1094: Travelling in the 16th century and .... lute strings. author: Gug
C-1095: Short octaves. author: Barnes
C-1096: Shelley's guitar and 19th century stringing practices. author: Segerman
C-1097: Sympathetic strings. author: Segerman
C-1098: Reply to C-891 (on 18th century German and French pitches) by Bruce Haynes. author: Segerman
C-1099: Further comments to the pitch dispute. authors: Haynes, Segerman
C-1100: Early 18th century English pitches, especially 'consort flute pitch' and 'church pitch of f'. author: Segerman
C-1101: Comments on early 18th century organ pitches. author: Gwynn

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FOMRHI Jul 1992 # 68

C-1103: Barclay: the art of the trumpet maker: the material, tools, and techniques used in the 17th and 18th century in Nuremberg; 186 pp. [Review] reviewer: Montagu
C-1104: Rice: the baroque clarinet, 197 pp. [Review] reviewer: Montagu
C-1105: Aksdal: Mer(oaker Klarinetten; Ringve Museums Skrifter nr.5, 33 pp. [Review] reviewer: Montagu
C-1106: Haynes: Music for the oboe 1650-1800: a bibliography. [Review] reviewer: Montagu
C-1107: Karp et al.: The conservation and technology of musical instruments, Art & Archeology Technical Abstracts, vol. 28, no. 3, 237 pp. [Review] reviewer: Montagu
C-1108: Tiella, Beare, et al.: Strumenti di Antonio Stradivari, 68 pp. [Review] reviewer: Montagu
C-1109: More sympathetic strings. author: Webb
C-1110: Forsyth (1914) quotes on viols. author: Cousen
C-1111: What is a 'copy' of an original instrument. author: Segerman
C-1112: An analysis of Irish harp scaling. author: Downing
List of available drawings housed in the Bate collection. [Plans] author: Montagu
List the Bate collection of musical instruments, Oxford. Montagu. [Plans]
Comments to C-1093 (fiddle tunings). [Supplement] author: Segerman

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FOMRHI Oct 1992 # 69

C-1113: Myers, ed.: Edinburgh Collection of Historic Musical Instruments. [Review] reviewer: Montagu
C-1114: Golos, Kobus & Vogel: Stownik Terminologiczny Zabytków [Dictionary of the Polish terminology of Historic Musical Instruments], 1991; 209 pp. [Review] reviewer: Montagu
C-1114: Golos: Przewodnik Po Dawnym Instrumentarium, 1998; 184 pp. [Review] reviewer: Montagu
C-1114: Rosiónski: Zabytkowe Organy, Wydawnictwo Naukowe PWN, 1992; 422 pp. [Review] reviewer: Montagu
C-1115: Lasocki, ed.: Fluting and Dancing, 1992; 200 pp. [Review] reviewer: Montagu
C-1116: Baines: The Oxford companion to musical instruments, 1992; 404 pp. [Review] reviewer: Montagu
C-1117: Comments on Jeremy Montagu's review of the Conservation and Technology of Musical Instruments' in C-1107. author: Karp
C-1118: Addendum to C-1111: What is a 'copy' of an original instrument?. author: Loretto
C-1119: The post-modernist bassoon: problems with 'authenticity' in early woodwind reproductions (marketing, facade and the early music industry steamroller). author: White
C-1120: Some flute pitches. author: Chiverton
C-1121: How to design a traverso. author: Brach
C-1122: A string and tuning guide for the Irish harp. author: Downing
C-1123: Short octaves (see also C-1078 and C-1095). author: Barnes
C-1124: How my harpsichord goes out of tune. author: Lee
C-1125: On Italian harpsichord jacks and sympathetic strings. author: Greenberg
C-1126: On Spanish harpsichord jacks and sympathetic strings. author: Greenberg
C-1127: English organs and transposition skills (with an appendix of a catalogue of methods of transposition). author: Segerman
C-1128: Fascination with the chekker is alive and well. author: Segerman
C-1129: Tempos and time signatures in 17th century England. author: Segerman
C-1130: Duple tempi and time signature in the 16th century (appendix Gaffurius's 'breathing' and Neusidler's counting). author: Segerman

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FOMRHI Jan 1993 # 70

C-1131: Baines: The Oxford companion to musical instruments, 1992; 404 pp. [Review] reviewer: Montagu
C-1132: Solum: The early Flute, 1992; 164 pp. [Review] reviewer: Montagu
C-1133: Myers, ed.: Edinburgh Collection of Historic Musical Instruments, volumes 1 (the illustrations, 168 pp) and 2 (the descriptive fascicles, 44 pp). [Review] reviewer: Montagu
C-1134: Harvey: Violin fraud: deception, forgery, theft, and the law, 1992; 126 pp. [Review] reviewer: Montagu
C-1135: Bouwbrief articles (summarises nr 65 to 67). author: Chiverton
C-1136: The clarinet d'amour: e request for additional information. author: Rice
C-1137: Woodwind instrument making: use of gun drills for long hole boring; supplement to C-957. author: Goodacre
C-1138: Woodwind instrument making: wooden collet chucks for lathe work. author: Goodacre
C-1139: Drilling and boring process for chanters and drones. author: McLaren
C-1140: A case for CNC (Computer Numeric Control); computer aided reamer production for woodwind instruments. author: Jefferies
C-1141: Low cost CNC (Computer Numeric Control). author: Jefferies
C-1142: Re C-1119. author: Stanley
C-1143: Meanness of tone; re C-1119. author: M. Lyndon-Jones
C-1144: On the contrary; re C-1119. author: G. Lyndon-Jones
C-1145: Comments on C-1119. author: G. Lyndon-Jones
C-1146: Re C-1119. author: Grazzi
C-1147: Beethoven and the early music industry. author: Segerman
C-1148: On embellishment function and context. author: Segerman
C-1149: Applying the principles of stringing plucked instruments to the Irish harp. author: Segerman
C-1150: An attribution of an unsigned spinet. author: Wraight
C-1151: Harpsichord dampers; historic vs. modern. author: Irvin
C-1152: Through dampers (double dampers). author: Irvin
C-1153: More on sympathetic strings. author: Irvin

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FOMRHI Apr 1993 # 71

C-1154: van Acht: Checklist of technical drawings of musical instruments in public collections of the world, 185 pp., 1992. [Review] reviewer: Montagu
C-1155: 1992 Report from the Czechoslovakian Society of Makers of Historical Reproduction Musical Instruments. author: Freeman
C-1156: Cow bells, a request. author: Montagu
C-1157: More on Beethoven and the early music industry. author: Montagu
C-1158: On current uniformity in performing style. author: Segerman
C-1159: Conflicting philosophies in the bassoon controversy. author: Segerman
C-1160: The hallmark of good restoration is ruthless authenticity. author: White
C-1161: Reamers - hollow. author: Loretto
C-1162: Make your own imitation ivory. author: Ackerman
C-1163: CNCs, the sledgehammer and the nut. author: Ackerman
C-1164: The `Zängelmass' of the wire drawer; a documentary confirmation of the 16th century. author: Gug
C-1165: On harpsichord dampers again. author: Greenberg
C-1166: A comment on C-1150. author: Koster
C-1167: Medieval sound boxes, to be glued or not. author: Segerman
C-1168: Fingerboard shapes and graded frets. author: Segerman
C-1169: Recreating the Irish harp - a comment to C-1149. author: Downing
1992 Acquisitions at the Fiske Museum. [General]
CIMCIM publications currently available. [General]
Instructions for working tagua nuts, a substitute for ivory. [General]
Tutors from the Bate Collection. [General]
an addition to C-1130. [Supplement]

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FOMRHI Jul 1993 # 72

C-1170: CIMCIM publication no.1: Recommendation for the conservation of musical instruments: an annotated bibliography. 19 pp. 1993. [Review] reviewer: Montagu
C-1171: Journal of the Australian Association of musical instrument makers, vol.XII no.1, March '93. [Review] reviewer: Montagu
C-1172: Do you get excited when the postman brings your Q. author: Lyndon-Jones
C-1173: Welcome back the Hunter - income from the ivory trade is the best assurance for the survival of elephants. author: Jenkins
C-1174: A counterblast to the Calvinist tendency (further to C-1119, C-1143, C-1146, C-1159, C-1160). author: Bavington
C-1175: Blow somewhat strong. author: Wood
C-1176: A preliminary reply to C-1119 and C-1160. author: Kirckpatrick
C-1177: A rejoinder to a response to C-1157. author: Montagu
C-1178: A comm on C-1137, C-1161, C-1163. author: Jefferies
C-1179: A low cost CAD/CAM. author: Jefferies
C-1180: Request for information (an Italian harpsichord). author: Greenberg
C-1181: Some remarks on the W. Beukers baroque oboe (museum code 808/69) in the V&A Museum in London. author: Bouterse
C-1182: Medieval glues ... sounded well. author: Gug
Drawings available. Bouterse. [Plans]
Correction to C-1129. [Supplement]
English viol bellies, made of bent strip. [Supplement] author: Segerman
Restoration, on an article in the New Scientist, 26 June 1993. [Supplement] author: Segerman

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FOMRHI Oct 1993 # 73

C-1183: The Woodwind Quartely, issue 2. [Review] reviewer: Montagu
C-1184: Giannini: Great flute makers of France: the Lot and Godfroy families 1650-1900. [Review] reviewer: Montagu
C-1185: Novak Clinkscale: Makers of the piano 1700-1820. [Review] reviewer: Cole
C-1186: Real instruments and fake putti. author: Lyndon-Jones
C-1187: An interesting organ loft in Antwerp. author: Lyndon-Jones
C-1188: Memlinc revisited - further to C-203, C-411 and C-659. author: Montagu
C-1189: Timber - swelling and shrinking. author: Allen
C-1190: A letter on the Pythagorean system. Raudonikas.
C-1191: Response to Bavington's C-1174 criticising criticism of Early Musicians. author: Segerman
C-1192: Response to Wood's C-1175 criticising criticism of Early Musicians. author: Segerman
C-1193: The sharp eared minority and the effects of its power. author: Segerman
C-1194: Where have all the creative amateurs gone. author: Segerman
C-1195: Ruthless authenticity. author: Jefferies
C-1196: Relevant CNC. author: Jefferies
C-1197: Positioning pivot holes in turned rings. author: Gill
C-1198: A simple way to hold work on a lathe. author: Ransley
C-1199: Authentic methods of making woodwinds. author: Ramsley
C-1200: The sizes and pitches of Praetorius's sackbuts. author: Segerman
C-1201: Mean-tone fretting by computer or calculator. author: Segerman
C-1202: Violin makers in Milano 17th-18th century. author: Chiesa
C-1203: Catlin(g)s: the etymology. author: Catch
C-1204: Equal tension stringing of the Irish harp. author: Downing
C-1205: Mortice and tenon joints on the Irish harp. author: Downing
Brassware for keyboard instruments. [General] author: Law
List of workshop drawings from the Edinburgh University Collection of Historic Musical Instruments. [Plans]

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FOMRHI Jan 1994 # 74

C-1206: Gillian Sheldrick, ed.: The accounts of Thomas Green 1742-1790. [Review]
C-1207: Joseph Doane: A musical Directory for the year 1794. [Review] reviewer: Montagu
C-1208: Peter Holman, Four and twenty fiddlers; the violin at the English Court 1540-1690. 491 pp. author: Montagu
C-1209: William Waterhouse: The new Langwill index - a dictionary of musical instrument makers and inventors. 518 pp. [Review] reviewer: Montagu
C-1210: Larigot; annual subscription to ACIMV. [Review] reviewer: Montagu
C-1211: Edinburgh Collection of Historic Musical Instruments, catalogue Vol 2;E;ii, William Waterhouse, Bassoons. [Review] reviewer: Montagu
C-1211: Edinburgh Collection of Historic Musical Instruments, catalogue Vol 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and Trombones. [Review] reviewer: Montagu
C-1212: What can we reasonably expect museums to provide or allow? (on measuring instruments). author: Montagu
C-1213: Measuring instruments in museums & conservation. author: Ransley
C-1214: Suppliers of materials. author: Gill
C-1215: A reply to comments from various members on C-1174. author: Bavington
C-1216: Some observations on the `natural' trumpet. author: Barclay
C-1217: On musicologists and early music. author: Segerman
C-1218: Scholarship, statistics, and the minimum amount of evidence needed. author: Segerman
C-1219: Well under a thousand words for the ivory ban. author: Powell
C-1220: Praetorius' keyless curtals. author: Lyndon-Jones
C-1221: A wizard lizard (a 5-keyed cornett in the Stadtmuseum of Munich). author: Lyndon-Jones
C-1222: Checklist of some of the woodwinds at the Stadtmuseum, Munich. author: Lyndon-Jones
C-1223: On the difference between early and modern baroque reeds. author: Segerman
C-1224: Augsburg revisited (the curtals in the Maximilian Museum). author: Lyndon-Jones
C-1225: C.N.C. reamer experiment. July 1992. author: Jefferies
C-1226: Some historical notes on acid staining. author: Owen
C-1227: Expanding boxwood and playing in. author: Kirckpatrick
C-1228: The good oil; what really happens when you oil your recorder. author: Simmons
C-1229: Restoration report, 17th century Italian harpsichord at Music-Sources, 1993. author: Greenberg
C-1230: Harpsichord voicing. author: Cole
C-1231: Milanese keyboard makers - 16th century. author: Chiesa
C-1232: An alphabetical string gauge system. author: Downing
C-1233: A c. 1900 string gauge and an unwound viola C string. author: Segerman
C-1234: Historical violin stringings up to 1900. author: Segerman
C-1235: On catlines and Pistoy basses. author: Segerman
C-1236: Bogwood again (further to C-1074). author: Downing
C-1237: Below bridge bars in lutes - a missing link. author: Downing
African ebony. [General]
Genuine boxwood. [General]

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FOMRHI Apr 1994 # 75

C-1238: Cooke: Edinburgh University collection of historical instruments, catalogue, vol 2A, wind instruments of regional cultures worldwide. [Review] reviewer: Montagu
C-1239: Lenski, Ventzke: Das goldene Zeitalter der Flöte, Frankreich 1832-1932, 270 pp., Montagu. [Review]
C-1240: van Ree Bernard: The keyed monochord; rediscovery of a forgotten instrument, 48 pp. [Review] reviewer: Montagu
C-1241: Virdung: Musica Getutscht, (tr Beth Bullard), 275 pp. [Review] reviewer: Montagu
C-1242: The FoMRHI Quarterly review of `Makers of the Piano 1700-1820', a question of interpretation or a statement of misunderstanding (further to C-1185). author: Novak Clinkscale
C-1243: Somewhat about understandings (further to C-1190). author: Raudonikas
C-1244: Unwelcome honesty doesn't help - a response to C-1216 (and to C-1215). author: Segerman
C-1245: Are our instruments HISTORIC or HISTORICAL. author: Myers
C-1246: Association in instrument collections. author: Myers
C-1247: Nominal pitch. author: Myers
C-1248: Measuring instrument pitch with a pocket tuner. author: Downing
C-1249: On the measurement of tessitura and movement in music. author: Segerman
C-1250: An equal tempered scale for tempo. author: Segerman
C-1251: Gerle on tempo. author: Segerman
C-1252: The transposing organ and choir pitch in England: a short test. author: Goetze
C-1253: Early instruments in St Petersburg. author: Henning
C-1254: Catlin, coloured and loaded strings. author: Catch
C-1255: On historical string tensions on lutes. author: Segerman
C-1256: Stringing 5-course baroque guitars. author: Segerman
C-1257: The curtals of the Maximilian Museum Augsburg: a reply to C-1224. author: Tremmel
C-1258: Making a stamp or branding iron for marking musical instruments. author: King
C-1259: Three boxwood oboes by Hendrik Richters. author: Bouterse
C-1260: Woodwinds - boring pipes. author: Downing
C-1261: The transposing organ and choir pitch in England: answers to C-1252). author: Goetze
C-1262: Key lever fulcrum pin mortices. author: Robson
C-1263: On the wings of the muse or songs of historical feathers (on harpsichord quills and voicing). author: Gug
C-1264: The Canadian vocalion. author: Downing
C-1265: The nature of theoretical musical communication. author: Raudonikas
C-1266: Syntax of relative two-dimensional mode. author: Raudonikas
1993 Acquisitions at the Fiske Museum. [General]
CompuServe announcement on making musical instruments. [General]
Bate collection, three new plans (flutes by Delerablé, Lot, and Kirst). [Plans]

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FOMRHI Jul 1994 # 76

C-1267: Pierre Erard: The harp in its present improved state compared with the original pedal harp, London 1821. [Review] reviewer: Montagu
C-1267: Robert Bruce Armstrong: The Highland harp (part 2 of `Musical Instruments, Edinburgh 1904). [Review] reviewer: Montagu
C-1268: Larigot 15, June 1994, ACIMV. [Review] reviewer: Montagu
C-1269: Stephen Morey: Mandolins of the 18th century, 154 pp. [Review] reviewer: Montagu
C-1270: Phillip T. Young: 4900 historical woodwind instruments, 270 pp. [Review] reviewer: Montagu
C-1271: Questions on bending and a plan for crumhorns. author: Buck
C-1272: `Let us now praise famous men ...', an obituary for Michael Morrow. author: Montagu
C-1273: Michael Morrow. author: Segerman
C-1274: Reply to Raudonikas's C-1243. author: Segerman
C-1275: Letter to the membership as whole (further to C-1243). author: Raudonikas
C-1276: Occam's razor: the formal method for ensuring objectivity in scholarship. author: Segerman
C-1277: FoMRHI on the Internet. author: Rawson
C-1278: A kinder, gentler FoMRHI. author: Cronin
C-1279: On writing a history of the oboe in the 19th century. author: Burgess
C-1280: A `bajón' for London. author: Waterhouse
C-1281: Forces exerted by bore measuring techniques. author: Cronin
C-1282: Early sound generation: bassoon reeds. author: White
C-1283: Making one's Mark. author: Lyndon-Jones
C-1284: More putti in the Stiftsbasilika at Waldsassen. author: Lyndon-Jones
C-1285: A note on `the good oil' (C-1228) by T. Simmons. author: Guida
C-1286: Theobald Böhm as a flute maker. author: Böhm
C-1287: The scale of the psalter. author: Crookes
C-1288: On Venice catlins, lyons, Pistoy basses and loaded weighted bass gut strings (see also C-1235, C-1254 and C-1255). author: Peruffo
C-1289: More on the name `catline' (see also C-1254). author: Segerman
C-1290: On early 17th century English vocal and organ pitches. author: Segerman
Portraits in the Royal College of Music, London. [General]
Bate collection, two new plans (harpsichords by William Smith, and by Joannes Goermans). [Plans]
List Royal College of Music, London. [Plans]
On C-1245 (`historic' or `historical'). [Supplement]
On C-1278 (disputational style). [Supplement]

Return to Index

FOMRHI Oct 1994 # 77

C-1291: John Koster: Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp). [Review] reviewer: Irvin
C-1292: John Koster: Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp). [Review] reviewer: Cole
C-1293: Pauline Rushton, ed.: European musical instruments in Liverpool Museum (182 pp). [Review] reviewer: Cole
C-1294: Pauline Rushton, ed.: European musical instruments in Liverpool Museum (182 pp). [Review] reviewer: Montagu
C-1295: Eszter Fontana, Friedemann Hellwig, Klaus Martius: Historische Lacke und Beizen auf Musikinstrumenten in deutschsprachigen Quellen bis 1900 (158 pp). [Review] reviewer: Segerman
C-1296: Florence Gétrau, ed.: La recherche en organologie; les instruments de musique occidenteaux, 1960-1992. [Review] reviewer: Montagu
C-1297: Gerhard Stradner, ed.: Klangführer durch die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum. [Review] reviewer: Montagu
C-1298: A method of bushing wrestplanks. author: Law
C-1299: The Davidic notation system, a sequel to C-1287. author: Crookes
C-1300: the internet mailing lists and Micat-L. author: Stroom
C-1301: Further to C-1278 `a kinder, gentler FoMRHI'. author: Spohr
C-1302: Thoughts on C-1276 `Occam's razor'. author: White
C-1303: Response to C-1302 on Occam's razor. author: Segerman
C-1304: For an open and honest FoMRHI - reply to C-1218. author: Segerman
C-1305: Four great curtals from Augsburg, Sonderhausen and Pillnitz. author: Lyndon-Jones
C-1306: Instruments at Schloss Pillnitz. author: Lyndon-Jones
C-1307: On historical lute string types and tensions (including a response to C-1288). author: Segerman
C-1308: Strings and their names. author: Catch
C-1309: On melodic and continuo bowing of early fiddles and viols. author: Segerman
On C-1287 by D.Z. Crookes. [Supplement] author: Segerman
On Early Music and music history. [Supplement] author: Segerman

Return to Index

FOMRHI Jan 1995 # 78

C-1310: The Hoogsteder Exhibition of Music & Painting in the Golden Age. [Review]
C-1311: Griscomb & Lasocki: The recorder - a guide to writings about the instrument for players & researchers. [Review]
C-1312: Gerhard Stradner, ed.: Klangführer durch die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum - part 2 (further to C-1297). [Review] reviewer: Montagu
C-1313: The British Clavichord Society BCE. author: Alexander-Max
C-1314: On manners, status and C-1301. author: Segerman
C-1315: The world according to Segerman. author: Stroom
C-1316: Contrasts between string and woodwind gracing in Purcell's time. author: Segerman
C-1317: On the scholarship of string names, a reply to C-1308. author: Segerman
C-1318: Roped gut bass strings - a 16th century reference. author: Downing
C-1319: Chinese catlines. author: Downing
C-1320: All at sea with the ship's cat. author: Downing
C-1321: Talbot's English theorbo reconsidered. author: van Edwards
C-1322: Geometrical design of the lute belly. author: Chiverton
C-1323: Ebony. author: Camwood ltd.
C-1324: Lute: angled bridges, `J' shaped bars, fan bars and below the bridge transverse bars. author: Mather
C-1325: Further help with C-1197. author: Mather
C-1326: David's three-part organum (sequel to C-1299). author: Crookes
C-1327: Praetorius' brass instruments and cammerthon. authors: Heavens, Segerman
C-1328: Praetorius' pitchpipe pfeifflin zur Chormass. author: Heavens
C-1329: Transposing organs and pitch in England: response to Segerman's C-1290. author: Goetze
Wood absorption (further to C-1227, C-1228, C-1285). [Supplement]

Return to Index

FOMRHI Apr 1995 # 79

C-1330: Katalin Komlós: Fortepianos and their music. 158 pp. [Review] reviewer: Cole
C-1331: William Waterhouse: The new Langwill Index: a dictionary of musical wind instrument makers and inventors. [Review]
C-1332: Thoughts after the New Langwill Index. author: Smith
C-1333: A reply to Jeremy Montagu's review of Richard Griscomb & David Lasocki, the Recorder: a guide to writings about the instrument for players and researchers (C-1311). author: Lasocki
C-1334: About the difficulties of delivering a message and some replies to C-1314. author: Spohr
C-1335: On Stroom's C-1315. author: Segerman
C-1336: A revised hypothesis for the early music meaning of the word `Consort'. author: Segerman
C-1337: Wood science. author: Beament
C-1338: Preserving passion and conviction: fend off the flaccid. author: White
C-1339: Where do we want to go. author: Rawson
C-1340: Progress report 1994 on the collection of historic musical instruments of the Edinburgh University. author: Myers
C-1341: British clavichord society at the open university, 11th March 1995. author: Alexander-Max
C-1342: The grounded staff (sequel to C-1326). author: Crookes
C-1343: Cutting thick veneers. author: Gill
C-1344: Cork substitute. author: Gill
C-1345: The inventor of the double-action pedal harp with fourchettes; Gröll versus Erard. author: Baldwin
C-1346: Restoration report of English spinet by Stephen Keene, London, 1704. author: Greenberg
C-1347: Reply to C-1329 on English organ pitches. author: Segerman
C-1348: Response to Chiverton's C-1322 on lute belly shapes. author: Segerman
C-1349: Simple design for lute rib shapes. author: Chiverton
C-1350: German baroque lutes and overspun strings. author: Peruffo
C-1351: More on Ramelli, loaded gut strings and gansars. author: Peruffo
C-1352: More on roped strings and other knotty problems. author: Downing
C-1353: Determining the step size of a recorder. author: Loretto
C-1354: Recorder bore measuring. author: Loretto
C-1355: Recorder bore measuring, using modified telescopic bore gauges. author: Loretto
C-1356: Resonans, a software program for developing new wind instruments. author: Bolton
Corrections to C-1316. [Supplement]
Further to C-1318. [Supplement]

Return to Index

FOMRHI Jul 1995 # 80

C-1357: Sparks: The classical mandolin, 225 pp. [Review] reviewer: Montagu
C-1358: Burnett: Seven Broadwoods; the evolution of an English piano. [Review] reviewer: Montagu
C-1359: Harvey: the violin family and its makers in the British isles; an illustrated history and directory. 448 pp. [Review] reviewer: Montagu
C-1360: Brauchli, Brauchli, Galazzo, ed.: De clavicordo: proceedings of the international clavichord symposium, Magnano 9-11 Sept 1993. [Review] reviewer: Bavington
C-1361: Dulcimers in public collections. author: Alcock
C-1362: Martin Routh's razor (further to C-1350). author: Catch
C-1363: Response to C-1337 on wood science. author: Segerman
C-1364: Response to Rawson's C-1339. author: Segerman
C-1365: On the upsetting power of Occam's razor. author: Segerman
C-1366: Once more, scholarship and disputes (further to C-1335). author: Stroom
C-1367: Copyright, the status of FoMRHI and accuracy. author: Stroom
C-1368: David Lasocki's Ganassi controversy (reply to 1333). author: Loretto
C-1369: William who, from where?? (on Occam). author: Loretto
C-1370: Recorder writings. author: Loretto
C-1371: Praetorius's and surviving Nuremberg sackbut lengths and playing pitches. author: Segerman
C-1372: On measuring the pitch of early wind instruments. author: Segerman
C-1373: Mersenne's sackbut and pitch, plus playing with shawms. author: Segerman
C-1374: Mersenne's pitch standard. author: Segerman
C-1375: Undercutting small diameter finger holes on woodwind instruments: Goodacre's razor. author: Goodacre
C-1376: Suppliers for Occam's razor. author: Goodacre
C-1377: How to make a shelly hautbois. author: Crookes
C-1378: Upon the harp with a solemn sound (sequel to C-1342). author: Crookes
C-1379: On some early 17th century discussions of gracing. author: Segerman
C-1380: Robert Greenberg, an obituary. author: Barnes
C-1381: Withdrawal of ascription. author: Greenberg
C-1382: Some comments on veneering with hot glue. author: Hood
C-1383: The British ten foot organ. author: Goetze
Technical drawings of musical instruments on microfiche, MFF Publications. [Plans]

Return to Index

FOMRHI Oct 1995 # 81

C-1384: Obituary Len Stanners. author: Smith
C-1385: Length standards from Stone's New Mathematical Dictionary, 1726. author: Cousen
C-1386: Philip Stubbes: anatomy of abuses, 1583 (music criticism). author: Cousen
C-1387: The music of psalm 117 (sequel to C-1378). author: Crookes
C-1388: On Stroom's C-1366.. author: Segerman
C-1389: An explanation to C-1370. author: Loretto
C-1390: Bending wood for crummhorns. author: Buck
C-1391: Folding viol backs. author: Van Edwards
C-1392: Another mouldy idea. author: Van Edwards
C-1393: Gansar lute strings. author: Downing
C-1394: Catapult cordage - part 1, manufacture and properties. author: Downing
C-1395: Catapult cordage - part 2, more speculation. author: Downing
C-1396: A correction to C-1362. author: Catch
C-1397: The `clearness' of early gut. author: Segerman
C-1398: Pitch standards of early English organs - response to C-1383. author: Segerman
C-1399: Veneering with hot hide glue - response to C-1382. author: Rawson
C-1400: About `manacordo' and `sordino'. author: Tiella
C-1401: Was the fortepiano built as a folk instrument. author: Tiella

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FOMRHI Jan 1996 # 82

C-1402: Boalch, Mould. Makers of the harpsichord and clavichord 1440-1840, 3rd ed. [Review] reviewer: Cole
C-1403: Pollens. The early pianoforte. [Review] reviewer: Cole
C-1404: Pollens. The early pianoforte. [Review] reviewer: Montagu
C-1405: Larigot, Bulletin de l'association des collectionneurs d'instruments à vent. IV & V spécial & no.16. [Review] reviewer: Montagu
C-1406: Myers, ed. Historical musical instruments in the Edinburgh University collection (Cornets & Tubas, Oboes, Clarinets, Stringed instruments of regional cultures worldwide, Viols & violins). [Review] reviewer: Montagu
C-1407: Cat(apult)lin(e)s. author: Catch
C-1408: The auloi of Porphyrius: some thoughts about the differences in pitch between wider and narrower pipes of the same length. author: Bouterse
C-1409: The Ganassi bell diameter. author: Loretto
C-1410: More reamers. author: Chiverton
C-1411: Just a last(?) bang at Ockham (Occam). author: Chiverton
C-1412: Narrow long hole augers. author: Gill
C-1413: The case against hot hide glue. author: Gill
C-1414: On the expression of emotion in music. author: Segerman
C-1415: Anti FoMRHI people in the lute world. author: Segerman
C-1416: Some aspects of string technology bearing on sound quality. author: Segerman
C-1417: More on gut strings. author: Peruffo
C-1418: A power law in the stringing of instruments with varying string length. author: Segerman
C-1419: On describing the body shapes of stringed instruments. author: Segerman
C-1420: On the hair tension during bowing. author: Segerman
C-1421: J.S. Bach's `Fiauti d'echo': recorders off-stage. author: Smith
C-1422: The instruments of the consort. author: Segerman
C-1423: Wood treatment to improve sound. author: Segerman

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FOMRHI Apr 1996 # 83

C-1424: Hide glue defended. author: Rawnsley
C-1425: Hot hide glue defended. author: Bavington
C-1426: Lieder ohne Worte: emotion imaged by music. author: White
C-1427: Who was HIE.S: or HIER.S: or HIERO.S. author: Lyndon-Jones
C-1428: More thoughts on the Bassanos. author: Lyndon-Jones
C-1429: Hautboy taxonomy. author: Haynes
C-1430: Bell key acoustics. author: Thomas
C-1431: Recorder woods - do they influence the sound. author: Loretto
C-1432: Estimation of original bore in old instruments. author: Gill
C-1433: Brass mouthpieces. author: Chiverton
C-1434: Chiverton's Ockham bang. author: Loretto
C-1435: More about reamers. author: Gill
C-1436: Right angled reamers; addendum to C-1410. author: Chiverton
C-1437: How accurate and understandable are measurements of woodwind instruments. author: Bouterse
C-1438: Historical evidence for stewing soundboard wood. author: Gill
C-1439: why old fiddles sound sweeter. authors: Hunt, Balsan
C-1440: Mace on overspun strings. author: Segerman
C-1441: More on sinew fibre - a footnote to C-1394. author: Downing
C-1442: Sinew strings ... yet again. author: Downing
C-1443: Caul veneering. author: Downing
C-1444: Making your own traditional purfling cutter. author: Downing
C-1445: The cittern in consort. author: Forrester
C-1446: Johann Socher's square piano of 1742. author: Cole
list, Muzeum Ceské Hudby, Praha. [Plans]
list, new acquisitions at the Fiske Museum, Claremont, California, USA. [Plans]

Return to Index

FOMRHI Jul 1996 # 84

C-1447: Field, Myers, ed. Catalogues of historic musical instruments in the Edinburgh University collection, vol 2-K (ancillary equipment). [Review] reviewer: Montagu
C-1447: Myers, Parks, ed. Catalogues of historic musical instruments in the Edinburgh University collection, vol 2-H iv&v (small and large mouthpieces for brass, Montagu. [Review]
C-1448: Larigot 17 (August 1995 & 18 (February 1996). [Review] reviewer: Montagu
C-1449: Falcon Møller. Music aloft - musical symbolism in the mural paintings of Danish medieval churches. author: Montagu
C-1450: Rose. Talks with bandsmen. [Review] reviewer: Montagu
C-1451: Monroe. Adding percussion to medieval and renaissance music. [Review] reviewer: Montagu
C-1452: Gétrau, ed. Instrumentistes et luthiers Parisiens, 17-18th siècles. [Review] reviewer: Montagu
C-1453: Montagu. Musical instruments of the Bible. [Review] reviewer: Segerman
C-1454: Reply to C-1426 on emotion imaged by music. author: Segerman
C-1455: The `dying fall', Caccini's `Exclamation' and a sigh. author: Segerman
C-1456: New Braille codes for some early music notations. author: Williams
C-1457: A visit to Paris and some of the museums there which have musical instruments. author: Montagu
C-1458: Progress report 1995 on the collection of historic musical instruments of the Edinburgh University. author: Myers
C-1459: The Mary Rose shawm. author: Forster
C-1460: Hautboy and other taxonomy - further to C-1429. author: Montagu
C-1461: Woodwind taxonomy. author: Smith
C-1462: Long hole augers. author: Swayne
C-1463: Reamers again (further to C-1435). author: Chiverton
C-1464: A bit more on mouthpieces. author: Chiverton
C-1465: Referring to C-1433 on brass mouthpieces. author: Myers
C-1466: More on gut strings. author: Peruffo
C-1467: Sinews: a search for improvement or an excuse for complacency. author: Segerman
C-1468: Reply to Peter Forrester's C-1445 on English citterns. author: Segerman
C-1469: Thicknessing. author: Forrester
C-1470: More on the treatment of soundboards. author: Barlow
C-1471: Wood structure and what happened in the Hunt & Balsan experiment. author: Segerman
C-1472: Models for sound improvement on playing in. author: Segerman
C-1473: Making a silk `sunburst' for a cabinet piano. authors: Mobbs, Mobbs
A response to C-1439, claiming wood changes on playing in. [Supplement] author: Segerman
Chiverton's Ockham. [Supplement] author: Segerman
Praetorius's recorder pitch. [Supplement] author: Segerman

Return to Index

FOMRHI Oct 1996 # 85

C-1474: Johann George Tromlitz, Ardal Powell, tr & ed. The keyed flute. [Review] reviewer: Frank
C-1475: Sumi Gunji et alii: The collection of musical instruments, Kunitachi College, Tokio, 2 vols, rev edition. [Review] reviewer: Montagu
C-1476: CD-ROM catalogue: Collection of paintings and sculptures, Wallraf-Richartz Museum, Cologne. [Review] reviewer: Montagu
C-1477: David Crombie. Piano: evolution, design and performance. [Review] reviewer: Cole
C-1478: Bernard Brauchli, ed. De clavicordio II: proceedings of the international clavichord symposium, Magnano, Italy 21-23 September 1995. [Review] reviewer: Mobbs
C-1479: A response to C-1454 & C-1426. author: White
C-1480: In search of the well tuned clavier - I. author: Lee
C-1481: Some points raised by Ephraim Segerman's reply, C-1468, on English citterns. author: Forrester
C-1482: A response to C-1445 & C-1468. author: Gill
C-1483: Vihuela string quality and thickness, and the Paris vihuela. author: Segerman
C-1484: The changes from baroque to modern violins. author: Segerman
C-1485: Dividing a circumference into five. author: Loretto
C-1486: Old recorders for new (recorder patents). authors: Madgwick, Loretto
Response to Roy Chiverton's C-1464. [Supplement] author: Segerman
Sutton Hoo lyre. [Supplement] author: Segerman
The English cittern in the 2nd quarter of the 17th century. [Supplement] author: Segerman

Return to Index

FOMRHI Jan 1997 # 86

C-1487: Art Brownlow. The last trumpet - a history of the English slide trumpet. [Review] reviewer: Montagu
C-1488: Larigot, Bulletin de l'association des collectionneurs d'instruments à vent. VI spécial. [Review] reviewer: Montagu
C-1489: Pitch standards in northern Italy. author: Segerman
C-1490: The musical instrument - an oscillating system affected by high internal stresses. author: Weiss
C-1491: Leicester Early Music Festival 1997. author: Bence
C-1492: Violin research 15 years ago. author: Segerman
C-1493: On the (frequency) calculations in C-1480 by Lee. author: Segerman
C-1494: Mersenne's iron and Ruckers 6 foot pitch. author: Segerman
C-1495: Harpsichords and `Buntpapier'. author: Pühringer
C-1496: Segerman, Godwin, Fludd, and the English cittern. author: Forrester
C-1497: Reply to Forrester's C-1481 (on English citterns). author: Segerman
C-1498: Response to C-1482 and the Wensler G30 cithrinchen stringing. author: Segerman
C-1499: A provisional list of quinticlaves (alto ophicleides) in Europe and the United States. authors: Jones, Myers, Rice
C-1500: Comments to C-1486 (recorder patents). author: Thomas
C-1501: Four baroque recorders at Sotheby's, November 1996 (Beukers, Stanesby, Denner). author: Bouterse
Further to C-1485. [Bulletin] author: Heavens
Further again to C-1485. [Supplement] author: Segerman
Further to C-1490. [Supplement] author: Segerman

Return to Index

FOMRHI Apr 1997 # 87

C-1502: ACB, Anthony Baines, 1912-1997. author: Montagu
C-1503: Florence Gétrau. Aux origines du musée de la musique: les collections instrumentales du Conservatoire de Paris, 1793-1993. [Review] reviewer: Montagu
C-1504: Thomas Lerch. Vergleichende Untersuchung von Bohrungprofilen historischer Blockflöten des Barock (Comparative research of bore profile of historical baroque recorders). [Review] reviewer: Bouterse
C-1505: Goodacre's razor and undercutting woodwind finger holes. author: Hailperin
C-1506: Response to C-1500 (recorder patents). author: Loretto
C-1507: Response to Messrs Heavens and Segerman (C-1485). author: Loretto
C-1508: Recorder window size. author: Loretto
C-1509: Trust but don't believe what you see in pictures. author: Segerman
C-1510: Chaos, fractals and musical instrument acoustics. author: Segerman
C-1511: A correction and simplification for C-1493 (frequency calculations). author: Segerman
C-1512: Scaling harpsichords soundboards. author: Lloyd
C-1513: Instruments in 18th century Canada and a string maker of New France. author: Downing
C-1514: Citt/Gitt. author: Montagu
C-1515: Parchment roses in citterns, lute, baroque guitars and harpsichords. author: van Weerd
C-1516: Response to C-1498 (cithrinchen stringing). author: Gill
C-1517: Semitone step calculations in stringing. author: Segerman
C-1518: Stradivari `cello' strings and bass viols. author: Segerman
C-1519: Thick gut string, playing harmonics and stopping in mid air. author: Segerman
C-1520: Some earlyish cello string information. author: Segerman
A DIY make of gut lute strings. [Bulletin] author: Segerman
CD-RoM museum pictures. [Bulletin] author: Segerman
Cittern controversy. [Bulletin] author: Segerman
The `renaissance' guitar. [Bulletin] author: Segerman

Return to Index

FOMRHI Jul 1997 # 88

C-1521: West Dean College 10 day instrument making course. author: Segerman(Y)
C-1522: Warning against the Camwood firm. author: Hailperin
C-1523: Is evidence to be explained or just accumulated? Reply to C-1516. author: Segerman
C-1524: Parchment roses for harpsichords. author: Rawson
C-1525: Harpsichord and `Buntpapier'. authors: Henning(R), Henning(U)
C-1526: About Neupert harpsichord technology in the 30's. author: Tiella
C-1527: In search of the well tuned clavier - II. author: Lee
C-1528: The mathematics of tuning up a string. author: Segerman
C-1529: A short history of the names `gittern' and `cittern'; reply to C-1514. author: Segerman
C-1530: Citt/Gitt (cittern and gittern) again. author: Montagu
C-1531: More on the English guitar and speculations on its origin. author: Segerman
C-1532: Explanations of ways in which wood absorbs sound vibrations. author: Segerman
C-1533: The dimensions of windings on a traditional wound string. author: Segerman
Further to C-1457 (Paris museums). [Bulletin] author: Hailperin
Further to C-1485 and C-1507 (dividing a circle). [Bulletin] author: Heavens
Christina Visconti in focus (further to C-1518). [Supplement] author: Segerman
Tricks in calculating equivalent diameters of unusual wound strings. [Supplement] author: Segerman
What about the history of tempo standards. [Supplement] author: Segerman

Return to Index

FOMRHI Oct 1997 # 89

C-1534: Philip Young. Woodwind instruments in the Oberösterreichisches Landesmuseum, Linz. [Review] reviewer: Montagu
C-1535: Swedish clavichords - Mikko Korhonen plays instant music. [Review] reviewer: Montagu
C-1536: Hardening and tempering tool steel. author: Jenkins
C-1537: The Pipe and Tabor is alive and well and living in Euskadi. author: Montagu
C-1538: The Bolhuis auction (1764) of musical woodwind instruments. author: Bouterse
C-1539: The Selhof auction (1759) of musical woodwind instruments. author: Bouterse
C-1540: Recorder voicing. author: Loretto
C-1541: What happens when and after the clavichord tangent hits the string. author: Segerman
C-1542: The purpose of cotton between the hurdy-gurdy wheel and string. author: Segerman
C-1543: Origins of the `guitarra portuguesa'. author: Segerman
C-1544: An amendment to C-1203. author: Catch
C-1545: On Praetorius and the sizes of Renaissance bowed instruments. author: Segerman
Recorder fingerings. [Bulletin] author: Bouterse
Further to C-1528 (mathematics of tuning up a string). [Supplement]
The burn marks on the insides of surviving English viol soundboards. [Supplement]
Were early open-wound strings tigerlines?. [Supplement]
Clarinets by Koch. [A&Q] author: Perini
Lyra da braccio and Lirone project. [A&Q] author: Pomykalo
Music and Technology Research Seminar; 1997-1998. [A&Q] author: Jones

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FOMRHI Jan 1998 # 90

C-1546: Trevor Herbert, John Wallace. The Cambridge companion to brass instruments. [Review] reviewer: Montagu
C-1547: Larigot, Bulletin de l'association des collectionneurs d'instruments à vent. VII spécial (April 1997) & no.20, Sept 1997. [Review] reviewer: Montagu
C-1548: James Beament. The violin explained - components mechanism and sound. [Review] reviewer: Segerman
C-1549: Jeremy Montagu. The magpie in ethnomusicology. [Review] reviewer: Segerman
C-1550: More on draw plates; response to Peter Forrester's C-1469. author: Badiarov
C-1551: On musical iconography. author: Tiella
C-1552: The inventory of the musical instruments of Michael Charles.
C-1557: Reply to C-1544 on catlines. author: Segerman
C-1558: Forqueray's strings and 18th century wound string sound. author: Segerman
C-1559: Reply to C-1542 (cotton between the hurdy-gurdy wheel and string). author: Baker
C-1560: On the lira da bracio and lirone project. author: Segerman
C-1561: The Cremona secret of violins. author: Aristotel
C-1562: The early violino and the viole da bracio family. author: Segerman
C-1563: Experimental work on clavichord action. author: Barnes
the 1710 Michael Mietke single harpsichord in Hudiksval, Sweden (in Supplement). [Plans]
Fomrhi Website. [Supplement] author: Segerman
On C-1535, review of a clavichord CD. [Supplement] author: Segerman

Return to Index

FOMRHI Apr 1998 # 91

C-1565: Christopher Page. Music and instruments of the Middle Ages; studies on text and performance. [Review] reviewer: Montagu
C-1566: Robert Barclay, ed. The care of historic musical instruments. [Review] reviewer: Montagu
C-1567: Pepys's minikin. author: Downing
C-1568: Blowhorns of 19th century North America. author: Downing
C-1569: The alto recorders of Steenbergen. author: Bouterse
C-1570: Catajo and Ganassi - an Italian castle and a flauto dolce. author: Loretto
C-1571: On the information of musical iconography: reply to C-1551. author: Segerman
C-1572: Announcements: miscellany on pre-18th century hurdy gurdies. author: Segerman
C-1573: Some tangential observations about hurdy gurdies (further to C-1559). author: Goodacre
C-1574: Elia foreshadows C-1557 (on catlins). author: Catch
C-1575: Ruminations on original methods of constructing English viols. author: Segerman
C-1576: Violins, citterns and viols in the Edinburgh `A.S.' manuscript. author: Segerman
Further to C-1535 (Swedish clavichords). [Bulletin]
Further to C-1549 (ethnomusicology). [Bulletin]
Further to C-1553 (antique brass instruments). [Bulletin]
Alto recorder Steenbergen Groninger Museum (in C-1569). [Plans] author: Bouterse
Being fair to evidence in scholarship. [Supplement] author: Segerman
Further to C-1561 (Cremona secret). [Supplement] author: Segerman
Good players then and now. [Supplement] author: Segerman
Indexes. [Supplement] author: Segerman
On the use of timpani by 17th century composers. [Supplement] author: Segerman
Leicester Early Music Festival 1998. [Announcement] author: Bence
Morley clavichord No. 213. [Announcement] author: Bence
Progress report 1997 on the collection of historic musical instruments of the Edinburgh University. [Announcement] author: Myers

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FOMRHI Jul 1998 # 92

C-1577: Harpa no.28, spring 1998. [Review] reviewer: Montagu
C-1578: Larigot 21, ACIMV. [Review] reviewer: Montagu
C-1579: David Lasocki with Roger Prior. The Bassanos, 288 pp. [Review] reviewer: Montagu
C-1580: The handling of source errors in scholarship. author: Segerman
C-1581: Henry VIII's 1542 and 1547 inventories. author: Lyndon-Jones
C-1582: Being fair to evidence in scholarship. author: Montagu
C-1583: Dr Robert Smith's 1748 keyboard tunings. authors: Mobbs, Mackenzie of Ord
C-1584: A case for the `Ganassi Recorder' in Vienna. author: Lyndon-Jones
C-1585: Recorder fingerings in print. author: Loretto
C-1586: Long and short recorder feet. author: Loretto
C-1587: Tinplate instruments- further to C-1568. author: Montagu
C-1588: As like as two peas. author: Montagu
C-1589: `What say you, Simon Catlin?'. author: Catch
C-1590: Late 17th century English bass violins, and catlin highest pitches. author: Segerman
C-1591: Catch non-view on the construction of catlins. author: Segerman
C-1592: The size of the English 12-course lute. author: Segerman
C-1593: Praetorius's plucked instruments and their strings. author: Segerman
C-1594: On the early violin bridge position. author: Badiarov
C-1595: Historical varnishes and colour of the bowed instruments in paintings. author: Badiarov
C-1596: 44 historical varnishes and polishes. author: Badiarov
C-1572-¾ (hurdy-gurdies). [Bulletin]
Further to C-1522 (Camwood). [Bulletin]
Further to C-1569 (Steenbergen recorders). [Bulletin]
C-1545 error correction. [Supplement]
Pitch standards and playing viols in the 16th century. [Supplement] author: Segerman
Response to bass violin comments by Catch in C-1574. [Supplement] author: Segerman
Soundboard wood imported to England. [Supplement] author: Segerman

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FOMRHI Oct 1998 # 93

C-1597: A working visit to the Mary Rose and the instruments found in her. author: Montagu
C-1598: Charivari agréable: Two upon a Ground, SIG CD 007. [Review] reviewer: Montagu
C-1599: About technological information in musical instrument iconography; reply to C-1571. author: Tiella
C-1600: Werkstätt der heutigen Künste of J.S. Halle: implications on the historical bassoon reed gouge. author: Rachor
C-1601: The term 'transitional recorder'. author: Loretto
C-1602: Recorder research. author: Loretto
C-1603: Schmelzer's violino piffaro. author: Heavens
C-1604: The tunings and sizes of the viole da braccio: a correction to C-1562 and new theory. author: Segerman
C-1605: French fiddles, the soundpost and the violino. author: Segerman
C-1606: Peg fitting. author: Segerman
C-1607: The changeable harpsichord. author: Stevens
C-1608: Keyboard instruments building in Abruzzo (central Italy); keyboard instrument making of the 19th century in Lanciano (Abruzzo, Italy). authors: Miscia, Tiella
C-1609: The Cipollone fortepiano. author: Tiella
Center for the study of free-reed instruments of the City University of New York. [Bulletin]
FoMRHI History. [Bulletin]
Foundation of the Gesellschaft der Freunde der Wiener Oboe. [Bulletin]
Odilia Publishing Ltd.: harps. [Bulletin]
Sibelius, a computer program for writing music. [Bulletin]
Source for artificial ivory. [Bulletin]
Catline, catlin and catling. [Supplement] author: Segerman
Facts and speculations people. [Supplement] author: Segerman
On `nuts & bolts', further to C-1469. [Supplement] author: Segerman
On timpani, reply to C-1582. [Supplement] author: Segerman

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FOMRHI Jan 1999 # 94

C-1610: Florence Gétreau, ed. Musique - Images - Instruments, #3, 1997. [Review] reviewer: Montagu
C-1611: Larigot 19 Spécial, Septembre 1998, ACIMV. [Review] reviewer: Montagu
C-1612: Symbolism in Emblem books. author: Tiella
C-1613: Mistreatment of instruments. author: Loretto
C-1614: Tin horns again (further to C-1587). author: Downing
C-1615: A low tech casting method. author: Downing
C-1616: Comments on C-1600 (the historical bassoon reed gouge, and further). author: Leguy
C-1617: Working GPS plastics. author: Gill
C-1618: Technical drawings of musical instruments on the Internet. author: Bergstrøm.
C-1619: The bass violin in the Talbot manuscript. author: Smith
C-1620: On using iconography for bridge positions. author: Smith
C-1621: Curving a fingerboard to improve the action. author: Segerman
Further to C-1602 (Recorder research). [Bulletin]
Further to Eph's (Segerman) Bulletin supplement (Q-93). [Bulletin]
4th Broadwood harpsichord competition, Fenton House, 1999. [Announcement]

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FOMRHI Apr 1999 # 95

C-1622: Jeremy & Gwen Montagu. Minstrels & Angels. [Review] reviewer: Segerman
C-1623: Bouwerskontakt Bouwbrief 92, my summary. author: Stroom
C-1624: Period instrument performance in the Czech republic. author: Freeman
C-1625: Musical instrument cases. author: Loretto
C-1626: Direct access to medieval sounds in 1999. author: Folkestad
C-1627: The real diameter of shell augers. author: Pöllitsch
C-1628: A recently discovered traverso by I.W. Oberlender Senior. author: Bouterse
C-1629: Modern harpsichord plectra. author: Lee
C-1630: Violin neck; the changes from baroque to modern. author: Badiarov
C-1631: Response to C-1619 - Smith on Talbot's bass violin. author: Segerman
C-1632: Response to C-1620 - Smith on fiddle iconography. author: Segerman
C-1633a: Origin of the English name `violin' and more on the 16th century lirone. author: Segerman
C-1633: Multiple string bowing in the Renaissance. author: Segerman
Further to C-1615 (casting mouthpieces). [Bulletin]
Technical drawings of Musical Instruments, Museum of Fine Arts, Boston. [Plans]
A stringing for an Irish harp. [Supplement] author: Segerman
Opinions about history and historical evidence. [Supplement] author: Segerman
Reactionary attitudes to music history and a new historical scholarship. [Supplement] author: Segerman

Return to Index

FOMRHI Jul 1999 # 96

C-1635: Ira Schultze-Ardey. Die Geschichte der Klavierbaufamilie Kaim aus Kirchheim unter Teck. [Review] reviewer: Cole
C-1636: Richard Maunder. Keyboard instruments in 18th century Vienna. [Review] reviewer: Cole
C-1637: Michael Cole. The pianoforte in the Classical Era. [Review] reviewer: Maunder
C-1638: Christiane Reicher, ed. Kielinstrumente aus der Werkstatt Ruckers - zu Konception, Bauweise und Ravelement sowie Restaurierung und Konservierung, etc., etc. [Review] reviewer: Montagu
C-1639: Arnold Power, ed. TRAVERSO - the first ten years. [Review] reviewer: Bate
C-1640: Thomas Sherwood. Starting the early bassoon. [Review] reviewer: Lyndon-Jones
C-1641: Larigot 22, Décembre 1998, ACIMV. [Review] reviewer: Montagu
C-1642: Larigot Spécial 10, Avril 1999. Catalogue des instruments de musique de la Manufacture Génerale de Gautrot Ainé & Cie. [Review] reviewer: Montagu
C-1643: E Ridley, E Wells, ed. Royal College of Music Museum of Instruments Catalogue Part 1a - Addenda. [Review] reviewer: Montagu
C-1644: Brian Harvey, Carla Shapreau. Violin fraud: deception, forgery, theft, and the law, 2nd ed. [Review] reviewer: Montagu
C-1645: Rudolf Hopfner. Streichbogen (Katalog der Sammlungen alter Musikinstrumente und Sammlungen der Gesellschaft de Musikfreunde in Wien. [Review] reviewer: Heavens
C-1646: Bouwerskontakt Bouwbrief 93, my summary. [Review] reviewer: Stroom
C-1647: Had we but world enough and time - a rejoinder to Eph Segerman's remarks in Q-95. author: Goodwin
C-1648: Minimalism in historical scholarship. author: Segerman
C-1649: Notes on transposition. author: Segerman
C-1650: The silent whistle. author: Lyndon-Jones
C-1651: French fingerings - in the Cotswolds (the pipe and tabor and Joseph Powell). author: Lyndon-Jones
C-1652: Pipe and tablature. author: Lyndon-Jones
C-1653: Half holing the tabor pipe. author: Lyndon-Jones
C-1654: The big ones (pipe and tabor). author: Lyndon-Jones
C-1655: Irish harp tuning and The Sisters. author: Downing
C-1656: Further to C-1615 (A low tech casting method). author: Downing
C-1657: Further on the pitch ranges of gut strings (further to C-1545). author: Segerman
C-1658: A bit more on early fiddle tunings and sizes. author: Segerman
C-1659: The early development of 16th century viols. author: Segerman
C-1660: The tuning of viols in sets, and their sizes. author: Segerman
NEMA Early Baroque Conference. [Bulletin]
Newly available earliest evidence on the invention of strings wound with wire. [Supplement] author: Segerman

Return to Index

FOMRHI Oct 1999 # 97

C-1661: Musica instrumentalis, Zeitschrift für Organologie, Ausgabe 1, 1998. [Review] reviewer: Montagu
C-1662: Eric Montbel, Florence Gétreau, ed. Exhibition catalogue, `Souffler c'est jouer; Chabretaires et cornemuses à miroirs en Limousin'. [Review] reviewer: Montagu
C-1663: L'arco, the multimedia guide for discovering the secrets of the bow (CD-ROM). [Review] reviewer: Heavens
C-1664: Bouwerskontakt Bouwbrief 94, my summary. [Review] reviewer: Stroom
C-1665: Priorities of words and music. author: White
C-1666: Collections and museums: it is all in the name, or not. author: Bouterse
C-1667: An unusual method for stabilising wood. author: Gill
C-1668: Charles Trute pianos - appeal for information. author: Cole
C-1669: `Bestes kleines Clavier' (clavichord congress Italy 1999). author: Henning
C-1670: Basic accountancy in organ pipe history. author: Segerman
C-1671: Instrument history and 16th century English choir boys. author: Segerman
C-1672: Virgiliano on instruments and transpositions. author: Segerman
C-1673: The sistrum and how to make one. author: Little
C-1674: The intentional sideway tilting of (violin) necks. author: Smith
C-1675: Tensions and diameters of early viol strings. author: Segerman
C-1676: Stringing of the baroque guitar in the 18th century. author: Segerman
Jeremy Montagu announces resignment. [Bulletin]
drawings available on webpage of Ture Bergstrøm. [Bulletin]
Ephraim Segerman announces resignment. [Supplement]
New address of the Center for Musical Iconography, Paris. [Supplement] author: Gétreau
Praetorius's mandora. [Supplement] author: Segerman
Tolbeque's name for small-size violins. [Supplement] author: Segerman

Return to Index

FOMRHI Jan 2000 # 98

C-1677: Larigot 24, Décembre 1999, ACIMV. [Review] reviewer: Montagu
C-1678: Martha Novak Clinkscale. Makers of the piano 1820-1860. [Review] reviewer: Cole
C-1679: CD, two upon a ground; 17th century English instrumental music performed by Charivari Agréable. [Review] reviewer: Heavens
C-1680: Bouwerskontakt Bouwbrief 95, my summary. [Review] reviewer: Stroom
C-1681: J Milnes, ed. The British violin - historical aspects of violin and bow making in the British Isles. [Review] reviewer: Segerman
C-1682: Karel Moens. Problems of authenticity of 16th century stringed instruments. [Review] reviewer: Segerman
C-1683: Mimmo Peruffo. Italian violin strings, Recercare IX (1997). [Review] reviewer: Segerman
C-1684: George Lane. The trombone, an annotated bibliography. [Review] reviewer: Myers
C-1685: Musical millenium memoirs. author: Loretto
C-1686: I am not sure you ought to read this (on the Early Music Journal). author: Montagu
C-1687: News from the MFA (Museum of Fina Arts, Boston). author: Kuronen
C-1688: Molto stuccato. author: Lyndon-Jones
C-1689: Postscript to C-1673 on the sistrum and how to make one. author: Little
C-1690: On Western travellers who described and drew inspiration from Eastern instruments and music, ca 1830-1850. author: Little
C-1691: A Roman mouthpiece in England. author: Chiverton
C-1692: Making Italian roses. author: Wraight
C-1693: Ways of treating wood. author: Owen
C-1694: About an unusual method for stabilizing wood. author: Tiella
C-1695: A theologian's specific for happy musicology. author: Catch
C-1696: A question of evidence. author: Catch
C-1697: Further to C-1655, the Sisters and Irish double harps. author: Downing
C-1698: Modern lute stringing and beliefs about gut. author: Segerman
C-1699: Tinctoris and depictions of 15th century fiddles. author: Segerman
addition to C-1588. [Bulletin]
further to C-1650. [Bulletin]
Geschichte, Bauweise und Spieltechnik der tiefen Streichinstrumente (symposium). [General]
Symposium on bowed string musical instruments. [General]
Fairness, non-judgementalism, objectivity and understanding. [Supplement] author: Segerman
Praetorius's pitch. [Supplement] author: Segerman
further to C-1667 (wood stabilisation). [Supplement] author: Segerman
further to C-1674 (neck tilts). [Supplement] author: Segerman

Return to Index

FOMRHI Apr 2000 # 99

C-1700: Larigot 25, Mars 2000, ACIMV. [Review] reviewer: Montagu
C-1701: F Ingerslev, W Frobenius. Some measurements of the end correction and acoustic spectra of cylindrical open flue pipes. [Review] reviewer: Segerman
C-1702: More on iconography. author: Tiella
C-1703: Comment on C-1686 (the Early Music Journal). author: Loretto
C-1704: Further to C-1686 (the Early Music Journal) - and this you should read. author: Montagu
C-1705: Removing and replacing recorder blocks. author: Loretto
C-1706: Pitch of electrical appliances. author: Loretto
C-1707: Musical instruments evocative of the ancient orient. author: Little
C-1708: Copies of Polish stringed instruments found in archeological digs. author: Czechak
C-1709: `Mysteries' about early bowed instruments. author: Segerman
C-1710: A question of certainty - use of wound strings around 1700 - restoration C-1697. author: Segerman
further to C-1681. [Bulletin]
1st `Diego Fernandez' International Symposium on the Spanish Harpsichord. [General]
Consensus scholars and scholarly debate. [Supplement] author: Segerman

Return to Index

FOMRHI Jul 2000 # 100

C-1711: Arnold Myers, ed. Catalogue of historic musical instruments in the Edinburgh University Collection: vol 2Aiii (Peter Cooke) Percussion instruments of regional cultures worldwide, 1998. [Review] reviewer: Montagu
C-1711: Arnold Myers, ed. Catalogue of historic musical instruments in the Edinburgh University Collection: vol 2Ji (Christopher Overton, Raymond Parks) Xylophones, cymbales and bells, 1998. [Review] reviewer: Montagu
C-1711: Arnold Myers, ed. Catalogue of historic musical instruments in the Edinburgh University Collection: vol 2Jii (Christopher Overton, Raymond Parks) Drums, 1999. [Review] reviewer: Montagu
C-1711: Arnold Myers, ed. Catalogue of historic musical instruments in the Edinburgh University Collection: vol 2Jiii (Christopher Overton, Raymond Parks) Beaters for percussion instruments, 2000. [Review] reviewer: Montagu
C-1712: Florence Gétrau, ed. Revue française d'organologie et d'iconographie musicale, no 4, 1999, musique - -images - instruments. [Review]
C-1713: David Fallows. Embellishment and Urtext in the 15th century song repertories (in Basler Jahrbuch für Historische Musikpraxis XIV (1990). [Review] reviewer: Segerman
C-1714: Marco Tiella, tr. Il pianoforte di G.F. Sievers (English translation). [Review] reviewer: Cole
C-1715: Trute pianos. author: Michael Cole
C-1716: The design of an early Italian harpsichord at the RCM. author: Wraight
C-1717: Arnaut's Clavisimbalum mechanisms. author: Wraight
C-1718: How were the earliest viols played. author: Segerman
C-1719: On Francesco Sgargi's book. author: Tiella
C-1720: Some old Italian units of measurements. author: Tiella
C-1721: Some brief thoughts about the future of FoMRHI. author: Jones
C-1722: Filing FoMRHI Quarterlies. author: Smith
C-1723: English usage in publications. author: Catch
C-1724: Pitch of electrical appliances - comments on C-1706. author: Swayne
C-1725: Decoration and its current use. author: Segerman
C-1726: Why want to hear what it sounds like. author: Segerman
Peterson strobe tuners. [Bulletin]
The Hon.Sec. & Hon.Ed. & Hon.Treas. [Bulletin]
Further on Praetorius's pitch. [Supplement] author: Segerman

Return to Index

FOMRHI Oct 2000 # 101

C-1727: The Renaissance Workshop Company Ltd. Ottavino spinet; plan and construction manual. [Review] reviewer: Jones
C-1728: Bernard Brauchli, ed. De clavicordio III: proceedings of the international clavichord symposium, Magnano, Italy 23-28 September 1997. [Review] reviewer: Jones
C-1729: Bouwerskontakt Bouwbrief 96-98, my summary. [Review] reviewer: Stroom
C-1730: Museum report (St Annen Museum, Lübeck; Schloss Sonderhausen; Museum der Universität, Leipzig; Händel Haus Museum, Halle). author: Dart
C-1731: An improved wooden bodied bore reamer. author: Catterall
C-1732: Pythagoras vs Euclid (in Arnaut's Clavisimbalum). author: Barlow
C-1733: The Clavisimbalum of Henri Arnaut de Zwolle. author: Barlow
C-1734: Horn working Nuts and Bolts; selecting raw material. author: Leaf
C-1735: Further to C-1721, Some brief thoughts about the future of FoMRHI. author: Segerman
C-1736: A late 16th century French picture with instruments. author: Segerman
C-1737: Further to C-1723, English usage in publications; knowledge, belief, catlins, and a response. author: Segerman
C-1738: David Boyden. `Monteverdi's violini piccoli alla Francese' and `Viole da brazzo' in Annales Musicologiques VI. [Review] reviewer: Segerman
C-1739: The Hieronymus Albrecht Hass clavichord in the Bate Collection of Historical Instruments, Faculty of Music, University of Oxford; restoration report. author: Jones
Nuts and Bolts comms. [Bulletin] author: Jones
Restoration and repair. [Bulletin] author: Jones
Armitage. [Supplement]

Return to Index

FOMRHI Jan 2001 # 102

C-1736: Larigot Spécial 11, Septembre 2000. Essai de classification alphabétique des facteurs, ouvriers, inventeurs, essayeurs, marchands, ... français d'instruments à vent, 1re partie A-L. [Review] reviewer: Montagu
C-1737: Bouwerskontakt Bouwbrief 99, my summary. [Review] reviewer: Stroom
C-1738: Acquisitions of the Kenneth G. Fiske Museum, 1999-2000. author: Rice
C-1739: Early pianos in Pennsylvania. author: Cole
C-1740: Tuning recorders by modifying the bore. author: Loretto
C-1741: Recorder dynamics (Dolmetsch, Breuking). author: Loretto
C-1742: Top f in a treble recorder. author: Robertson
C-1743: Some evidence from an old violin. author: Badiarov
C-1744: Strings of silk and other textiles. author: Rakov
C-1745: Oriental colour and atmosphere: why exotic colour became prominent in 19th and early 20th century orchestration. author: Little
Horn working and personal safety. [Bulletin] author: Jones
Leipzig Instrument Museum is moving. [Bulletin] author: Jones
National sound archive on-line catalogue. [Bulletin] author: Jones
Renaissance recorder database. [Bulletin] author: Jones
Textile strings. [Bulletin] author: Jones
1 Apologies. [Supplement] author: Armitage
2 Loretto's windway broaching machine acquisition. [Supplement] author: Armitage

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FOMRHI Apr 2001 # 103

C-1746: Progress report 2000 on the collection of historic musical instruments of the Edinburgh University. author: Myers
C-1747: Koen Vermeij. The Hubert Clavichord Data Book. [Review] reviewer: Jones
C-1748: Horn - several more toots. author: Goodacre
C-1749: Comment on C-1742. author: Loretto
C-1750: Comment on bulletin 102. author: Loretto
C-1751: Catgut - C-1567 revisited. author: Downing
C-1752: `An angel in green with a vielle' - a reconstruction. author: Skeaping
C-1753: 16th century rib bending. author: Coleman
C-1754: More on the violino Piffaro. author: Heavens
C-1755: About the history of the use of metal in violin strings. author: Segerman
C-1756: The appoggiatura, early vocal style and instrument imitations. author: Segerman
C-1757: When the neck length (nut to body) became 2/3 the body stop (neck to bridge) on violins and violas. author: Segerman
FoMRHI Treasurer - a vacancy. [Bulletin] author: Jones
Wood auction. [Bulletin] author: Jones

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FOMRHI Jul 2001 # 104

C-1758: Bouwerskontakt Bouwbrief l00 and 101, my summaries. author: Stroom
C-1759: F Delbanco. Posaunen und Trompeten - Geschicbte, Akustike, Spieltechnik. [Review] reviewer: Montagu
C-1760: Andrew Ashbee, et al. The Viola da Gamba Society index of manuscripts containing consort music, vol 1. [Review] reviewer: Jones
C-1761: Response to Eph's (Segerman) response to Lewis's (Jones) C-1721. author: Montagu
C-1762: Irving and historical scholarship: a lesson for music historians. author: Segerman
C-1763: Double chamfers. author: Loretto
C-1764: A synthetic finish for recorder bores. author: Colebrook
C-1765: The clavisimbalum from the manuscript of Arnaut de Zwolle, c. 1440. author: Rennoldson
C-1766: Some theory on pitch instability, inharmonicity and lowest pitch limits. author: Segerman
C-1767: Response to C-1744 (strings of silk and other textiles). author: Segerman
C-1768: Stringing renaissance fiddles and rebecs. author: Segerman
C-1769: Early sound posts and bass bars. author: Segerman
C-1770: 17th century English viols. author: Segerman
C-1771: Stress equilibrium and moisture content in gut and wood. author: Segerman
Delays in publication - an apology. [Bulletin] author: Jones
Titles of FoMRHI Comms. [Bulletin] author: Jones

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FOMRHI Oct 2001 # 105

C-1772: A brief response to C-1752 and Bull-103. author: Montagu
C-1773: The peoples organ - investigating the concertina. author: Macneil
C-1774: A look at the mechanics of the vibration of the bowed bridge. author: Segerman
C-1775: Measuring the elastic modulus of gut. author: Segerman
C-1776: Tables in steps for close-wound strings. author: Segerman
C-1777: Jerome of Moravia and the Tractatus de musica. author: Skeaping
C-1778: Tuning and stringing medieval fiddles. author: Segerman
C-1779: The anomalous size of the pardessus de viole. author: Segerman
C-1780: Román Martinez Gayol. The aging process (in 'the Strad', vol 112, # 1335). [Review] reviewer: Segerman
C-1781: A timeline of 18th century bassoon makers. author: Dart
C-1782: Early ud fretting systems described by Al-Kindi. author: Margerum
FoMRHI Treasurer - David Armitage. [Bulletin] author: Jones
Form for the submission of entries for the FoMRHI Directory of Suppliers to Musical Instrument Makers. [Bulletin] author: Jones

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FOMRHI Jan 2002 # 106

C-1783: Progress report 2001 on the collection of historic musical instruments of the Edinburgh University. author: Myers
C-1784: Larigot 27, Août 2001, Larigot 28, Décembre 2001, Larigot Spécial XII, Avril 2001, Larigot Répertoire et Listing, Avril 2001. [Review] reviewer: Montagu
C-1785: On the 'English scholarly tradition' expressed in Jeremy's C-1761. author: Segerman
C-1786: Hornworking reference sources. author: Leaf
C-1787: A Workeshoppe Restor'd - an attempt to recreate a North European string instrument maker's workshop of the late 16th Century (or the search for the lute makers donkey!). author: Atkinson
C-1788: Harpsichord - to build or buy. author: Foster
C-1789: My problems with traversos in a-440 Hz. author: Bouterse
C-1790: High f on the baroque alto recorder (further to C-1742 and C-1749). author: Bolton
C-1791: On Downing's speculations on catgut in C-1751. author: Segerman
C-1792: On Skeaping's fiddle reconstruction in C-1752. author: Segerman
C-1793: Comments on Coleman's C-1753 on rib bending. author: Segerman
C-1794: The 'Angel in Green' Lyra - a response to Eph Segerman's observations on C-1792. author: Skeaping
C-1795: Further to C-1751 - Silkworm Gut and the Origins of the Minikin Lute String. author: Downing
C-1796: Silk Strings? - Putting Another Spin on Interpretation of the Sources (Further to C-1767). author: Downing
C-1797: Translation of the tuning instructions in Girolamo Montesardo, 'Nuova inventione d'intavolatura per sonare li balletti sopra la chitarra spagniuola (Florence, 1606). author: Hall
C-1798: A few notes on Montesardo's 5-course guitar tuning. author: Segerman
Further to C-1751 (silkworms). [Bulletin] author: Harwood
Further to C-1751 (silkworms). [Bulletin] author: Montagu
Further to C-1765 (the clavisimbalum). [Bulletin] author: Montagu
Further to C-1785 (reviewing of published articles). [Bulletin] author: Jones
The violino piffaro. [Bulletin] author: Segerman

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FOMRHI Apr 2002 # 107

C-1799: The Kloster Michaelstein Guitar and Cittern Symposium: a report. author: Forrester
C-1800: Spreadsheet I & F (Ingerslev & Frobenius) calculation of organ pipe pitch. author: Segerman
C-1801: More ancient varnish recipes. author: Owen
C-1802: The clavisimbalum from the manuscript of Henri Arnaut de Zwolle, c. 1440: an update to C-1765. author: Rennoldson
C-1803: Bending vihuela ribs: a response to Ephraim Segerman's C-1793 on Richard Coleman's C-1753. author: Hebbert
C-1804: Gut strings: further to C-1683. author: Peruffo
C-1805: On Segerman's speculations on catgut, etc in C-1791. author: Downing
C-1806: Some relationships involving string displacement. author: Segerman
C-1807: An analysis of the bridge hole data on lutes in C-1288 and C-1350. author: Segerman
A virtual Sodi harpsichord. [Bulletin] author: Jones
Joint meeting with the Lute Society. [Bulletin] author: Jones

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FOMRHI Jul 2002 # 108

C-END: FoMRHI has ceased to exist. [Announcement]

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FOMRHI Aug 2008 # 109

C-1808: Tuning temperaments for lutes. author: Coakley
C-1809: Elasticity of lute strings. author: Coakley
C-1810: Tapered lute strings, angled necks and bridges. author: Coakley
C-1811: Acoustics of lute soundboards and bars. author: Coakley
C-1812: Lute stability. author: Coakley
C-1813: Further acoustivs of lutes: bridge areas, minor bars, angles. author: Coakley
C-1814: Lute sizes and optimum design. author: Coakley
Revival of FoMRHI, by Chris Goodwin, secretary, with John Rawson, treasurer. [Bulletin] author: Goodwin

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FOMRHI Nov 2008 # 110

C-1815: On frets and barring; some useful ideas. author: McConnell
C-1816: Modifications to recorder blocks to improve sound production. author: Madge
C-1817: What is wrong with Vermeer's guitar. author: Forrester
C-1818: A new addition to the instruments of the 'Mary Rose'. author: Montagu
C-1819: Oud or lute? - a study. author: Downing
C-1820: Some parallels in the ancestry of the viol and violin. author: Segerman
C-1821: Notes on the polyphont. author: Segerman
C-1822: The 'English' in English violette. author: Segerman
C-1823: The identity of the lirone. author: Segerman
C-1824: On the origins of the tuning peg and some early instrument names. author: Segerman
C-1825: 'Twined' strings for clavichords. author: Bavington
C-1826: Wood fit for a king? An investigation. author: Downing
C-1827: Temperaments for gut string and gut fretted instruments. author: Catch
C-1828: Reply to Hebbert's C-1803 on early bending method. author: Segerman
C-1829: Reply to Peruffo's C-1804 on gut strings. author: Segerman
C-1830: Reply to Downing's C-1805 on silk and catgut. author: Segerman
C-1831: On stringing of lutes in C-1807 and guitars in C-1797 and C-1798. author: Segerman
C-1832: Tapered lute strings and added mass. author: Coakly
C-1833: Review: A history of the lute from Antiquity to the renaissance, by Douglas Alton Smith; Lute Society of Amerixa, 2002. [Review] reviewer: Segerman
C-1834: Review: Die Renaissanceblockflöten der Sammlung alter Musikinstrumenten des kunsthistorisches Museums Wien; Vienna, 2006. [Review] reviewer: Bouterse
The Greenwich Exhibition, Call for Papers. [Bulletin] author: Goodwin

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FOMRHI Feb 2009 # 111

C-1835: Jan Steenbergen and his oboes. author: Bouterse
C-1836: Observations on glue and an early lute construction technique. author: Downing
C-1837: Thomas Stanesby junior's 'True Concert Flute'. author: Bolton
C-1838: Oil paintings of musical instruments - should we trust the Old Masters?. author: Goodacre
C-1839: A method of fixing loose soundbars. author: Bavington
C-1840: Mediaeval and Renaissance multiple tempo standards. author: Segerman
C-1841: The earliest soundposts. author: Segerman
C-1842: The historical basis of the modern earlymusic pitch standard of a' = 415 Hz. author: Segerman
C-1843: Notes on the symphony. author: Segerman
C-1844: Some design considerations in making flattened lute backs. author: Segerman
C-1845: Tromba Marina notes. author: Allen
C-1846: Woodwinds dictionary online; http://www.woodwindwords.com. author: Lemmel
C-1847: For information: Diderot et d'Alembert, L'Encyclopedie free!; http://diderot.alembert.free.fr. author: Downing
C-1848: 'Mortua dolce cano' - a question. author: Downing
C-1849: 'Mortua dolce cano' - two more instances. author: Goodwin
C-1850: Further to C-1818, the new Mary Rose fiddle bow. author: Montagu
C-1851: Oud or lute? C-1819 continued. author: Downing
C-1852: Wood fit for a king a case of mistaken identity?; C-1826 updated. author: Downing
C-1853: Reply to Segerman's C-1830; (on silk and catgut). author: Downing
C-1854: Reply to john Catch's C-1827 on frets and temperaments. author: Munck
C-1855: C-1855 not allocated.
C-1856: Re C-1810 and C-1815 angled bridges, tapered strings, frets and bars. author: Segerman
C-1857: The lute in renaissance Spain: comment on C-1833. author: Arroitajauregi
C-1858: Review of modern clavichord studies: De Clavicordo VIII. [Review] reviewer: Weston
. [Bulletin] author: Goodwin

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FOMRHI May 2009 # 112

C-1859: Errata in C-1858; some names were misprinted. author: Goodwin
C-1860: Mortua dolce cane - an answer to C-1848 and C-1849. author: Forrester
C-1861: Bouwerskontakt and its publications. author: Bouterse
C-1862: Further to C-1854 on fretting. author: Catch
C-1863: David Hockney and 'The Ambassadors' lute. author: Downing
C-1864: Oud or lute? - the Ambassadors lute seen from a computer's perspective. author: Downing
C-1865: A brief review of sound hole configuration in early ouds and lutes. author: Downing
C-1866: Glue - more information from the Asiatic bow makers. author: Downing
C-1867: Making a recorder block. author: Lynham
C-1868: Supporting claims of kithara or lyre origin. author: Segerman
C-1869: On the development of early music. author: Segerman
C-1871: A basic theory about string twist. author: Segerman
C-1872: The Young's modulus made easy. author: Louchet
. [Bulletin] author: Goodwin

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FOMRHI Aug 2009 # 113

C-1873: Lute peg shank taper; includes lists from mandolinos and lutes. author: Downing
C-1874: More on making recorder blocks; comments on C-1867. author: Madge
C-1875: Every musician an instrument maker or Bach's 'viola pomposa'; 'all makers must be players and all players makers' (Carl Dolmetsch). author: Lahham
C-1876: English guitar makers in 18th century Britain: a directory; an inventory is included. author: Tyler
C-1877: A wooden ocarina. author: Bouterse
C-1878: More on Youngs modulus; comments to C-1872. author: Downing
C-1879: Another useful free online resource; the internet archive of old books at www.archive.org. author: Downing
C-1880: Recorder research: windway design - part 1; measurements, techniques of old recorders. author: Bouterse
C-1881: Some thoughts on 'reverse' moderators in Austrian pianos at the end of the 18th century; a fortepiano made by Sebastian Lengerer, Kufstein 1793. author: Tiella
C-1882: A keyboard instrument in a painting; an unsigned portrait with a keyboard instrument: an attempt to ascribe a painting. author: Rosenblatt
C-1883: On lute sizes; an historical approach. author: Segerman
. [Bulletin] author: Goodwin

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FOMRHI Nov 2009 # 114

C-1884: Additions to C-1876, some more English Guitars. author: Takeuchi
C-1885: An early lute construction technique, further to C-1836. author: Downing
C-1886: A keyboard instrument in a photograph; a reed organ in the house of German clergy in Jerusalem. author: Rosenblatt
C-1887: Pinched notes; the thumb hole of the recorder. author: Madge
C-1888: Home-made tools for lute building. author: Franklin
C-1889: Bassoon reed making; adapting the reed making technique to the material or forcing the material to the reed making technique. author: Rachor
C-1890: Inventing the guihuela; a radical approach to instrument accessibility. author: Emmet
C-1891: On an often misunderstood picture of a mediaeval fiddle; King David depicted in a Troparium, 11th cnt. author: Segerman
C-1892: The lost art of declamation in music performance. author: Segerman
C-1893: What types of fiddles were the Charles XI Andrea Amati instruments when made?. author: Segerman
C-1894: On late 18th century archcitterns. author: Segerman
. [Bulletin] author: Goodwin

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FOMRHI Mar 2010 # 115

C-1895: English guitars in the Danish Music Museum, Copenhagen; additions to C-1876 and C-1884. author: Bergstrøm
C-1896: Design and construction of a 'multipurpose' lute. author: Coakley
C-1897: How big is a lute? The statistical evidence from hand sizes. author: Franklin
C-1898: Recorder research: windway design - part 2; five alto recorders by Bressan: windway and blocks. author: Bouterse
C-1899: A renaissance piano?; based on a spinettino in the Metropolitan Museum of Art, New York, by Franciscus Bonafinis MDLXXV. author: Barlow
C-1900: Reply to David Rachors C-1889 on adapting techniques to the material or not. author: Barlow
C-1901: A keyboard instrument in a Metropolitan Museum, New York; a rebuilt Italian harpsichord in the Metropolitan Collection (NY): restoring a chain of events. author: Rosenblatt
C-1902: A clarinet from before when clarinets were invented?; the sculpture of an angel at the Plasy organ (Abraham Starck, 1688, West Bohemia). author: Spicka
C-1903: On the gittern's body change round 1500. author: Segerman
C-1904: The step between the top of the sides and the top of the neck of stringed instruments. author: Segerman
C-1905: Angled bowing on medieval paintings. author: Segerman
C-1906: Why it was the vihuela and not the lute in 16th century Spain. author: Segerman
announcing www.fomrhi.org; an electronic Fomrhi?. author: Goodwin

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FOMRHI Aug 2010 # 116

C-1907: Lute pegs from Holbein's Ambassadors Portrait. author: Franklin
C-1908: Clarinets are older than you think; reply to C-1092. author: Henning
C-1909: Early keyboards in Israel: reportage from the field. author: Rosenblatt
C-1910: Bressan alto recorders: pitch and sound; and some tips to make a copy. author: Bouterse
C-1911: 'Pythagoras of Ulm' and the geometry of a 19th century oud. author: Downing
C-1912: Templates for grinding tools on a bench grinder. author: van der Most
C-1913: Hie Folget ein Welsche Tanz?; in Hans Newsidler's Lautenbuch. author: Downing
C-1914: A lute peg retrofit with 'silver' inlays. author: Downing
C-1915: An Italian (unsigned) harpsichord rebuilt as a tangent piano; addition to C-1901. author: Tiella
. [Bulletin] author: Goodwin

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FOMRHI Dec 2010 # 117

C-1916: A geometrical analysis of an old Nahat oud. author: Downing
C-1917: Silk strings - making sense of the historical data, part 1. author: Downing
C-1918: Questions about the origin of the curtal and the bassoon. author: van der Most
C-1919: A comparison of oud and lute geometries - a 16th century lute by Giovane Hieber. author: Downing
C-1920: Early clarinet iconography. author: Rice
C-1921: A comparison of oud and lute geometries - the 17th century `Cleveland Tiorbino'. author: Downing
C-1922: Towards an affordable South African recorder. author: Jones
C-1923: Workshop idea: shaped file, e.g. for cutting windways. author: Lloyd
C-1924: Further to C-1004, The `Sorduen-Bas'. author: Lloyd
C-1925: Stewart Pollens: Stradivari, 335 pp. [Review] reviewer: Segerman
C-1926: Three Broadwood pianos spanning one decade. author: Barlow
C-1927: Help needed regarding stuck bassoon tenons. author: Rachor
C-1928: Danger of spontaneous combustion using linseed oil. author: Damon
Quartelies online. [Bulletin] author: Goodwin

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FOMRHI Apr 2011 # 118

C-1929: Alto recorders by Bressan. author: Bouterse
C-1930: Two unstuck bagpipe tenons. author: Goodacre
C-1931: More on the dangers of combustion; linseed oil. authors: Goodacre, Allen
C-1932: Tronc, tronc, tronc, preng, preng, preng: onomatapocic words as an indication of the sound and playing technique of early stringed instruments. author: Goodwin
C-1933: Sliding tubes for the renaissance sackbut. authors: van der Most, van Assendelft
C-1934: Correction to C-1918, questions about curtal and bassoon. author: van der Most
C-1935: Ancient metrology, Ibn al-Tahhan and the Maler and Frei lutes; part 1. author: Downing
C-1936: Ancient metrology, Ibn al-Tahhan and the Maler and Frei lutes; part 2. author: Downing
C-1937: Catgut revisited. author: Downing
C-1938: A very useful tool; (but not a very useful title) - the hand shaper. author: Wynn
C-1939: The significance of the evidence in historical scholarship. author: Segerman
C-1940: Another look of the Cetra in the Gubbio intarsia. author: Segerman
C-1941: Historical accuracy and the early music movement. author: Segerman
. [Bulletin] author: Goodwin

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FOMRHI Jul 2011 # 119

C-1942: Caveat Emptor', some thoughts relating to C-1939 and C-1941. author: Franklin
C-1943: Catgut, some comments. author: Catch
C-1944: Napoleon and a seven-course oud. author: Downing
C-1945: A mediaeval oud, Ikhwan-al-Safa and the 'Pythagoras of Ulm' lute. author: Downing
C-1946: Volumes of different kinds of double reeds. author: van der Most
C-1947: One more instance of musical onomataopoeia, further to C-1932. author: Goodwin
C-1948: The Brussels #0164 Oud case and 16th century lute case design. author: Downing
C-1949: Pitch relativity in the renaissance and the sizes of fiddles and viols. author: Segerman
C-1950: Fixture for cutting windways on a metal working lathe. author: Jones
C-1951: The story of Giuseppe Fiorini - appeal for assistance. author: Regazzi
C-1952: The guitar and Praetorius' finger. author: Downing
. [Bulletin] author: Goodwin

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FOMRHI Oct 2011 # 120

C-1953: Reports of woodwind instruments in Dutch sale catalogues and inventories between 1700 and ca. 1830. author: Bouterse
C-1954: An old list of gut string specimens; in the Elenco di Saggi de Prodotti della Industria Napolitana 1844. author: Tiella
C-1955: European music in Japan in the 16th and 17th centuries. author: van Ooijen
C-1956: The dangers of trusting iconography. author: Watson
C-1957: A Japanese vihuela spotted in China; footnote to C-1955. author: van Ooijen
C-1958: Obituary of a FOMRHI fellow: Ian Harwood MBE, 1931-2011. author: Thea Abbott
C-1959: Meantone fretting. author: Catch
. [Bulletin] author: Goodwin

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FOMRHI May 2012 # 121

C-1960: The authenticity of colours. author: Heinrich
C-1961: Albrecht Dürer and the shape of a lute - egg or ellipse. author: Downing
C-1962: C-1956 and the 'Ambassadors' Lute - some observations and comment. author: Downing
C-1963: Scorched guitar soundboards. author: Downing
C-1964: A few common-sense expedients for players and makers how should you constitute an early music consort of thirty players?. author: Crookes
C-1965: A decorous text for 'Watkins Ale'. author: Crookes
C-1966: Castaldi's practice room: onomatopoeic echoes (after C-1932, C-1947). author: Dolata
C-1967: The Ashmolean festoon bass viol reconsidered. author: Munck
C-1968: The organ and the organistrum, plus a possible key mechanism of the box symphony. author: Segerman
C-1969: The lute and the case for double frets. author: Watson
C-1970: Buffalo horn, a versatile, carbon neutral material. author: Franklin
. [Bulletin] author: Goodwin

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FOMRHI Oct 2012 # 122

C-1971: Corrections to C-1963 - scorched guitar soundboards?. author: Downing
C-1972: Research note: imported lutes in the 15th century. author: Pickvance
C-1973: Comment on C-1963 'Scorched guitar soundboards?'. author: Hodgson
C-1974: A geometrical analysis of an old Syrian oud. author: Downing
C-1975: Some early 20th gut and silk oud strings, an inspection report. author: Downing
C-1976: Further to C-1969 - early evidence for the use of double frets and a list of their advantages over single frets. author: Hodgson
C-1977: Pillow talk. author: Crookes
C-1978: On lute and cases. author: Crookes
C-1979: Gut, gunge and gurus. author: Crookes
C-1980: It all began in Belfast. author: Crookes
C-1981: The four-string lyre. author: Crookes
C-1982: Dutch bassoons and rackets. author: Bouterse
. [Bulletin] author: Goodwin

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FOMRHI Feb 2013 # 123

C-1983: A triangular spinet of unknown Italian maker; found inside the space under the hinged top of a 19th century table. author: Tiella
C-1984: Scorched guitar soundboards and Mace; comments on C-1973. author: Downing
C-1985: Annual ring orientations, speed of sound and multiple piece oud soundboards. author: Downing
C-1986: Dowland's lute tuning and other ancient methods, including Gerle's; an extensive 28-page communication. author: Coakley
C-1987: Orpharion and cittern fret analysis and other ancient tunings, including batoque lutes; a very extensive 67-page communication. author: Coakley
announcing an AGM in November. [Bulletin] author: Goodwin

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FOMRHI May 2013 # 124

C-1988: 18th century clarinets in Holland; Boekhout, Borken, van de Knikker. author: Bouterse
C-1989: Making cents out of fretting ratios and vice versa. author: Dolata
C-1990: The Ikwhan al-Safa oud revisited - further to C-1945 and some other thoughts; numbers and ratios, the oud geometry, fretting and tuning, strings, notes. author: Downing
C-1991: Low cost infrared 'X-ray' imaging - a useful research tool for luthiers? - part 1; introduction, camera, modifications. author: Downing
C-1992: Low cost infrared 'X-ray' imaging - part 2; macro image tests, infrared pass filter, test 2 - transmitting infrared imaging. author: Downing
C-1993: Low cost infrared 'X-ray' imaging - part 3 - postscript. author: Downing
C-1994: A unusual late 19th century Syrian oud - a link to the 16th century Laux Maler lute?. author: Downing
subscription holiday; conference in Oxford July; conference at the Horniman Museum, March 2014; an early Dolmetsch lute for auction in New Zealand. [Bulletin] author: Goodwin

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FOMRHI Dec 2013 # 125

C-1995: Early double bass iconography. author: Henning
C-1996: How did the Babylonians give someone an 'A'?. author: Fellows
C-1998: A rare 1698 Joachim Tielke angélique; with X-rays of the soundboard. author: Westbrook
C-1999: Jim Tranquada, John King: The Ukele - a history. author: Egerton
Conference at the Horniman Museum; Minutes FoMRHI 2013 AGM: discussion of constitution, accounts, outreach. [Bulletin] author: Goodwin
List of Members in 2012-2013. [Supplement]

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FOMRHI Mar 2014 # 126

C-2000: The oboes of Richters: about methods of research in woodwind instruments - part 1 checking source material; the Richters family - a summary, maker' marks of Richters, the instruments and their colections, the oboes by Hendrik, Frederik I 7 II Richters, unstamped oboes. author: Henning
C-2001: Lute metrology and the 'Venetian Inch' - all fingers and thumbs? - part 1; some further thoughts and observations following C-1952. author: Downing
C-2002: The trammel of Archimedes - a draughting tool for 16th century Venetian lute makers?. author: Downing
C-2003: A triangular spinet of an unknown Italian maker - part 2; collation of metallurgical specifications of strings of different origin (prof. G. Wolf & L. Calliari, prof. G. Podda, other techniques. author: Tiella
C-2004: Glagget's patent tuning-key, or how the industrial revolution might not have happened; letters from Clagget to James Watt (~1765). author: Barlow
C-2005: Early music: beauty in history?. author: Segerman
C-2006: Early double bass iconography - response to C-1995. author: Segerman
C-2007: How did the Babylonians give someone an A? - response to C-1996. author: Segerman
Communication 2000!, new constitution, more members please, JSTOR - free content, course on the genesis of the modern piano. [Bulletin] author: Goodwin

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FOMRHI Jun 2014 # 127

C-2008: When is a recorder not a recorder?. author: Rowland Jones
C-2009: Queries about the dichord. author: S Mantzalos
C-2010: The harp-lute in Michael Praetorius's Theatrum Instrumentorum; interpretation and reconstruction: a practical report. author: Gabriel
AGM. [Bulletin] author: Goodwin
Obituary; John Cousen, 1926-2014. [Bulletin] author: Turner

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FOMRHI Oct 2014 # 128

letter; re C-2010 with apology to David Crookes. author: Gabriel
AGM - 14 Nov 2014; volunteers needed!. [Bulletin] author: Goodwin
2011: The oboes of Richters: about methods of research in woodwind instruments - part 2; points of departure, a close look at a boxwood oboe by Hendrik Richters. author: Bouterse
2012: Frans Brüggen, 1934-2014; his recorders, the traverso. author: Bouterse
2013: Gansars, catlines, pistoys and lyons - those silken lute strings?. author: Downing
2014: A few more notes on silk strings (in support of C-2013); "A trial of silk strings", with Jacob Heringman & "Strings of silk and other textiles", by Alexander Rakov. author: Goodwin
2015: The oboes of Richters: about methods of research in woodwind instruments - part 3; methods for comparing instruments. author: Bouterse
2016: The oboes of Richters: about methods of research in woodwind instruments - part 4; the keys. author: Bouterse

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FOMRHI Jan 2015 # 129

Election of new committee; AGM; Instrument Makers' on the internet; interesting youtube's. [Bulletin] author: Goodwin
2017: Some unnoted instruments in Butcher Row Museum, Ledbury; with some photographs of various musical instruments. author: Franklin
2018: Following C-2009, a Venetian monochord (dichord? tetrachord?); in the Museo Internazionale e Biblioteca di Musica di Bologna. author: Goodwin
2019: 'Those silken strings' a correction to C-2013 and other notes. author: Downing
2020: Reply to C-1927 and C-1930 - help with stuck bassoon tenons and wind-instrument joints. author: Egerton
2021: The oboes of Richters: about methods of research in woodwind instruments - part 5; acoustical design of the instruments: length and tone holes. author: Bouterse
2022: The oboes of Richters: about methods of research in woodwind instruments - part 6; acoustical design of the instruments: the bore profiles. author: Bouterse

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FOMRHI Apr 2015 # 130

Cambridge Woowind Makers - repair and care courses. [Bulletin] author: Goodwin
2023: R Wyne descant recorder (Morgan drawing) - rescaled. author: Lynham
2024: Eradicating woodworm and other pests from musical instruments; chemical, heat, cold, radiation, anoxia, alternatives. author: Egerton
2025: Secondary floating-bridges regulate playing action and scale-length on Lyre guitars and other instruments. author: Egerton
2026: Stringmaking in 18th century Newcastle. author: Atkinson
2027: In search of the colascione or Neapolitan tiorba - a missing link. author: Downing
2028: The harmonic cornu. author: Holmes
2029: The European Music Archaeology Project. author: Holmes

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FOMRHI Jul 2015 # 131

; including a selected list of recorder publications by Anthony Rowland-Jones (books & articles). [Bulletin] author: Goodwin
2030: Making Woodwind instruments: 1 Introduction. author: Bouterse
2031: Making Woodwind instruments: 2a Measuring. author: Bouterse
2032: Making woodwind instruments: 2b Internal dimensions. author: Bouterse
2033: The first known stringing table for baroque lute?; Oxford Bodleian MS Mus.Sch.G.621. author: Schlegel
2034: Oxford Bodleian MS Mus.Sch.G.621, how long's a piece of string?. author: Corran
2035: The Bodleian baroque lute stringing chart: a stringmaker's view. author: Dlugolecki
2036: Analysis of the Bodlein baroque lute stringing chart. author: Coakley
2037: Further to C-2027 regarding the colascione, calascione, colachon, gallichon . . .. author: Hodgson

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FOMRHI Oct 2015 # 132

. [Bulletin] author: Goodwin
2038: 'Dolce Napoli: Approaches for performance; Recorders for the Neapolitan Baroque repertoire 1695-1759'. [Review] reviewer: Bouterse
2039: The Boissart mandore: the history of a beautiful 17th(?) century instrument, observations on its lutherie, and questions over its dating. author: Pittaway
2040: Making woodwind instruments: 3a Practical acoustics for woodwinds; sound waves and tuning. author: Bouterse
2041: Making woodwind instruments: 3b Practical acoustics for woodwinds; pure tones, fundamentals, overtones and harmonics. author: Bouterse

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FOMRHI Jan 2016 # 133

Minutes of AGM 13 Nov 2015 (incl secretary's and treasurer's report, AOB); University of Huddersfiled and the European Archaeology Project. [Bulletin] author: Goodwin
2042: In search of the colascione or Neapolitan tiorba - further to C-2027; the tiorba according to Florio, de la tiorba a taccone. [Bulletin] author: Downing
2043: Making woodwind instruments: 4 wood for woodwind instruments - part 1: the properties of wood, making a choice; introduction, boxwood, identifying wood, making a choice, acousitical properties of wood, own experiences. author: Bouterse
2044: Making woodwind instruments: 4 wood for woodwind instruments - part 2: buying, drying and new developments; strong stries?, storage & drying, freshly cut wood & water storage, exotic wood, boxwood, microwave drying, new developments, lignostone. author: Bouterse
2045: The mysteries of the medieval fiddle: lifting the veil on the vielle; three vielle tunings, the Guidonian hand and medieval modes, Christopher Page's tuning solution, crewth technique & tuning, the end of vielle and successor. author: Pittaway

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FOMRHI May 2016 # 134

Donald Gill (1919-2016); the bagpipe map; Cambridge Woodwind Makers. [Bulletin] author: Goodwin
2046: An attempt to reconstruct the bagpipes depicted in Peter Breughel the Elder's Peasants' Wedding. author: Franklin
2047: The oldest Hummel (a folk instrument) from Germany identified. author: Ulrich
2048: Further to C-1944 and C-1948 - Napoleon and a Seven Course Oud - an update. author: Downing
2049: musical passage from Hamlet, act II, scene 3. author: Crookes
2050: Inferring the placement of a bardic school in 13th to 15th century Lennox, Scotland, through harp wood types; the Lennox, willow in the Lennox. author: Bull
2051: Nickel plating brass keys. author: Lynham
2052: Vacuum and pressure oil treatment of wood. author: Goodacre
2053: Making woodwind instruments: 5a Ivory and natural ivory substitutes; the beauty of ivory, a queen's lathe, the problems wth ivory, alternatives, bone, tagua nuts. author: Bouterse
2054: Making woodwind instruments: 5b Artificial ivory; billiard balls, casein, Vigoplas, 'Ivory Alternative Col.849/TM', P115, Elforyn, DIY,. author: Bouterse

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FOMRHI Sep 2016 # 135

Donald Gill (1919-2016); John Hanchet (1941-2016), Terence Pamplin Award, European Music Archeology Project. [Bulletin] author: Goodwin
2055: A maker's look at the Haka oboe, Gemeentemuseum Ea-6 1952. author: Kirkpatrick
2056: Making woodwind instruments, 6a: the lathe. author: Bouterse
2057: Making woodwind instruments, 6b: turning wood on a lathe. author: Bouterse
2058: Amended reeds for Flemish pipes, further to C-2046. author: Franklin
2059: Early synthetic gut strings, a query. author: Hodgson

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